(PROD. SAPFIR BEATS)

LINKTREE:
https://linktr.ee/yungexileee

LYRICS:
https://genius.com/Yung-exile-da-scum-king-offwithhishead-lyrics

STREAM "OFFWITHHISHEAD!!! w/ BLVCKB1RD"
YOUTUBE: https://youtu.be/XoThlATLJrI?si=Pf5FliYOSc3dU-_I
BLVCKB1RD's SoundCloud: https://on.soundcloud.com/Gy6eD

OFFWITHHISHEAD!!! (w/ BLVCKB1RD)

KVJ is a one man band ready to blow your mind with their distinct sound! ENCORE?
Https://linktr.ee/kvjworld

𝕭𝖎𝖑𝖑𝖞 𝕿𝖍𝖊 𝕭𝖆𝖘𝖙𝖆𝖗𝖉... 🇵🇷🇸🇻
✦ SECOND×DEATH, I'LL DIE FOR MY SCUM ✦
#secondxdeath • #cicadaclique
BUSINESS INQUIRIES: holiestsinner625@gmail.com

Corpse Von Death is an amateur black metal appreciate that made old BM and ambient lofi DSBM. his inspirations in Venom, behemoth and cannibal corpse makes his songs sound like a fusion with all of them bands and his fanatism for old stories about war and Celtic culture inspired the most part of the lyrics.

Ig: Strangechild_music 
dm let me know your favorite track 🖤
#pornstarturntpopstar

I’m Jesús Fresno, and from my small home studio in Chiclana de la Frontera, I bring to life songs that speak of what hurts and what heals: criticism, love, rage, and hope. I blend hard rock with electronics and anything else that crosses my path, because I don’t believe in boundaries when it comes to sound. I’m inspired by B-movies, science fiction, and that universe where the human and the fantastic blur into one. If you feel like getting lost in a different world—built with guitars, synths, and half-lit truths—listen. You might just find a piece of yourself in what I create.

Instrumental/ambient metal music from Spain.
All instruments play by José García.
Don´t forget follow me on other social networks, to be aware news and support this project.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

OFFWITHHISHEAD!!! (w/ BLVCKB1RD)

Yung Exile (@yungexileee)