Stream of Shattered Consciousness

The motivation behind the intro track:
https://en.wikipedia.org/wiki/Pale_Blue_Dot

I'm with you on that

Intro (Pale Blue Dot)

intro - pale blue dot

For this album, Zanov found his inspiration in the “Chaos Theory”, which has guided his thinking for a very long time. He composes music that is both simple and complex, orderly and unpredictable, from which emerge beauty, emotions and surprises at the edge of chaos.

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Edge Of Chaos Island

On The Broad Gauge ----- Grooveclowd with Venus Abalero

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Sleepless

Uploaded with AudioShare app - http://kymatica.com/audioshare

VvMvW

Marco Lucchi : toy harp and analog synthesizer

11 novembre 2020

***

Better - than Music! For I - who heard it -
I was used - to the Birds - before -
This - was different - 'Twas Translation -
Of all tunes I knew - and more -

'Twas'nt contained - like other stanza -
No one could play it - the second time -
But the Composer - perfect Mozart -
Perish with him - that keyless Rhyme!

So - Children - told how Brooks in Eden -
Bubbled a better - melody -
Quaintly infer - Eve's great surrender -
Urging the feet - that would - not - fly -

Children - matured - are wiser - mostly -
Eden - a legend - dimly told -
Eve - and the Anguish - Grandame's story -
But - I was telling a tune - I heard -

Not such a strain - the Church - baptizes -
When the last Saint - goes up the Aisles -
Not such a stanza splits the silence -
When the Redemption strikes her Bells -

Let me not spill - it's smallest cadence -
Humming - for promise - when alone -
Humming - until my faint Rehearsal -
Drop into tune - around the Throne -

Emily Dickinson

toy harp n°13 (+ analog synth)

Night Note : synthesizer and field recordings
Marco Lucchi : piano

13 novembre 2020

for the Naviar Haiku project
https://www.naviarrecords.com/about/naviar-haiku/

***

I close my eyes
and in the void
a black horse prances

Kakio Tomizawa

Night Note & Marco Lucchi - Into the void (Naviar Haiku # 358)

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

Decendants

naviarhaiku 368

Loire Neviarhaiku368

French Electronic Artist since 1976 and for new Music experience.
I wish you will enjoy my music and share it with others.