Tribal Trap is a dedicated company of producers, performers and vocalists from all over the world; a family; taking over the scene one release at a time. 

Tribal Trap on Spotify:
http://spoti.fi/2wytbCY

🌍 Demos:
https://tribalmusicgroup.com/demo

🌍 Contact:
info@tribaltrap.com

“During this volatile period in the music scene where we’ve seen an explosion in the number of independent music labels, Tribal Trap seems to have risen above the rest by consistently putting out powerful and deadly tunes. Recognized as one of the main channels that pioneered the Trap genre, any producer would be delighted to have a notch on their belt from the outlet.” (source thewaxhole.com)

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Driven by a passion for the best in bass music, circling around UK Garage, Bassline, Grime, House and everything good in-between, in 2014 #NightBass boss @ACSlater made it his mission to expose North America to these strongly under-represented genres and in doing so, he's established club and record label Night Bass as a wildly successful, internationally renowned institution for ground breaking, forward-thinking dance music that's spearheading an underground movement across the country.  

https://linktr.ee/nightbass

Noisia Radio is now VISION Radio

Fresh episode every Wednesday via:
visionrecordings.nl/radio
@visionrecordings

Jopa is a Metro Detroit–based DJ/producer bringing raw energy and groove-driven tech house to every room he touches. Built on heavy basslines and gritty rhythms, his sound pulls from Detroit’s underground while pushing straight into the dancefloor.

His music has earned support from tastemakers like Don Diablo, AC Slater, Shiba San, and more—momentum that’s followed him onto stages alongside NOIZU, VNSSA, CID, Gene Farris, Codes, and others. Whether he’s in the studio or behind the decks, Jopa keeps it simple:

booking:
joey.lepore27@gmail.com

Vibe Curator

Subsurface out now: https://found.ee/matzo_subsurface

Grammy nominated music maker, mixer and founder of @madzoomusic
llewis@littleempiremusic.com

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

I am a singer/songwriter, rapper depending on the song. I also make beats and I’m a recording engineer. Message me if you want a beat or your song mixed I'm currently working on my project now. Follow if you like good music and wish to be introduced to good artists. follow me on IG @Raybanrevolver.    my page "Karl Alexander Reid on FB. #triphop #hiphop #reggae #blues #rap #jazz #indie #rockandroll #alternative #independent #producer #engineer #smoke #kush #rollup #smokemusic #smokers

Management: Anthony@allbut6records.com
Bookings: ben.hogan@unitedtalent.com

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