Shake Dat Ft. Prince Kali

For Book 1 of The Memory Tapes of John I. Pearl. 

The All-Circling Thresholds.

Solstice Twilight

A soundscape that I've composed to accompany reading the final chapter of Book 1 of my trilogy book, The Memory Tapes of John I. Pearl.

LIMINAL STREAMS (It Was Snowing...)

Omaha

Corvidae Haven

Corvidae Haven*

"Fire on the Mountain" began out of a listening to the thunderstorms that worked their way through the Pisgah National Forest here in western North Carolina.  The sound of thunder would swell and resound through the mountains first 'close to home,' then in far, fading rumbles. When you're outside communing with them, a feeling of awe naturally arises. 

Awe and Wonder may be our greatest hope in times like these. I'm certain this piece was the result of my own attempts to work through the under and overcurrents of madness that seems to rear up at odd times in our world. 

This is an attempt to dance through it at varying tempos. 

Peace.

"Fire On The Mountain"

Darkhaven: The Stone Chamber

From Our Fires Return, my 1984 release, formerly available only on cassette, 

Lauter Upright Piano
Korg Mono/Poly
Sequential Circuits Prophet 600 (Dolphin and Whale Communications)
Teac Reel to Reel 3340 Simul-Sync
Roland Space Echo

This was Old School Ambience.

Sea Shine, Sea Shadow

The title track. I'd do it a bit differently these days and perhaps there will be time to re-visit the old flame. Our Fires Return is a poetic reference to the vernal equinox, a hoghly charged cosmic event. 

The one during 1981 shattered and re-made my inner world. This song was my first expression of that night. 

Astounding

Zach Knight 1