Part of a sequel I'm writing to All That We Lost. All synths, Prophet 12. All processing, Chase Bliss stuff and internal Blackbox fx. Mixed and mastered on an SSL SiX, composedand performed on a 1010 Blackbox.

1010 Blackbox - That which remained

Another little something with the Prophet 5, recorded and arranged in the 1010 Blackbox and Chase Bliss CXM 1978 on the master.

Sequential Prophet 5 + 1010 Blackbox - Later

Love Is Metal

The audio extracted from this video. Check it out to see how I did this... https://www.youtube.com/watch?v=Sn0qRqevwoc

Singing in Tongues

Taurus–Littrow served as the landing site for the American Apollo 17 mission in December 1972, the last manned mission to the Moon.

Instrumentation: Moog Sub 37, Prophet 12
Effects: Strymon BigSky, Eventide Eclipse
Voice communications courtesy of NASA.

Taurus - Littrow Valley

A Moog Sub 37 modulated by two step-sequence CVs from the Pro 2. One CV modulates Filter Cutoff while the other modulates Osc 2 frequency in an oscillator sync patch. Sub 37 audio processed with an Eventide H9 synced to the Pro 2's master clock.

Moog Sub 37 + DSI Pro 2 + Eventide H9 - Modulation

Some examples of prophet 12 strings played through an OTO Bam reverb unit with a little bit of a Max convolution reverb added on the render.

Prophet 12 Strings

Prophet 12 Deco And BAM

Prelude

My first gig with the monome norns and grid. Brought nothing with me but those two, using the Timber app. All was free form, triggered from the grid with some live tweaking, but a lot of work just done by Timber's lfo's and envelopes, to be honest.

For better or worse, the mix isn't processed at all, this is live directly from the norns. I kind of think the Timber filters sounded so good, I didn't want to do any additional processing on this.

Prelude

zach

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