Logical progression

Close Call

Exploration

My first official release, out now on Bandcamp and all major platforms:
https://spheres-synth.bandcamp.com/releases

Hope you enjoy.

Pulsedrive

My first single release.  I lost my job a few months ago and told myself I'd dedicate more time to writing music and learning more about my craft.  Unfortunately, life has a funny way of throwing the unexpected your way.  I finally sat down and worked on a new single!  With that I have more to come as well, which I am really excited to share, I truly hope you love it.   
-7/5/2022 on Spotify

Stellar Wind

Liquid Dreams 2

Time Worm 3rd (Radio-Edit)

Frozen Over

Yet, another of my oldest tracks :). This one was stolen from me too in the past and it was temporarily copyrighted and uploaded in mono, so I couldn't upload it either on Soundcloud. Hope you enjoy this chill track <3.

Nebula

Eben EP

Eben

Artist: @soelaela
Stream/Buy: www.linktr.ee/scissorandthread

Soela is the DJ and production alias of Elina Shorokhova, a Russia-born Berlin-based experienced pianist and vocalist who has made a hugely impactful transition into electronic music.

Having released material on such labels as Kompakt, Dial, Shall Not Fade, Lost Palms, E-Beamz, Red Ember Records, Sushitech, and others, Soela joins the ranks of Scissor & Thread for this exquisite album - Dark Portrait. 

The album opens in a typically understated manner with Unsuitable - a melancholic trip-hop adjacent track that sets the tone for the next 8 pieces. As Soela explains, “I was dealing with some very complex feelings, so I came up with this album, which helped me not to despair, to work on myself, to grow internally, and to start listening to myself. It helped me to keep sane when my country invaded Ukraine with a full scale war. It absolutely broke my heart, and music was one of my main salvations.” 

This complex mix of emotions plays out across the album with tracks that utilize her beautiful musicality (Through the Windows feat. Francis Harris and Philipp Priebe, Drowning feat. Module One) and ear for details with skittering beats, ambient soundscapes (Spirits, Lost In The Fog) and lose-yourself dancefloor moments such as the collaboration with Lawrence on February Is Not Going To Be Forever. The title track Dark Portrait combines dubby elements with affecting pads and melodic touches, while the lead single Even If I Ask You Stay delves into multiple feelings around escaping toxic situations, and battling depression. It features a powerful vocal from Soela supported by a deeply affecting arrangement. The closing track The Darkest Hour Before Sunrise brings a sense of hope and light, balancing subdued keys and strings with ethereal tones and atmospheres

Dark Portrait

Soela - Unsuitable

d r e a m  l o u n g e

BLUE CARBON

by 

AIÔN LAZURA
_

01
Rooted

02
Ocean

03
Mangrove
(Adhémar's Intercontinental Dance Version)

04
Mangrove

05
Mangrove
(Adhémar's For The Dance Version)
_

This digital release is cut from the 24bit Master Source.

Produced by Aiôn Lazura
Remixes by Clément Davout aka Adhémar
Mastered by Brice Deloose at Incidence Studio (https://www.incidence.studio)
Artwork by Mark Wagner

Distributed by Triple Vision

This is PITCH51.
_

Follow AIÔN LAZURA

https://soundcloud.com/aionlazura
https://www.instagram.com/aion_lazura

Follow ADHÉMAR

https://soundcloud.com/adhemarmusic
https://www.instagram.com/adhemar_music
https://www.facebook.com/adhemarmusic

Indefinite Pitch . Yantai

https://www.indefinitepitch.com

Blue Carbon

Ocean

download/stream

Aiôn Lazura - Ocean

coldveil

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

d r e a m l o u n g e

zane alexander

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