NUEVO TEMA! "Llama Eterna" (2014)

http://youtu.be/tu2SxJue0ag

MCKLOPEDIA was born as a project which cornerstone would be the tireless search of new sounds through the experimentation with music, improvisation and groove as primary elements. On this basis, what once was an experiment now consolidates itself as a band that seeks to merge south-american traditional elements with genres like Soul, R&B, Funk and Hip-Hop by adapting the rithmic root of the african heritage. 

	These are a few of the guidelines that make up the proposal since its formation in 2010.

	MCKLOPEDIA's nature and philosophy ignores the ordinary framework in conventional western music  creation in order to reinvent itself constantly, using music as a vessel that carries the message that is expressed  through the thougthtful lyrics in it songs.

	MCKLOPEDIA's goals for 2014 will be to put forward its latest album and to propagate its music from an interactive, audiovisual and global perspective without distinction of borders or language, keeping active its creative process regarding the production of quality audiovisual content with an universal nature.

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

😋 New LP feat. Bernardino Femminielli, Shoko Igarashi, Joon & Amy Douglas comin' soon on Tigersushi Records 😋 ! #dyefantasy 🧬

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

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