Back to early 2000 with electro and electrotech sounds : State of Chaos, Break 3000, Creme de Menthe, DJ Naughty, The Hacker, Replicant, Da Intruders, Vitalic, Zombie Nation, David Carretta, Franz & Shape, Johannes Heil, Holeg Spies, Ural 13, Kiko, and many more....

Yves Bash - S11E01  "Back To Basic 3 Hours ELECTRO"  (BE)

T E  C H N O t E  C H N O   T E  C H N O  T E  C H N O  T E  C H N O  T E  C H N O  T e  C H N O  T E c H N O  T E  C H N O  T E  C H N O  T E  C H N O  T E  C H N O  T E  C h N O  T E  C H N O  T E  C H n O  T E  C H N O  T E  C H N O  T E  C H N O  T E  C H N o  T E  C H N O  T E  C H N O  T E  C H N O  t E  C H N O  T E  C H N O  T e  C H N O  T E  C H N O  T E  c H N O  T E  C H N O  T E  C H N O

From Belgium, since few years behind the decks and after playing in many country, Yves has succeeds to impose his style always with kicking sound. Influenced by old waves like Electronic Body Music, New wave, etc..., that feels in its mix ! During his career he played in the best clubs and parties in Belgium ( Culture Club, Café d'Anvers, Body to Body, Beats of Love, Kozzmozz, Dissonant Festival, Nandrin Festival, Casino Ostende, Legendz, etc...) but also abroad with some big parties or clubs in many country ( Canada, Russia, Germany, Belgium, France, Slovenia, Holland, Portugal, Colombia, etc....)


ON STAGE IN: CANADA, RUSSIA, FRANCE, GERMANY, HOLLAND, COLOMBIA, PORTUGAL, BELGIUM, SLOVENIA, MORE.....
ON STAGE WITH: MISS KITTIN, THE HACKER, DAVID CARRETTA, CHARLOTTE DE WITTE, ANTHONY ROTHER, TEENAGE BAD GIRL, MODEK, DIGITALISM, THE SUBS, ALEX GOPHER, DJ HELL, DAS GLOW, FUKKK OFFF, VICARIOUS BLISS, THE GLIMMERS, REX THE DOG, SHADOW DANCERS, GTRONIC, SEBASTIAN, DR LEKTROLUV, AND MANY MORE.....

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#techno #hardtechno #electro

Ohne Musik wäre das Leben ein Irrtum 😎

https://www.instagram.com/we_call_it_techno_bass
https://twitter.com/callittechno

(Frankie Bones)
The techno wave is grown with the style of our own direction direct from Brooklyn. 
Essensial fun, kick and snare, make you feel it over there out in London.

Call it techno
You can feel the Bass
Call it techno,...technobass

It started in Detroit, but i had to exploit the way i hear it.
Techno house is the sound of the dance cult underground, i know you feel it.

Call it techno, you can feel the bass
Call it techno,... technobass

Hold up, wait a minute, let me put off, bass in it

In the club board, in your car, the sound will take far,
You know you feel it. Also the people overseas when they hear it

Call it techno
you can feel the bass, call it techno,....technobass

House once was innovative, but now is in a state of acid
With acid house there was a confusion over a drug abuse illusion
But i don't use it, cause i like techno, you can feel the bass.

Call it techno,... technobass

hold up, wait a minute, letme putof, bass in it.

Computer noise and pounding bass hits you in the facelike a hammer.
And now you see how we rock without the kids down the block, party people

We call it TECHNO, .... TECHNOBASS


production manager underground techno 





from a young age Nadine was exposed to a wide range of musical genres, with a father who was both a talented and active musician.

Initially her interests started with the classical composers, playing contra-bass, piano and cello as a young  child.

Her path of musical interests then moved to jazz and more modern genres - these encompassed Acid and New Beat.

As her social group grew, she interacted with specific musical influencers including Peter Paul Pigmans - a DJ producer involved in the Thunder Dome movement.

It was with Peter paul pigmans 3 steps ahead that Nadine performed her first live sets at Thunderdome and Mysteryland.

This moved Nadines interests into Hard Core, Terror and French Core.

After a period of time she moved her focus to promotional and mangement roles, a slow progression into production management of Techno music.

The path she followed was both challenging and a learning curve complete with new levels of responsibility and close collaberation with other DJ's and Producers - but mostly in a supporting position.

She recognises the need to be both empathetic with artists and to also be clear and direct with her opinions and suggestions - while maintaining respect and humour.

After a sabbatical period away from her number one passion, Nadine is now reconnecting with artists and the profession with a strong motivation and sense of joy.

She has a clear vision and her passion is driven by love of music and not the financial rewards or egotism that can invade all aspects of the performance industry.

Her journey had a good start, it has had an interruption but she is now back fully focused and with a renewed sense of direction ( humor) and huge  purpose. support the tech scene 🤍🤍

