A native of Marseille in 83  Influenced initially by Vitalic, Laurent Garnier, the Hacker, Oxia, Ben Sims and DJ Hell, he managed to develop his own musical identity by drawing from his origins and  he participated in numerous electro events in his journeys (London, Ibiza, Amsterdam, South-East Asia). Passionate about music since he was young and a recent graduate from a school specialized in "computer generated music", Xtatik has become a very promising electronic music producer. His strong personality can be found in the relentless beat of his tracks, creating rhythms and melodies each more mesmerizing than the last. 
CONTACT: xtatiksound@hotmail.fr
https://www.facebook.com/xtatiksound13

Hardtechno refers to a style of Techno, which evolved after 2000 from Schranz and Hardcore Techno. While the first harder Techno productions appeared around 1991 on labels such as PCP and Industrial Strength, these were referred to as Hardcore Techno. Over the years, the Hardcore scene cultivated a new sound far away from its Techno origins, whereas Techno itself went in a softer direction.

At the end of the 1990s, fueled by the Schranz movement, a new, extremely hard style of Techno became popular, which is now generally referred to as Hardtechno. This style runs at very high bpm, usually 150 or more and features heavy distortion and prominent kickdrums. By 2007, almost all major European Techno festivals, such as I Love Techno, Awakenings, MayDay, Nature One, Mystery Land featured a Hardtechno stage or at least one Hardtechno artist. It has also been the main focus of festivals like "Hardtechno Festival" in Vienna (attendance 2,000+) or Syndicate in Dortmund (attendance 10,000).

Deep house was largely pioneered by Chicago producers such as Marshall Jefferson (On The House) and Larry Heard (Mr. Fingers) and with tracks such as "Mystery of Love" (1985) and "Can You Feel It?" and (1986);[1] the latter had a similar impact on deep house as Derrick May's "Strings Of Life" (1987) did on Detroit techno.[2] Heard's deep house sound moved house music away from its posthuman tendencies back towards the lush soulful sound of early disco music (particularly that of old Philadelphia International and Salsoul records).[3]

Later period deep house tracks (1993—94) were more heavily influenced by disco and even merged into a disputable disco house genre.[citation needed] Modern deep house (post-2000) often shares features with the related genre of tech house but tends to focus on musical complexity where tech house focuses on simplicity.[citation needed]

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