Buy our records here : https://www.yoyaku.io Or digital release here : https://yoyaku.bandcamp.com/
FOLLOW US: Instagram: Yoyaku: https://www.instagram.com/yoyaku.fr/ Yoyaku record store: https://www.instagram.com/yoyakurecordstore/ Soundcloud: https://soundcloud.com/yoyaku /
Yoyaku events: https://linktr.ee/yoyaku.fr
Yoyaku record store events & latest news: https://linktr.ee/yoyakurecordstore

BUY THEIR LATEST RELEASE: https://www.yoyaku.io/release/atomic_moog_blue_scale_dsr_c23/ 

FOLLOW THE ARTIST:
Instagram: https://www.instagram.com/atomic__moog/
Youtube: https://soundcloud.com/atomic-moog

Yoyaku live session with Atomic moog

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

A journey in an almost literal sense. Martinou provides an hour of contemporary-leaning minimal with that early 2010s sonic flavour. The Swedish native provides a masterclass in building expectations and maintaining flow through expert layering and track selection. Really entrancing. Features music from Tibi Dabo, Blue Channel, and Ovend. 


Kune Takeover w/  Martinou @ Radio Panini (26.04.2025)

Blitz Live : Richard Akingbehin : 22/03/2025

Richard Akingbehin – the tasteful selector known for his engrossing, soothing soundscapes and the driving force behind Berlin’s Refuge Worldwide and Kynant Records – made his Blitz debut in late March 2025, playing alongside DVS1 and Ogazón. A night shaped by deep cuts, subtle shifts and tactile Techno!

We’re pleased to share a recording of the first half of his opening set – and took the chance to ask Richard a few questions about the night, too: find them in our Blitz Magazine:

https://www.blitz.club/2025/06/11/blitz-live-richard-akingbehin/

Listen to the recording here – and don’t forget to follow Richard to stay updated on his upcoming sets and projects.

https://www.instagram.com/richardakingbehin/
https://soundcloud.com/richard-akingbehin

https://kynantrecords.bandcamp.com/music
https://linktr.ee/refugeworldwide

Blitz Live : Richard Akingbehin : 22/03/2025

a 10+ yrs old mix I did as a member of ESHU, containing various styles of triphop and ambient music

ESHU TRIPHOP, DUB & AMBIENT MIX - mixed by ROGER GERRESSEN

Berlin-based Producer/DJs and Tresor residents, LNS & DJ Sotofett, bring the warehouse vibes with a 3 hour x 3 turntable all vinyl set recorded on June 7th 2025 at the release party of their latest EP on Tresor Records "Globus Trax"

Stream/purchase Globus Trax: https://album.link/globustrax

-----

Follow LNS & DJ Sotofett
Instagram: https://www.instagram.com/Sparrowlaura
Instagram: https://www.instagram.com/sotofett/
Resident Advisor: https://ra.co/dj/lns
Resident Advisor: https://ra.co/dj/djsotofett
Soundcloud: https://soundcloud.com/lauransparrow
Soundcloud: https://soundcloud.com/sophatmixes

Photo credit: Marie Staggat: https://www.marie-staggat.com/
-----
About Tresor Berlin
At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future.

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

LNS & DJ Sotofett | Live At Tresor - June 7 2025

The Bunker Podcast 235 comes from @erikluebs. This is a live set recorded in Milan on March 28 at the party Acquario.

Erik Luebs is a US-born musician and sound designer based in Japan. Eschewing typical genre tropes, Luebs approaches techno with a playfully disruptive technique, reinterpreting the fundamentals using built-from-scratch patches and labyrinthine sequencing. While the labor-intensive process is inspired by a wide range of luminaries such as Mark Fell and Rrose, the resulting music is firmly tied to the dance floor.

Luebs released an EP on The Bunker back in 2021, and has since released on DJ Nobu’s Bitta label (@djnobu_bitta), and @nousklaeraudio. He also has an upcoming release on the legendary @kompakt imprint.

Erik will be playing an ambisonic surround sound set for a horizontal audience at Going In at Reforestor’s Laboratory in Brooklyn this Friday, and an extended sunrise dancefloor set at The Bunker’s takeover of @nowadaysnyc Nonstop on Sunday morning.

The Bunker Podcast 235: Erik Luebs

ECOUL SND delivers the sixth chapter of its UnRMXD series with ECOUL180 by @the_open_circle accompanied by a deep and elegant remix from @ft-dubtechno
This release bridges atmospheric dub textures and minimal precision, showcasing the perfect harmony between The Open Circle’s immersive sound design and Tamburrano’s subtle, groove-driven interpretation
.
https://ecoulsnd.bandcamp.com/album/unrmxd-6

The Open Circle - No Lie

Denver - Pointbreak

S.Blake - Future Frustration

Resident Advisor podcast

RA.742 Vlada

record label :
https://www.discogs.com/fr/label/1119605-yoyaku
owning yydistribution
http://www.yydistribution.fr