YYMG – Fresh Drops | The Last 30 Days

“The freshest YYMG sounds are here. 30 days. Non-stop hits. Tap in and ride the wave!”

The heat is here! Dive into YYMG’s newest drops – banging club vibes, smooth R&B grooves, and addictive Afrobeat rhythms. Every track is fresh, bold, and built to move you.

Stay ahead of the wave with sounds that define the next era of music. Follow now, stream heavy, and share with your crew – don’t miss the drop!

Fresh Drops

Get ready to vibe with the biggest tracks from YYMG! This playlist brings together our most popular, crowd-favorite songs that are making waves across the globe. From Afrobeat bangers to smooth R&B vibes and energetic AfroTrap hits, experience the signature YYMG sound all in one place. Perfect for fans, new listeners, and anyone looking to stay ahead of the music trends.

YYMG Hits: Best of the Label

The philosophy behind Giants and Angels revolves around the tension between inner imagination and outer reality, blending themes of existential longing, emotional refuge, and the metaphysical interplay of forces (giants and angels) that govern the inner world.

Here’s a breakdown of the deeper philosophical messages embedded in the lyrics:

________________________________________
🧠 1. The Imaginative World vs. Real Life
The song constructs a personal realm of imagination as both a shelter and a battlefield:
"Lost in a world of my own designs..."
"Giants and angels roam in my creation..."

This speaks to the philosophical idealism of thinkers like Plato or Berkeley, who argue that reality is shaped or even created by the mind. The narrator lives in a mental space rich with symbols—giants (struggles, fears, aspirations) and angels (hope, grace, love).

________________________________________
🌳 2. Nature as Spiritual Portal
References to the baobab tree, whispers of wind, and the riverside point to pantheistic or animist ideas: that nature is alive, sacred, and communicative. The baobab, in African culture, often represents wisdom, community, and ancestral presence.

"Beneath the baobab tree I keep dreaming of you..."
"Is it in whispers of wind, by the riverside?"
Here, the natural world becomes a spiritual threshold, where memory, imagination, and desire converge.

________________________________________
❤️ 3. Love as Metaphysical Quest
The repeated longing for a love that is "so real" reveals a Platonic yearning—not just for romance, but for a transcendent, healing union.
"I'm yearning for a love that feels so real..."
"In this sanctuary, let passion heal."

This search is more than romantic—it's ontological. The narrator seeks wholeness, the kind of completion only found in a metaphysical or divine connection.

________________________________________
🔮 4. Giants and Angels as Internal Archetypes
The titular "giants and angels" serve as Jungian archetypes—personifications of the forces within us. Giants represent our internal conflicts, doubts, ambitions, while angels stand for our moral compass, inspirations, and the divine within.

They "roam" the inner world, suggesting that our emotional lives are populated by spiritual metaphors, constantly shifting and influencing our sense of self and direction.

________________________________________
🏞️ 5. Sanctuary and Escape
The idea of going to "somewhere only we know" or "that sacred place" is not escapism—but a yearning to reclaim innocence, vulnerability, and authenticity in a world that feels fragmented.

"So why don't we go... somewhere only we know?"
"In this world of make-believe, we'll find our truth..."
This echoes existentialist thought (e.g., Kierkegaard or Camus) where the individual seeks meaning not in external systems, but in subjective truth and authentic connection.

________________________________________
✨ Conclusion: A Song of Internal Pilgrimage
"Giants and Angels" is a philosophical song about the human condition—caught between the real and the imagined, haunted by the past, craving love, truth, and sanctuary. It asks not just where we can go to find peace, but who we are when we close our eyes and dream.
The answer, the song suggests, lies in daring to merge dreams and reality and to find someone who will walk with us into the unknown.

Giants and Angels (Vol.3)

“Gone Too Far” is a meditation on emotional retreat — a soul’s quiet resistance after too many collisions with pain. The track begins with a soft cry against chaos (wahala), as the protagonist drifts further into stillness, choosing numbness over noise, and silence over survival.

Love once lifted her, made her light — but gravity always returns. What was once flight becomes exile, and the heart learns to protect itself the only way it knows how: by disappearing.

The song does not scream, it surrenders — not to weakness, but to boundaries. Each verse is a chapter in her story of departure: from joy, from connection, from herself. The repetition of pain is not for emphasis, but to show how trauma becomes rhythm — and how rhythm becomes the only thing left pulsing when the soul grows quiet.

“Gone Too Far” is not just about heartbreak. It’s about the delicate, dangerous freedom of letting go — when choosing to feel nothing seems safer than feeling everything.

Velocity

Gone Too Far - Volume 12

A club banger from NuVox! from the Velocity Catalogue.  

🪘 Bongos and Tam-tams – NuVox🎤
🔥 Produced by NuVox | Beat by NuVox & Coco Spherg | Executive Production: YYMG 🔥

From the first beat drop to the final “Too-too doo-too,” "Bongos and Tam-tams" is a high-energy Afro-dance explosion made for hips, drums, and wild motion. NuVox rides a pulsating beat with bold flair, calling dancers to swirl and ripple to the rhythm of life.

A tribute to African percussion culture, this track fuses Afrobeats, Dancehall, and club-ready street chants. With seductive repetition, crowd chants, and infectious percussion lines, it’s a global rhythm journey—from Lagos to Rio, Cairo to Atlanta.

💃🏾🕺🏽 Whether you’re in the club, in your living room, or under the sun at Carnival—this one’s for the movers, the shakers, and the rhythm-lovers.

🌍 Best enjoyed loud.
| Genre: Afro-Dance / Percussive Pop

Bongos & Tam-Tams

Bongos and Tam-tams

Bongos and Tam-tams (9)

🚨 OUT NOW — “JAILER” 🚨
🔗 Listen Now:
🎧 Spotify: [https://open.spotify.com/track/2GP01PHOslIbgFGkiyuOLK]
🎧 Deezer: [https://link.deezer.com/s/30wRJyEImjqYHB7pHPB9M]
🎧 Apple Music: [https://music.apple.com/us/album/1824649718?i=1824649719]


Some prisons have no bars — just broken promises.
________________________________________
“Jailer” — A Soulful Cry Wrapped in Rhythm.
What if love wasn’t freedom, but a sentence?
"Jailer" is an Afrofusion heartbreak anthem that dares to ask this question. A haunting blend of Afro-trap drums, Zouk grooves, and Congolese rumba guitar creates the sonic cell where a woman’s voice aches for liberation.
🎙 The Sound:
Slow-burning. Danceable. Undeniably emotional.
This track pairs smooth melodies with raw vulnerability, making sadness something you can dance through — and grow from.
________________________________________
💔 Lyrical Themes That Hit Deep:
1. Love as Captivity
A home with "a roof and four walls" becomes a prison. Love isn’t always safe—it can trap, wound, and break.
2. Gaslighting & Emotional Manipulation
Reality twisted. Trust eroded. The lyric “gaslighting, I misunderstood” echoes the silent confusion of emotional abuse.
3. Desire & Pain in Motion
The beat moves your body, but the lyrics hit your soul. It's the kind of contradiction only toxic love understands.
4. Reclaiming Power
“No more.” “I can’t.” These aren’t cries of surrender—they're battle cries of a woman breaking free.
5. A Woman’s Testimony
With a female vocalist at the helm, “Jailer” speaks to generations of women who’ve been silenced. This is her voice. This is her revolution.
________________________________________
✨ Tagline:
“Some prisons have no bars — just broken promises.”

Jailer

Jailer by NuVox

FOLLOW + COMMENT + SHARE + REPOST!!!

Produced by NuVox.
Original lyrics by Aime Pandi Bapaga.


Song Philosophy:

"Maybach Dreams" explores the themes of existence, materialism, meaning, class consciousness, spiritual materialism, the ethics of power, repetition and chanting as rituals, post-colonial visibility, and sonic migration. The title of the piece suggests that the Maybach represents success, wealth, and global prestige while also representing a desire for transformation rooted in hardship. This idea aligns with Sartrean ideas of existence preceding essence, where the self is not a fixed product of circumstance but something actively shaped by will, suffering, and choice. This is rooted in phenomenology, which suggests that perception is always subjective and that the external world only takes shape through human consciousness. 

The concept of an "ecosystem" brings balance to life, moving beyond personal triumph into spiritual ecology. Gospel choir vocals, echoing harmonies, and humming bridges suggest a metaphysical dimension where spiritual alignment is part of material success. This resonates with African metaphysical worldviews, where prosperity is not merely a result of labour but a manifestation of divine or ancestral alignment.


MAYBACH DREAMS Lyrics: by Aime Pandi Bapaga

You sabi say money dey talk, money dey work,
If you hold money, everywhere go shine, e dey soft.
You go waka raise shoulder, no wahala for mind,
Bills dem clear, house matter don balance fine.

But that time wey no money, money, money,
Pockets dry, no jingling, just dey funny,
Life no sweet reach honey,
Wetin I see, e scatter like rocket wey dey run for sky.

Wetin dey real and wetin you see, dem no be same,
I don suffer sotay, diamond ring no fit cover pain.
Now I dey inside system wey dey balance my head,
Gatekeepers dey block me from heart wey dey bleed.

I dey live my life how I wan (how I wan, how I wan…)
Dey spend my money how I wan (how I wan, how I wan…)
I dey wake any time wey I wan (wey I wan…),
No rewind, na front I dey chase you.

Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh.

Na celebration after celebration, joy dey overflow,
Happiness full like river, e no dey low,
All di hustle, tears, blood and sweat don pay,
Maybach roll out, I don upgrade my way.

From those days wey no money, money, money,
Nothing jingle, e dry like harmattan morning,
Life no sweet like honey,
But now fan base dey pop like bunny.

Wetin dey real and wetin you see, dem no be same,
I don pass through fire, no diamond fit cover shame.
Now I dey inside system wey dey balance my head,
Gatekeepers dey guard me, no more heart wey red.

I dey live my life how I wan (how I wan, how I wan…)
Dey spend my money how I wan (how I wan, how I wan…)
I dey wake any time wey I wan (wey I wan…),
No replay, na you I dey run go.

Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh.

Muh-huh huh, muh-uh uh huh (I dey live my life how I wan),
Muh-huh huh, muh-uh uh huh (I dey spend my cash how I wan),
Muh-huh huh, muh-uh uh huh (I fit wake up when I wan),
Muh-huh huh, muh-uh uh huh (No rewind, na forward I dey go).

Watch me glow, blow, then glow — just dey go, huh-huh,
Money dey talk, e dey work, e make body dey glow...
Watch me shine, cruise, then glow — no dey slow, huh-huh,
Na me be that — just watch me, yeah, yeah, yeah…



Maybach Dreams (SoundCloud Mastered)

"If you sabi one Elena who is sweet pass sugar, tag her name 💛 in the Comment"

📢 Interactive Fan Challenges

#MyElenaChallenge
Fans post 10-second videos on TikTok/IG lip-syncing or dancing to the chorus.

"Elena" by Seku Ndo is a fusion of AfroTrap, soulful R&B, and Afro-Gospel — a triumphant street love anthem riding on a tight Afro-style kick/snare bounce with light trap hi-hats. The beat feels cinematic yet grounded, built on emotional chord progressions, wide reverb claps, and deep vocal pad stabs.

Philosophical Description of the Protagonist

The protagonist of “Elena” is not just a lover but a seeker of transcendence through intimacy. He views love not merely as desire but as a spiritual connection—a union of body, soul, and destiny. His words reveal a man who sees Elena as more than a partner; she is the bridge between earthly passion and higher meaning, symbolising a muse, healer, and source of divine energy.

Every verse reflects this duality:

Physical admiration – her presence makes his heart jump, her voice is sweet like honey, her touch electrifies him.

Spiritual reverence – she lights his night, becomes his sky, and touches his soul beyond the surface of romance.

The protagonist’s tone is triumphant yet grounded, speaking as someone who has seen struggle (street realism) and recognises love as a victory over emptiness, a reason to hope, and a force to believe in.

What “Elena” Means

“Elena” is more than a name—it is a symbol of salvation, sweetness, and destiny.

She represents light – guiding the protagonist through emotional darkness, illuminating his path like a star.

She signifies comfort and belonging – a safe place where his restless soul finds peace.

She embodies love as liberation – pulling him from mere survival into a life worth celebrating.

In this context, “Elena” becomes a metaphor for all that is pure, divine, and elevating in love—both a person and a state of being where passion and purpose merge.

Original Lyrics by Aime Pandi Bapaga

Title: Elena
Vocal Recording Artist – Seku Ndo

Elena, Elena — my baby,
My sweetie, my sugar — my baby,
Na you dey hold my heart — my baby,
Marry me, carry me — my baby.
Elena, Elena — oh, oh, oh baby,
Elena, Elena — oh, oh, oh baby,
Elena, Elena — eh, eh, eh oh,
Elena, Elena — eh, eh, eh oh.

My heart dey jump when you waka pass,
Your voice be honey, e dey make me gas,
You light my night, you be my sky,
You touch my soul, I no fit lie.

Elena, Elena — my baby,
My sweetie, my sugar — my baby,
Na you dey hold my heart — my baby,
Marry me, carry me — my baby.
Elena, Elena — oh, oh, oh baby,
Elena, Elena — oh, oh, oh baby,
Elena, Elena — eh, eh, eh oh,
Elena, Elena — eh, eh, eh oh.

Every word wey you talk na fire,
You spark my soul, you raise desire,
You send me love — I catch am quick,
Hold me close, make we do am quick.

Call my name slow, make e dey sweet oh,
Touch every curve, no dey cheat oh,
Blow for my skin, keep the tempo,
Melt my body, no stop, just go slow.
Eyes dey talk wetin mouth no fit leak,
You don hold me, you don make me weak.

Elena, Elena — my baby,
My sweetie, my sugar — my baby,
Na you dey hold my heart — my baby,
Marry me, carry me — my baby.
Elena, Elena — oh, oh, oh baby,
Elena, Elena — oh, oh, oh baby,
Elena, Elena — eh, eh, eh oh,
Elena, Elena — eh, eh, eh oh.

2025 YYMG

Elena (Vol. 4)

“Braggadocio” is a tale of fearless love in a digital age – where human emotion meets a futuristic dreamscape. It explores connection beyond boundaries, a love that defies limits, systems and doubt. At its core lies a bold affirmation: no force can shut down a bond that is powered by courage, faith and unshakeable passion. Cinematic in spirit yet grounded in raw feeling, it’s a celebration of love that dares to transcend the ordinary.

---

"Braggadocio" fuses AfroTrap bounce, soulful R&B tones and Afro-Gospel energy into a surreal sonic journey. At 100 BPM, the beat strikes tight with an Afro-style kick/snare and light trap hi-hats, while emotional chord progressions lift the spirit. The chorus swells with vocal pad stabs, wide reverb claps and subtle delay – creating a triumphant, cinematic sound rooted in street realism. A track of clarity, emotion and bold love that refuses to be shut down.

Original Composition and Lyrics by Aime Pandi Bapaga.

Braggadocio
Performed by Seku Ndo

For dis world of wire and flesh, na you dey sweet my eye,
Heart strong like steel, you dey make me high.
Your eye dey shine like pixel, your touch dey shock,
For dis artificial love, we no dey lock.

When calculation jam, emotion go spark,
For our cyber love, we dey fly like hawk.
(We dey fly), (we dey fly),
(We dey fly).

With braggadocio and love, our bond no bend,
With code and binary, we break the fence.
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody, nobody,
Nobody, nobody.

Your algorithm dey build synergy wey dey shine,
Inside your binary world, we dey blend time.
We dey dance for neon light of tomorrow morn,
For this coded realm, our love reborn.

When calculation jam, emotion go spark,
For our cyber love, we dey fly like hawk.
(We dey fly), (we dey fly),
(We dey fly).

With braggadocio and love, our bond no bend,
With code and binary, we break the fence.
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody, nobody,
Nobody, nobody.

Through wire and data, our love dey roam,
For this technicolour dream, we don build home.
No chain go hold us, we dey soar,
Forevermore, forevermore, forevermore, forevermore.

When calculation jam, emotion go spark,
For our cyber love, we dey fly like hawk.
(We dey fly), (we dey fly),
(We dey fly).

With braggadocio and love, our bond no bend,
With code and binary, we break the fence.
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody fit shut us down (nobody),
Nobody, nobody,
Nobody, nobody.

(Through our algorithm, we dey sway,)
(Enter digital garden, where love dey play.)
(Through our algorithm, we dey sway,)
(Enter digital garden, where love dey play.)
Nobody, nobody,
Nobody, nobody.


2025 YYMG


Braggadocio

"Selfies in Hotel Rooms" is more than a smooth, catchy track—it’s a sharp reflection on modern relationships and the illusions of love. It tells the story of someone caught in the spell of beauty and desire, only to realize the connection was built on surface-level thrills and vanity. The title becomes a metaphor for fleeting moments captured for show rather than true emotional connection.

Philosophically, the song critiques a culture where appearances often overshadow authenticity. Pedagogically, it encourages listeners to pay attention to subtle warning signs—the “devil in the details”—and value emotional depth over temporary highs. With its hypnotic hook and deeper narrative, "Selfies in Hotel Rooms" blends club energy with reflective storytelling, making it both danceable and thought-provoking.

Selfies in Hotel Rooms  (NuVox Remix)

"Mongolia" is an imperial anthem of dominance and legacy, blending trap energy with cinematic ambition. Inspired by the rise of empires and the relentless spirit of Genghis Khan, this track celebrates transformation—from struggle to power, from nomad to ruler. Big, bold, and unapologetic.

Original Lyrics by Aime Pandi Bapaga

Title: Mongolia

From enabler to conqueror, now emperor, (huh!) 
Rules the masses, tight grip on the jugular, (huh!) 
Figures calling, lighting up my cellular, (huh!) 
Booties dropping, jaw-locking, spectacular. (huh!) 

Stacking up plans, thinking modular, (huh-huh!) 
Drinks on my tab, I’m the regular, (huh-huh!) 
Dictator for life, mad popular, (huh-huh!) 
Genghis Khan vibes—this is my Mongolia. (huh-huh!) 

Nomadic years carved me into a winner, 
With that Mongolian soldier mentality, (mentality!) 
Babe, you standing next to a bread winner, 
Built to rule with innate abilities. (abilities!) 

Spirited like Mongolia, Mongolia, 
Echoes of an empire, glorious euphoria, 
Coming home to hold yah, hold yah, 
Hold yah, hold yah, hold yah, hold yah, hold yah. 

(Yeah eh-eh, yeah, yeah eh-eh, yeah) 

The past is the past, but I wear it like armour, (yah!) 
The streets call my name—royal charter, (yah!) 
Printing influence, I own my media, (yah!) 
Reincarnated king—call me messiah. (yah!) 

Nomadic years carved me into a winner, 
With that Mongolian soldier mentality, (mentality!) 
Babe, you standing next to a bread winner, 
Built to rule with innate abilities. (abilities!) 

Spirited like Mongolia, Mongolia, 
Echoes of an empire, glorious euphoria, 
Coming home to hold yah, hold yah, 
Hold yah, hold yah, hold yah, hold yah, hold yah. 

(Yeah eh-eh, yeah, yeah eh-eh, yeah) 

Palatial lifestyle, every play is killer, (ooh!) 
Gold-laced dreams, no face needs a filter, (ooh!) 
Eyes on the throne, rivals get smaller, (ooh!) 
High-rise visions, I climb like a pillar, (yah!) 
Legends are carved, my saga grows richer, (yah!) 
Echoes eternal, my name in the shimmer. (yah!) 

Dynasties fade, but I linger in the mirror, 
Every move crowned, destiny growing clearer, 
Castles in the clouds—my dominion gets bigger, 
Every conquest paints the world in my figure. 
Ambition’s a river, no end to its flow, 
Through ages and empires, forever I grow. 

Nomadic years carved me into a winner, 
With that Mongolian soldier mentality, 
Babe, you standing next to a bread winner, 
Built to rule with innate abilities. 

Spirited like Mongolia, Mongolia, 
Echoes of an empire, glorious euphoria, 
Coming home to hold yah, hold yah, 
Hold yah, hold yah, hold yah, hold yah, hold yah. 


YYMG - September 2, 2025 at 7:16 PM

Mongolia

“Viagra” is more than a cheeky club anthem — it is a metaphor for the search for vitality, release, and freedom in a world where desire, repression, and escapism collide. Through humor, sensuality, and bold imagery, the track explores how people medicate loneliness, frustration, and social pressures with temporary highs — alcohol, lust, and fleeting connection.

Pedagogically, the song poses an important question: what do we chase when we feel deprived? Is it passion, validation, or the illusion of control? Behind the dancefloor bravado, Viagra reflects on the human condition — the hunger for intimacy, the rebellion against restraint, and the tension between bodily pleasure and emotional emptiness.

The chorus functions as a mantra: a playful yet philosophical reminder that intimacy is both a physical act and a metaphor for connection, release, and transcendence. Like the “Viagra wave,” the song challenges listeners to consider whether external stimulants (drugs, alcohol, sex, status) can ever substitute for genuine inner fulfillment.

At its core, this is a narrative of escape — from boredom, from judgment, from societal rules — packaged in rhythm and rhyme. It is not only a party track but also a reflection on desire as a universal human struggle.


Original Lyrics by Aime Pandi Bapaga

Title: Viagra

Couple weeks back, yeah I felt deprived,
Walked to the pub just to feel alive.
Three pints in, I was tipsy groovy,
Six deep down, now the floor felt movie.
Shots of tequila, body got loose,
Big mama dancing, shaking the juice.
She let me tap, I was talking slick,
Whisper in my ear, “boy, make it quick.”
I said, if it ends in elevation,
I’m in full with no hesitation.
Wanna make you sway, blow your mind away,
Like you’re high all night, on that Viagra wave.

Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.
Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.

Outside the pub, three birds in line,
Vice girls talking, selling me time.
Promises heavy, heaven on earth,
Invitation down to dangerous turf.
Back in the club, big mama still hot,
“Take me home baby, give me what you got.”
I said, if it ends in celebration,
I’m in full with no hesitation.
Wanna make you sway, blow your mind away,
Like you’re high all night, on that Viagra wave.

Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.
Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.

First time thrill, you can do anything,
Shake your thing, let the bedroom sing.
Who’s your daddy, ce qui ton papa,
Smack it down low, dance like samba.
Ecstasy vibe, going all night long,
Turn the lights low, this my number one song.
If it ends in passion, I’m here to stay,
Blow your mind away on that Viagra wave.

Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.
Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.

Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.
Now, if you wanna ride on top of me (oh yeah),
You gotta let my body set you free (set you free).
Feel the fire burning endlessly (so high),
Baby I’ll take you there, it’s okay.
( “Ride with me… all night… Viagra wave…”)


14:43 - 2025/09/03 - YYMG



Viagra

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube
