hello, I'm crybaby and I'm a fan of melanie martinez, poppy playtime, and many other things

Birthday: July 28th, 2007

favorite songs: Numbers, Tag You're It, Class Fight

favorite unreleased songs: Trophy Wife, Papercut, History

favorite games: Poppy Playtime, Amanda The Adventuer

favorite shows: Miraculous Ladybug, Stranger Things

Praised by the New York Times for his “genuine originality,” Rufus Wainwright has established himself as one of the great male vocalists, songwriters, and composers of his generation. The New York-born, Montreal-raised singer-songwriter has released eight studio albums to date, three DVDs, and three live albums including the Grammy-nominated Rufus Does Judy at Carnegie Hall. He has collaborated with artists such as Elton John, Burt Bacharach, Robert Wilson, David Byrne, Boy George, Joni Mitchell, Pet Shop Boys, Heart, Robbie Williams, Jessye Norman, Billy Joel, Paul Simon, Sting, and producer Mark Ronson, among many others. His latest album, Unfollow The Rules, finds Wainwright at the peak of his powers, entering artistic maturity with passion, honesty, and a new-found fearlessness. His latest album, Unfollow the Rules is out now. 

Management: rw@littleempiremusic.com

The amazing yet true history of The Beach Boys is well chronicled, and by any standard it’s one of the greatest and most musical stories ever told. From humble roots in southern California, The Beach Boys have become an enduring international sensation. Their famous harmonies and classic songs continue to travel the world bringing “Good Vibrations” everywhere.  

For more than five decades, The Beach Boys -- America’s first pop band to reach the 50-year milestone -- has recorded and performed the music that has become the world’s favorite soundtrack to summer. Founded in Hawthorne, California in 1961, The Beach Boys were originally comprised of the three teenaged Wilson brothers: Brian, Carl and Dennis, their cousin Mike Love, and school friend Al Jardine. In 1962, neighbor David Marks joined the group for their first wave of hits with Capitol Records, leaving in late 1963, and in 1965, Bruce Johnston joined the band when Brian Wilson retired from touring to focus on writing and producing for the group.  

The Beach Boys signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The album spent 37 weeks on the Billboard chart, launching the young group known for its shimmering vocal harmonies and relaxed California style into international stardom. The Wilson/Love collaboration resulted in many huge international chart hits, and the band’s initial surf-rock focus was soon broadened to include many other themes, helping to make The Beach Boys America’s preeminent band of the 1960s. 

1966’s Pet Sounds, celebrating its 50th anniversary in 2016, is universally hailed as one of popular music’s most important recordings of all time. More than 100 domestic and international publications and journalists have lauded Pet Sounds as one of the greatest albums ever recorded, and it entered the GRAMMY® Hall of Fame in 1998. Pet Sounds tops MOJO magazine’s “Greatest Albums of All Time” at No. 1, while Rolling Stone ranked Pet Sounds at No. 2 in the magazine’s list of the “500 Greatest Albums of All Time.”

Impressively, The Beach Boys continue to hold Billboard / Nielsen SoundScan’s record as the top-selling American band for albums and singles, and they are also the American group with the most Billboard Top 40 chart hits (36). ‘Sounds Of Summer: The Very Best Of The Beach Boys’ has achieved triple-Platinum sales status and ‘The SMiLE Sessions,’ released to worldwide critical acclaim in 2011, won the year’s GRAMMY® Award for Best Historical Album and was heralded as the No. 1 Reissue of the Year by Rolling Stone.

In 2012, The Beach Boys celebrated their 50th Anniversary.  Brian Wilson, Mike Love, Al Jardine, and David Marks reunited for The Beach Boys’ 29th studio album, That’s Why God Made The Radio, and an international 50th Anniversary Tour, continuing one of music’s greatest stories.

Inducted into the Rock and Roll Hall of Fame in 1988 and recipients of The Recording Academy’s Lifetime Achievement Award, The Beach Boys are a beloved American institution that remains iconic around the world.


Melanie Martinez's creative drive and talents have always distinguished her from other musicians. After releasing her platinum-certified 2015 debut album, Cry Baby—which reached No. 1 on Billboard's alternative albums chart and has amassed over two billion streams worldwide —she conceived and directed a video for each song on the album. These mini-movies traced the traumas and insecurities experienced by the album's character, Cry Baby.
 
Melanie’s sophomore album and film, K-12, is another ambitious triumph. K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong—including within friendships, the physical world and romantically—even when fitting into society feels like an uphill battle.
 
To accompany the album, Martinez wrote and directed a 90-minute movie (also called K-12) that incorporates the album's music and mirrors the themes and characters introduced. Filmed on location in Budapest, Hungary, the movie focuses on Cry Baby (portrayed by Martinez) and a class of students who find themselves trapped in a horror house-like residential school. As they experience the usual grade school rites of passage—a lunch room food fight, the embarrassment of gym class, a romance with nefarious intentions, courses taught by checked-out teachers— they have to figure out a way to escape.

Sometimes, Mitski feels life would be easier without hope, or a soul, or love. But when she closes her eyes and thinks about what’s truly hers, what can’t be repossessed or demolished, she sees love. “The best thing I ever did in my life was to love people,” she says. “I wish I could leave behind all the love I have after I die, so I can shine all this goodness, all this good love that I’ve created onto other people.” She hopes her newest album, The Land Is Inhospitable and So Are We, will shine love long after she’s gone. That’s precisely how it feels: like a love that’s haunting the land.

“This is my most American album,” she says. The music feels like a profound act of witnessing this country, in all of its private sorrows and painful contradictions. Sonically Mitski’s most epic and wise album, the songs introduce wounds and then actively heal them. Here, love is time-traveling to bless our tender days, like light from a distant star.

It's full of the ache of the grown-up, seemingly mundane heartbreaks and joys that are often unsung but feel enormous. It’s a tiny epic. From the bottom of a glass, to a driveway slushy with memory and snow, to a freight train barreling through the Midwest, and all the way to the moon, it feels like everything and everyone is crying out in pain, arching towards love. Love is that inhospitable land, beckoning and then rejecting us. To love this place, this earth, this America, this body takes work. It might be impossible. The best things are.

nyc/tx/nj ➡️CLE➡️CBUS⬇️SoFL

Just a togepi rollin in memestep and I wanna share the sounds my brain likes. follow and share if ur with the movement 😇🫡

label: Electric Sunshine Cult 
booking: pjslae@gmail.com

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