Bear witness: www.magicswordmusic.com/live

www.facebook.com/youngparis
www.twitter.com/young_paris
www.youtube.com/youngparistv

contact:
US. BookYoungParis@Gmail.com
WORLD. ContactDjazia@Gmail.com

A podcast about movement.

All episodes are available at http://Vansounds.org
Merch at https://vansounds.bandcamp.com/merch

Ash Lauryn balances between two worlds, with an old-school house head foundation and a digital age suaveness, blending her skills as a deejay, writer, curator, and radio host to champion black dance music. Discovering her passion for music in her native Detroit, she was inspired to start deejaying in her current residence Atlanta, taking inspiration from the legendary Kai Alce of NDATL and Vicki Powell. After seeing a gap in representation for Black millennials in electronic music, she started her blog Underground and Black, which has since grown into a wide-ranging platform covering her annual Movement Festival party, monthly NTS show, and podcast of the same name.

Bookings:
NA: mariesa@liaisonartists.com
EU: linus@uzurirecordings.com

Wesleyan University’s Center for the Arts is an eleven-building complex on the Wesleyan campus that houses the departments of Art and Art History, Dance, Music, and Theater. Opened in 1973, the CFA serves as a cultural center for the region, the state and New England. The Center includes the 400-seat Theater, the 260-seat Hall, the World Music Hall (a non-Western performance space), the 400-seat Crowell Concert Hall, and the Ezra and Cecile Zilkha Gallery.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their own studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

It was their early, high impact tunes such as 'The Wrap Around' and 'The Break Up', that got dancers all over the world in a frenzy. Since then, the pair has constantly evolved and matured and continued to draw on all musical niches. Building bridges between them, their  landmark 2018 album High Life or their ‘Coffee in the Morning EP' both furthered their take on house music with a real sense of timelessness and class.

Since 2013, the pair has also established their own Heist Recordings as a well respected label that is home to the majority of their own originals, though other underground mainstays such as Aus Music and Classic Music Company have also come calling. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop.  Label showcases and special projects such as the yearly Roundup EP;  where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Nebraska, Adryiano, Kassian, Demuir, Makez, Max Graef, Pépé Bradock, Nachtbraker, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician, Eric Clapton and John Mayer collaborator and Blue Note artist Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely and skillfully through different times, places and sounds. Rather than limiting themselves to a certain feeling or mood, Dam Swindle can call on classic house, obscure disco, African funk, soulful techno and plenty in between, all with the aim of making those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

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