Mixed and/or Mastered by Wormhole Audio (Hip Hop)

Lyrics:
from the land of the desolate
where the scarecrow roam with a temperament and a curved blade
he bout serve a little dish served cold in the worst way
in a cursed grave that you lay when you die
all it takes is a slice for you to beg for your life
all your useless cries are just music to I
so you should close your mouth and open your eyes

you got time to watch it all get wasted
now you're buried alive by the choice your making
step on the chair and tighten the rope
ain't no need to say prayers when you lost all your hope, huh?
feel the blade scrape down your spine
as the birds of prey gouge out your eyes now
cutting nerves til you're paralyzed 
miles of vile visions got you terrified

Paint the lines
Cut the man
Remove the bones
And wear the skin 
got no control of my head 
that's why I took apart your flesh        

-

Vilephile is a concept-driven metal band rooted in horror, mythology, and the grotesque decay of the American Midwest. Emerging from the haunted remnants of an 18th-century hog farm in rural Illinois, the band constructs a dark universe of sound and story. Each member is a cryptid entity—once part of the land or its history, now resurrected into flesh through the twisted magic of a farm witch named Vile Lynn. Musically, Vilephile merges the downtuned weight of Black Sabbath with the chaos and aggression of Slipknot, the theatrical violence of GWAR, and the industrial pulse of Rob Zombie. Drawing influence from bands like System of a Down, Megadeth, Hatebreed, Pantera, I Set My Friends On Fire, The Bunny The Bear, Mudvayne, Mushroomhead, Alice in Chains, Modest Mouse, My Chemical Romance and even Insane Clown Posse, the band weaves together metalcore riffs, groove metal rhythms, and eerie synth-driven textures to create something both heavy and hallucinatory. Stevie Vile’s vocal performance is a brutal blend of deep, gravel-coated growls and shrieking, high-intensity screams along with twangy southern style of singing similar to Primus. His lows carry the weight and grit found in early Megadeth and Rob Zombie, delivering a raw, almost feral tone that feels carved from rust and bone. In stark contrast, his high-pitched screams slice through the mix with the unrelenting intensity of Nirvana, Knocked Loose, Flagman, The Chariot and the trap-metal artist Bruxism, adding a layer of panic and volatility. The result is a voice that feels both grounded in tradition and violently unhinged—an essential force behind Vilephile’s chaotic, horror-laced sound.


Visual Album

Wear the Skin

'Kin' is a 21-minute descent into hog farm rot and Midwest decay. 
Vilephile’s visual EP fuses grotesque horror, warped psychedelia, and cursed soil into a filthy, brain-melting trip straight from the underworld of Vilevison.
 Vilephile is a concept-driven metal band rooted in horror, mythology, and the grotesque decay of the American Midwest. Emerging from the haunted remnants of an 18th-century hog farm in rural Illinois, the band constructs a dark universe of sound and story. Each member is a cryptid entity—once part of the land or its history, now resurrected into flesh through the twisted magic of a farm witch named Vile Lynn. Musically, Vilephile merges the downtuned weight of Black Sabbath with the chaos and aggression of Slipknot, the theatrical violence of GWAR, and the industrial pulse of Rob Zombie. Drawing influence from bands like System of a Down, Megadeth, Hatebreed, Pantera, I Set My Friends On Fire, The Bunny The Bear, Mudvayne, Mushroomhead, Alice in Chains, Modest Mouse, My Chemical Romance and even Insane Clown Posse, the band weaves together metalcore riffs, groove metal rhythms, and eerie synth-driven textures to create something both heavy and hallucinatory. Stevie Vile’s vocal performance is a brutal blend of deep, gravel-coated growls and shrieking, high-intensity screams along with twangy southern style of singing similar to Primus. His lows carry the weight and grit found in early Megadeth and Rob Zombie, delivering a raw, almost feral tone that feels carved from rust and bone. In stark contrast, his high-pitched screams slice through the mix with the unrelenting intensity of Nirvana, Knocked Loose, Flagman, The Chariot and the trap-metal artist Bruxism, adding a layer of panic and volatility. The result is a voice that feels both grounded in tradition and violently unhinged—an essential force behind Vilephile’s chaotic, horror-laced sound.

Lyrics:
I'm not the one you'd like to find when you take a look inside
You been afraid of what its like; Become the one that you've despised
Buried alive, dug your own grave, sacrificed; Dying in vein
The divine sorrow and shame left a trail of destruction and pain

i took a trip down by the tomb
old man pearson payed me a visit 'round noon
he rose out the grave and we had a few brews
told me who I could save and who I could shoot
said that he couldn't stay, I've gots a mission to do
and when I gets it done we're moving onto phase 2
grew close to the old man, though I know that he's dead
and long before I knew it, Pearson became my friend to the end

vile visionary
I talk to the dead
vile visionary
it's not all in your head
x2

your body will be forgotten in the pits with the maggots; rotting
you're alive and growing nauseous
say your prayers, cause God is watching

i see trouble coming over the hill
i sense that they may be coming to kill
cryptid chaos coming closer
wicked pagan seance composer
 
-
 
Vilephile is a concept-driven metal band rooted in horror, mythology, and the grotesque decay of the American Midwest. Emerging from the haunted remnants of an 18th-century hog farm in rural Illinois, the band constructs a dark universe of sound and story. Each member is a cryptid entity—once part of the land or its history, now resurrected into flesh through the twisted magic of a farm witch named Vile Lynn. Musically, Vilephile merges the downtuned weight of Black Sabbath with the chaos and aggression of Slipknot, the theatrical violence of GWAR, and the industrial pulse of Rob Zombie. Drawing influence from bands like System of a Down, Megadeth, Hatebreed, Pantera, I Set My Friends On Fire, The Bunny The Bear, Mudvayne, Mushroomhead, Alice in Chains, Modest Mouse, My Chemical Romance and even Insane Clown Posse, the band weaves together metalcore riffs, groove metal rhythms, and eerie synth-driven textures to create something both heavy and hallucinatory. Stevie Vile’s vocal performance is a brutal blend of deep, gravel-coated growls and shrieking, high-intensity screams along with twangy southern style of singing similar to Primus. His lows carry the weight and grit found in early Megadeth and Rob Zombie, delivering a raw, almost feral tone that feels carved from rust and bone. In stark contrast, his high-pitched screams slice through the mix with the unrelenting intensity of Nirvana, Knocked Loose, Flagman, The Chariot and the trap-metal artist Bruxism, adding a layer of panic and volatility. The result is a voice that feels both grounded in tradition and violently unhinged—an essential force behind Vilephile’s chaotic, horror-laced sound.

Old Man Pearson

Lyrics:
i've been down deep in a rut
and only got this taste of blood
i've sized you up and think that you'll win
but all i want is one good hit
find me dead face down in a ditch
and i resurrect into the next host i fit
and i got trauma; resides in my mind
take a look inside and you won't like what you find

and i don't think you seen what you did to me
but now i think i've seen where i'd like to be
and if you'd really like, i could play real sweet
and if i'm a good boy, could i have a treat?

how many signs will you ignore,
when they tell you that this means war?
sand-filled heads protect the weak
re-evaluate all your needs

you ask why's that i don't speak
when all you needs is me'n my greens
and your least favorite thing bout me is someone elses favorite thing bout me
and i don't think you talk too sweet, no
i don't think you care for me more than i cared for you 
so see you on the other side the street, hoe

-

Vilephile is a concept-driven metal band rooted in horror, mythology, and the grotesque decay of the American Midwest. Emerging from the haunted remnants of an 18th-century hog farm in rural Illinois, the band constructs a dark universe of sound and story. Each member is a cryptid entity—once part of the land or its history, now resurrected into flesh through the twisted magic of a farm witch named Vile Lynn. Musically, Vilephile merges the downtuned weight of Black Sabbath with the chaos and aggression of Slipknot, the theatrical violence of GWAR, and the industrial pulse of Rob Zombie. Drawing influence from bands like System of a Down, Megadeth, Hatebreed, Pantera, I Set My Friends On Fire, The Bunny The Bear, Mudvayne, Mushroomhead, Alice in Chains, Modest Mouse, My Chemical Romance and even Insane Clown Posse, the band weaves together metalcore riffs, groove metal rhythms, and eerie synth-driven textures to create something both heavy and hallucinatory. Stevie Vile’s vocal performance is a brutal blend of deep, gravel-coated growls and shrieking, high-intensity screams along with twangy southern style of singing similar to Primus. His lows carry the weight and grit found in early Megadeth and Rob Zombie, delivering a raw, almost feral tone that feels carved from rust and bone. In stark contrast, his high-pitched screams slice through the mix with the unrelenting intensity of Nirvana, Knocked Loose, Flagman, The Chariot and the trap-metal artist Bruxism, adding a layer of panic and volatility. The result is a voice that feels both grounded in tradition and violently unhinged—an essential force behind Vilephile’s chaotic, horror-laced sound.

Taste of Blood

Jamen Johns' first alternative emo rap EP "When I'm Down."

Engineered by @Stemodity

When I'm Down

Already Dead

The Only One

In My Grave

Produced: TaylorMBeats
Mix & Mastered: @TheWilbaTron
Released by: @Static-MOB-Records

Growin' Up

My newest song "I.L.Y.A."
Prod. - Fat Bastard
Audio Mix & Mastering - WilbaTron  
Video Capture & Edit - STEMODITY 
Directed - Zachary J. Bowen
Released by - Static MOB Records
--------------------------------------------------------------
SOUNDCLOUD: https://soundcloud.com/zbow3
FACEBOOK: https://www.facebook.com/zbow3
#ILYA #StaticMOB

I.L.Y.A.

Everything's Fine and The World is Beautiful
Press "Buy" to stream on other platforms.
Written & Composed by Yung Death
Mixed, Mastered, & Co-produced by Paul Wilby @wormholemedia

Everything's Fine and the World is Beautiful

Cartier

what you do to me (prod: wurlishmouk)

the devils melancholy ft: midjune (prod: fkwt)

Press "Buy" to download for free.
Written, composed, and produced by Yung Death
Recorded, mixed, mastered, and co-produced by @wormholemedia

Stream on other platforms: https://distrokid.com/hyperfollow/yungdeath/jessejames

Jesse/James

Press "Buy" to stream on all other music platforms.
Recorded, mixed, and mastered by @wormholemedia

Work in Progress

W.I.P

Your gateway to artist development and other artist services. Recording, mixing, mastering, editing, sound design, live sound, booking, management, social media optimization and more. 
Wormhole - a hypothetical "gateway" between widely separated regions of space-time.

I CR3AT3 TUN3Z & D3CIMAT3 GØØNZ! 😈
MUSIC ON ANY PLATFORM: @ ZBØW3 ✔️
https://linktr.ee/zbowww3
@STATIC-MOB
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I.L.Y.A.

Ƶ𝔅Ø𝔚3 😈

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