OUT NOW
stonesthrow.com/store/album/ahnnu/perception-tape

A particular perceptive trance from Ahnnu focusing on the finer details - birth name Leland Jackson delivers “Perception” as his 2nd full length avant-garde masterwork for Leaving Records. First run of 300 cassettes wrapped in silver translucent OCard. Cover collage from Ahnnu, Typography Jesse Moretti, mastered by Matthewdavid.

Ahnnu - Elastic

Stepping away from his recent success for @wild-oats-music, @K15 jumps back on the hip-hop tip with this Slum Village sampling lead track. Taken from his forthcoming beat tape on @wotnotmusic.

More info at: http://www.stampthewax.com/2015/04/07/premiere-k15-getdismoney/

Out in digital and cassette format. Pre-oder now with a K15 t-shirt: http://music.wotnot.tv/album/the-scarlet-tape


K15 - GetDisMoney (STW Premiere)

A couple months ago I started a project to turn my normal journaling process into a channel flipping experience! All the scratch work and raw ideas packaged together. I noticed I loved listening to all my nascent and unfinished ideas playing through my composition journals, so I decided all the new ones I would start making into a listening experience!

Check out my YouTube channel for a simple visual that goes along with this piece. 
https://www.youtube.com/watch?v=vKwCvcZmnaw





Writer's Radio 2

recordings from  Cape Flattery Olympic Peninsula Washington State

The Big Blue Chair at the Start of the World

Mmbb

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.  

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. 	When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all-female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1977, Mazzotti took her debut album back to the studio, releasing the album with a new running order and new ethereal cover art, ostensibly another crack at commercial success following the small scale of the independently funded first release. With intimately re-recorded vocals, and the bonus of gorgeous horn arrangements and a new track: the carnivalesque ‘Eta, Samba Bom’, replacing Roberta Flack’s hit ‘Feel Like Making Love’, Ana Mazzotti (1977) delivers Mazzotti’s refreshingly cool musical style even more effortlessly, while retaining the all magical energy of her debut.   

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl Ana Mazzotti (1977) will be available on vinyl LP, CD and digitally from 13th September.

Vinyl / CD / Digi

Agora Ou Nunca Mais

Side B of "Ode to Mud"
(2019)
Cassette & Digital via .jpeg Artefacts
https://jpegartefacts.bandcamp.com/album/ode-to-mud

Orchard 1
Orchard 2
Limo
At The Wrist
Ode

Mastered by Joseph Buchan
Artwork by James Vinciguerra

"Ode to Mud" (Side B)

*teaser to dakim's full-length dripping december 2019.
drum kit fills and rolls soul flames thru sp djfx looper in-synchronicity + alongside electronic jazz genre meld.
mastered by fumitake tamura

dakim - mellan

JAM

YAMAHA RX5 /// YAMAHA TX7 /// ROLAND HS-60 /// KORG X5 

Recorded directly 2 Yamaha MT100II Cassette Deck

WAVRUNNER

L'idée de cette compilation est née à parts égales de notre amour pour les chansons de France Gall et de notre dégoût de la politique de Gérard Collomb. 

Vol 1 : ligature.bandcamp.com/album/france-gall-tu-laimes-ou-tu-la-quittes-vol-1-1963-1967 


Elle a été réalisée entièrement bénévolement, merci à toutes les personnes impliquées de près ou de loin. 

Format numérique en vente à prix libre en soutien aux migrants précaires via les collectifs RESF 69 (Réseau Éducation Sans Frontières) et Jamais Sans Toit. 
http://www.educationsansfrontieres.org:8080/?page=contacts&id_rubrique=27 
www.facebook.com/jamaissanstoit69/ 

La totalité de l'argent récolté leur sera remis. 

Vous pouvez aussi la télécharger gratuitement et faire un don à l'asso de votre choix si vous en avez les moyens. Nous vous encourageons également à découvrir et soutenir les artistes et labels de cette compilation en achetant leur musique ou en allant les voir en concert.

France Gall, Tu L'Aimes Ou Tu La Quittes

D8 - 1980 - Il Jouait Du Piano Debout

On 'Interlude,' Jarrett Gilgore weaves austere waves of saxophone chords, a setting for surrender to improvisatory flights of utter suspension.⁠
⁠
Lilypicker is the mindchild of Jarrett Gilgore, a multi-instrumentalist, improviser, composer, and educator currently residing in Baltimore, MD. ⁠
⁠
In the Astro Nautico offices, we have returned to this song often in 2020 for reconstitution, levity, and centering. We hope it can be a ward of sonic protection for you as well.⁠
⁠
**'Interlude' is the fifteenth and final release of 2020 in Astro Nautico's Atlantics X series celebrating a decade of the label's existence and fundraising to provide financial assistance to community members impacted by the Covid-19 pandemic (BIPOC priority).**

www.gofundme.com/f/atlanticsx

"Ode to Mud" (Side B)

Yunzero