Wagathoni

“Ina Jo” is a nostalgic hymn to the fire that raised us — the crackle of cassette tapes, the pulse of Brenda Fassie under mango trees, and the sacred basslines of Fela, Makeba, and King Sunny Adé. Caeli August channels a generation’s longing for raw, analogue soul in a digital age obsessed with speed and trends.
A love letter to the old school, “Ina Jo” moves between groove and memory — echoing spirituality, vinyl scratches, and rhythms that burn slow and deep. No algorithms. Just static, soul, and sonic truth.
Retro Afro-soul warmth meets analogue textures in this uplifting, urgent ~86 BPM track. Afro-electronic rhythms fuse with synth bass, live percussion, and chopped vocal samples. Cinematic R&B strings and lush keys build a sense of tension and resolve. Protest-pop hooks burst open through processed group chants, while intricate layering and pulsing beats energize throughout — culminating in a haunting synth coda that lingers long after the fire fades.


🔥 No likes. No feeds. Just the fire that made us. 🔥

Title: Ina jo  
Performed by Caeli August | Written by Aime Pandi Bapaga | Produced by NuVox

[Intro]
(Mmm-mmm, yeah...)
I don't want no updates
Don't need a new sound wave
NuVox, Ina jo - ina jo.

[Verse 1]
I don't want new music,
Just the old school on the radio.
Dial it up on my stereo,
Find my favourite show.
Brenda Fassie’s voice sweet like honey,
Playing back to memory I know.
Cadet skirt, skipping - dancing solo
Under mango trees, sweet like a carol.

[Pre-Chorus]
I want the noise, but no feeds,
Wind back my deepest needs.
Analogue bassline setting me free,
Give me tapes, not MP3s.

[Chorus]
I don’t want no algorithms,
Just the static and the rhythm.
Cassette winding like a prayer,
Fela Kuti singing in the air.
No new beats can take me higher,
Than a crackle on the wire.
I just want the old school,
That old school fire.

[Echoed Choir]
(Fire – fire – fire) (Fire till I tire) Tire-tire-tire yeah,
(Fire – fire – fire) (Fire till I tire) Tire-tire-tire yeah.

[Verse 2]
Skip the shuffle, skip the trends,
Give me soul that never ends.
Let Mama’s spirit echo in my tone,
Vinyl scratches feel like home.
Cadet blues and golden frames,
Each song recalls an old flame,
How I danced barefoot back in time,
To Mirriam Makeba sacred rhyme.

[Pre-Chorus]
No more clicks, no filtered scenes,
Just the raw and in-between.
Let the echo carry me
Where the music used to be.

[Chorus]
I don’t want no algorithms,
Just the static and the rhythm.
Cassette winding like a prayer,
King Sunny Ade humming in the air.
No new beats can take me higher,
Than a crackle on the wire.
I just want the old school,
That old school fire.

[Echoed Choir]
(Fire – fire – fire) (Fire till I tire) Tire-tire-tire yeah,
(Fire – fire – fire) (Fire till I tire) Tire-tire-tire yeah.

[Bridge]
There’s magic in the chorus of a world that moved too slow...
No likes, no streams — just stereo.
Rewind me there. Don’t let it go.

[Final Chorus – variation]
I don’t want no fast connection,
I want rhythm with reflection.
Let the needle kiss the groove,
That's the only way I move.
No fresh drops can touch the choir
That raised me through the amplifier.
I just want the old school,
That old school fire...

[Outro - Echoed Choir]
(Fire – fire – fire) (Fire till I tire) Moto wa zamani,
(Fire – fire – fire) (Fire till I tire) Ina jo, ina jo,
(Fire – fire – fire) (Fire till I tire) Moto wa zamani,
(Fire – fire – fire) (Fire till I tire) Ina jo, ina jo,
(Fire – fire – fire) (Fire till I tire) Moto wa zamani,
(Fire – fire – fire) (Fire till I tire) Ina jo, ina jo,
(Fire – fire – fire) (Fire till I tire) Moto wa zamani,
(Fire – fire – fire) (Fire till I tire) Ina jo, ina jo,


Ina Jo (Vol. 8)

Gaza isn’t starving, it is being starved. And the people who are starving it have names and addresses.

Reading by Tim Foley.

Gaza Isn't Starving, It Is Being Starved

Buy: https://ziezo.bandcamp.com/track/outward

Dutch producer Ziezo kicks off his journey with debut single “Outward” – a blend of house, acid, and euphoric synths built to shake dance floors and lift spirits.
Driven by sweat-soaked grooves and hypnotic melodies, Outward channels raw underground energy with an emotional edge. It’s a timeless statement of intent from an artist stepping into his sound. With Outward, Ziezo sets the tone for what’s next – bold, club-ready, and made for connection.

VIAVIA records, 2025

Ziezo - Outward (VIAVIA records)

Kross Sektion

Flip Phone' [PART 2]

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

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