Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

hello@cercle.io

• Worldwide booking,mgmt and all inquires: karl@goldroomgroup.com
• Press --> Rosalie De Meyer
r@studiodemeyer.com

Mattia Trani is considered one of the most talented young artists of the techno music landscape of recent years, both Italian and European. Born in a musical family, he starts fostering his passion for music as a child, building his background by studying the piano at first, and then focusing on DJing and musical production.
The obsessive research of new sounds, as well as the use of analog instruments (drum machines, samplers and keyboard synths), brought him to pioneer a high-quality techno style which crosses over between Warehouse/Rave and Acid/Drum’n’Bass.
In 2012, by founding his own label Pushmaster Discs, Mattia manages to score important collaborations with international artists like Ben Sims, Juan Atkins,Ken Ishii, DJ Stingray and many others.
Today his platform represents a small “musical universe” and his work is supported by many American music heroes like Jeff Mills and Derrick May, but also European artists like Laurent Garnier , Dave Clarke and Ben Klock, with Amelie Lens and Nina Kraviz as self-proclaimed fans.
In 2014, during the party for the 20th anniversary of Bologna’s Link Club, Trani shares the console with Jeff Mills, and in that occasion the famous Italian newspaper La Repubblica defines him a “Student of the Detroit school, which Mills himself brought to fame”.
The relationship with Motor City runs deep, leading Mattia Trani to publish his own podcast on the official radio of the legendary Underground Resistance. Despite the super young age, he’s the only Italian to ever have had such a privilege.
His skills develop further in 2018 by publishing several works: the single Uncage, for example, in which explodes the thunderous remix of the one and only Donato Dozzy, and the 20th release of Pushmaster Discs: a thrilling EP, with a refined and precious remix of Steve Rachmad the European pioneer of minimalism, involved under the alias of Sterac.
During the pandemic time Mattia never stopped the ideas and release more music,infact on 2020 his track “quasistar” was selected and released by Nina Kraviz on Trip recordings,in 2021 the Italian producer released his second album “SCENERY”, a timeless Hardgroove/Rave/Nu-Techno/Jungle - DNB 15 tracks inside a big triple vinyl box.
After 2 years from the album, Trani’s published “SCENERY THE REMIXES” on june 2023, another big album with amazing reworks from legends of techno like Robert Hood,Marcel Dettmann,Luke Slater,Ken Ishii and many others.
At the end of 2023 he will debut on the amazing Dax J label “Monnom Black” and will start a collaboration to future projects together.
Mattia is today the only Italian artist who can claim to have scored collaborations with such big names - for this, he has gained the nickname of “the Italian King of Techno”.

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

French Kiwi Juice

New album "22_23 Live Sessions" out now: https://fkj.ffm.to/livesessions

Official Store: https://fkj.ffm.to/shop

Sign Up: https://fkj.ffm.to/newsletter

Management: info@verdigrismanagement.com

Bookings: 
North & South America: bowen@paradigmagency.com
Rest of World: michael.harvey-bray@paradigmagency.com

Official Soundcloud of DJ/Producer Gregor Salto

Check out my new Spotify playlist here 👉 https://bit.ly/saltoplaylist

Salto Sounds Radio Show > @saltosounds
Salto Sounds Record Label > @saltosoundsrecords

Booking Contact: bookings@gregorsalto.com
Management Contact: info@gregorsalto.com

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

In just a year, Desiree has catapulted from obscurity to become one of the most promising house Djs in Jozi. Her style of play evokes an Afrocentric mood whilst maintaining unshakeable loyalty to techno basics. 

Electronic music has been a staple in Desiree’s life for as long as she can remember. Her childhood was filled with sounds from the likes of Thom Yorke, Atoms for Peace, Gui Borrato and Jon Hopkins. 

2019 saw her being selected for the prestigious Rackless Kazi Dj residency in Zambia in partnership with the Southern African British Council and Modzi Arts. Subsequent to this, she was shortlisted as a top 10 semi-finalist amongst a cohort of over 500 Djs for the Ultra South Africa King of The Decks competition. 

To mitigate the misrepresentation of the marginalized, Desiree has co-founded a women led electronic music movement called Boys Club. 

Be sure to stay tuned for her debut release which will bring a fresh perspective on afro tech.

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