"Philadelphia Maneto," the city of Philadelphia's motto, translates as "Let Brotherly Love Endure." In this spirit of togetherness, Young Robots label chief DJ Apt One curates a compilation of the Philadelphia and New Jersey area's eclectic and talented underground electronic and dance acts. From established acts Pink Skull and Todd Edwards (Daft Punk collaborator and half of Lux & Edwards) to local favorite DJs Billy W and Shawn Ryan (half of Superprince) to indie dance bands Nicos Gun and The Downtown Club, this record shows the depth and diversity of the scene. DJ Apt One remixes three live acts on the compilation, with an assist on the saxophone from his frequent collaborator, Fools Gold's Sammy Bananas. Instamatic, SAUR (My Techno Ways A Ton), aupl and mysterious house guru NITEWAX round out the record.

The tracks by Nicos Gun, The Downtown Club and Instamatic and their respective remixes by DJ Apt One will appear on a limited run vinyl release available in the Philadelphia area this summer and digitally via turntablelab.com.

Philadelphia's premier listener-supported radio station, WXPN FM, will co-sponsor the digital release, which will be available for free as well as through all Young Robots' usual digital sales outlets.

The release of the compilation will coincide with a July 18th concert on Philadelphia's Race Street Pier and a subsequent afterparty, featuring acts from Philadelphia Maneto.

Artwork by Peter Dragontail, Mastering by Paul Zyla and Mark Trewella.

Instamatic - Invaders

Young Robots is a record label run by Skinny Friedman, DJ Apt One, DJ Ayres and Relative Q.  We put out dance music and also some other stuff.

producer and artist up and coming look out 2015 and orbit...

Music on Soul Clap / Razor-N-Tape / Defected / Young Robots / Diggin Deeper France / Giant Cuts / Philly Int'l and more....

Michael has been on the forefront of many important movements in dance music over the last ten years. With his signature funk-influenced style, he has left his mark across the musical spectrum, sometimes under pseudonyms such as RCMP and Michael The Lion.

He was a part of the multi-genre style of DJing that catapulted his adopted Philadelphia to the pinnacle of the DJ world in the early 2000s. His years of seasoning as a DJ have seen him play all styles imaginable all across the US and Europe.

As a part of the duo RCMP, his work foreshadowed the emergence of Nu-Disco before the genre even had a name. As alter-ego Michael The Lion he is pushing the boundaries of funk in modern dance music.

He is an internationally renowned disco edit-maker, appearing on alongside the likes of Todd Terje and Tom Moulton. He has officially remixed global stars as diverse as Wiz Khalifa, Todd Edwards and Gregor Salto.

He is also is one of the OGs of “Moombahton” – the polyglot global EDM movement that saw DJ Apt One find fame on the BBC, NPR and elsewhere along with pioneers Dave Nada, DJ Sabo, Dillon Francis and more.

He is also a founder and executive of Young Robots Records, and has put out debut records by Solidisco, Nicos Gun, Fashen and more.

DJ Apt One has shared stages with some of the best talents of this generation, including The Rub, Diplo, Tittsworth, Juan Maclean, Treasure Fingers, Nick Catchdubs, Gigamesh, Big Freedia, Blaqstarr, DJ Sega, Sammy Bananas, Spank Rock, Dave Nada, Wale, Dillon Francis, Peanut Butter Wolf, De La Soul, !!!, RJD2, Bonde do Role, DJ Neil Armstrong, The Hood Internet, Anna Lunoe, The Budos Band, The Flaming Lips, Flosstradamus and more..

For general inquiries - djaptone (at) gmail (dot) com
For bookings - brent@rogueangency.us

DJ | Producer | Bassist G Mateus melds rhythms and global grooves for the dance floor, creating fresh and contemporary sounds rooted in the traditions of the ancestors.  Mindful of the visceral and spiritual connections his listeners embrace in music, he keeps the dance hall hot and the hips swaying.  With over a decade of experience as  an electric bassist, his approach hovers at the low end of the musical strata... embracing less as more….  
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G Mateus lived for over a decade in Washington, D.C., honing his chops playing bass with groups like Citizen Cope, 18th Street Lounge house band - the Nu Bossa Band, Mahala, and the Iranian pop superstars Sattar and Vigen.  He came of age nodding to Go-Go, Salsa, Cumbia, Reggae, Samba and Bossa Nova, Roots Rock, Classic Soul, Jazz and Persian Pop.

While performing as a bassist, G Mateus learned how music integrates motion, accompanying modern dance classes, studying Capoeira Angola and apprenticing with percussionists specializing in Afro Cuban and West African traditions.  Performance in the DC dance community, led to sound design with modern dance choreographers and theater works performed at The National Black Theater Festival and the NY Fringe Festival.
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G Mateus has continued to perform now in New York City with a variety of groups as a bassist, collaborating with numerous artists from downtempo collective Suisse Modular, to spoken word hip hop Second 2, uber-producers like Christian “Wicked” Wicht, and vocalists like Maya Azucena, and Masauko Chipembere.   MC Juakali’s debut EP included  g-mateus original work “Until Then”, with remixed versions by Alpha and Omega and Drop the Lime, and additional tracks by Kush Aurora.  
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Most recently, G Mateus has sharpened his skills behind the decks, balancing familiar classics with new and inventive forward tracks.  His parties have held it down thoughout the Brooklyn and Downtown scenes, with the famed BUSTED parties at the East Village's Leopard Lounge attracting a diverse group of party goers and hosting artists such as DJ Spooky and Dirty Bird's Justin Martin.  Currently G Mateus has a residency at Williamsburg lounge Hachi, where he spins Nu DIsco, Moombahton, Broken Beat, Deep House and Tropical Beats.

Quantum Cop is a Synth/pop project controlled and manned by Matt Cannon. There is no major concept around time ghost, except that Matt is a time traveler from the year 2083 sent back to record his life into a musical ensemble of birth, past music experience, hardcore shows, blending into domestic violence. It's a existential search in time for what it means to be trapped in the past. 