Cast of Characters:
The Mysterious Decibel-- @themysteriousdecibel –MD-- vocals and lyrics in the choruses

TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix

J.J. Terrell–@j-j-terrell –piano, synth sax 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, acoustic guitar intro, and vocalized tones at the end, verse lyrics and melody, composition

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, vocals on the verses



This is a song that originated with Ken several months ago. He wrote the whole thing on piano, guitar, and drums and presented it to the rest of the band. Of course, everyone was very excited to add their spin to it. I added my bass part first, as the foundation. Ken also left his catchy original guitar intro as it was. Then JJ added his dynamic piano part, which ended up being both foundational and stylistic, along with the sax that you hear in there, too. Stephen added his solid foundational guitar to it, too, soon after. Then it sat, stalled out for need of some vocals. Of course, we asked TMD to add some, which he did in grand fashion for the choruses. All that was left were the verses. Ken wrote lyrics, and gave me an idea for the melody, so I sang the verses to wrap it up. Of course, we asked Stephen to produce and mix it for us, which he did so well, as always.

  We hope you enjoy listening to this song as much as we enjoyed making it.

Homeboy (Eclectic Collective)

Painting by Marlene
Composition Inspired by quite moments in deep thought (solitude)and feeling the heart beat whilst imagining the big orchestral chords and sounds.

The Heartbeats  In Solitude

Music:  PJ Project & Janne Hennie
Lyrics & vocals:  Janne Hennie
Instruments & Mix:  PJ Project

Lyrics:

Its a world full of copies and machines
It is hard to know what is true and what is real..
We look the same, in what we say and what we do
I sometimes have to stop and ask: Is that you?

Are you real?
Is that you I'm talking to?
Is that your voice i hear?
Are you real, is that you?
Can I trust you?
Are you telling me the truth?
I don't want anything else
Only the real you..

Did you speak in your own words
Or did machines do it for you?
Did you sing with your own voice?
Can you tell the truth?
Let me hear the sound of your heartbeat
Let me touch your skin
Show me you're real
The one i can feel..

Are you real?
Is that you I'm talking to?
Is that your voice hear?
Are you real, is that you?
Can I trust you?
Are you telling me the truth?
I don't want anything else
Only the real you...

Let me hear the sound of your heartbeat
Let me touch your skin
show me you're real
The one i can feel....

Are You Real W/PJ Project

'darlin''

Scratch Kelly: beats and backing vocals
Scotty: lyrics, vocals, guitars, art

Darlin'. You did leave me.
You set me free
from the chains you placed upon me.
And now I'm better off without ya.
Darlin'. I tried to plead.
Got down on my knees.
Still, you made my poor heart bleed
with your projections placed upon me. 

Oh, darlin'. I gave you everything
that you could need.
Yet in actuality
nothin' from me you were wantin'.
Now, darlin', I see through your screen
after smokin' the green
and it makes me believe 
that I'm better off now without ya.

darlin' (with Scratch Kelly)

Ok, here is another (quite danceble) jafftrack.
Smells still kind of old fashioned eh?
I´ll explain it in the comments.

Jaffdrunnin` (Einwohnermeldeamt-Fan-Edition)

I very much liked this version of Cyrano with wonderfull music such as this one! I could not help it making an arrangement of it.
But it's a question if it's works for you without text and voice......

Where ever I fall (from Cyrano, arr/perf. Ad van Nederpelt)

Percolator (2015) Anthology CD1 Track 09

Base photo for cover art by Paul-berthelon-bravo on unsplash

Anywhere

Opening the album Siempre Perderá with weight and intention, “Sesquipedalian Obfuscation” is a highly serious classical composition built on precision, restraint, and depth. Its very title hints at the complexity within — dense themes unfolding with clarity, then shrouded again in shadow. This piece sets the tone for the album: an uncompromising exploration of struggle, inevitability, and beauty carved from discipline.

Sesquipedalian Obfuscationy

The Expansion of Infinity

In 2019, after releasing my single Distant Visions, a fan reached out and said:
“Almost sounds like something from a second interstellar suite.”

That one sentence stirred something in me. It took me back to The Maestoso Interstellar Suite—a work I originally released in 2006 and expanded into a double-disc experience for its 10-year anniversary in 2016. I began to ask myself: Is there more to explore in that soundscape? Could there be a continuation—not a sequel, but a new frontier?

At the time, I had also released a companion version of the suite: a more accessible, “radio edit” style reimagining called Singularities. It wasn’t just a shortened take—it was a different perspective. Like looking at a galaxy from another angle.

And now, Singularities has found its true home—as the next entry in a new, ever-evolving musical journey.

Welcome to Infinity

Infinity is more than a project. It’s a living archive. A space where reinterpretations and original compositions coexist. Ambient. Orchestral. Space-driven. Timeless. It has no definitive ending—only a series of unfolding volumes, each offering a glimpse into the same emotional cosmos from a different light.

Infinity Volume II – Singularities

This volume reintroduces the material from The Maestoso Interstellar Suite through a reframed lens: shortened, accessible, and arranged to stand on its own as individual pieces. If the Suite was a continuous voyage, Singularities is the constellation map—each track a star with its own identity, orbiting the same emotional core.

Originally created as an alternate listening experience, this version of Singularities now shines as a fully realized volume within Infinity. It respects its source material while offering something more focused—more immediate—without losing depth.

Where It’s Going

The Infinity series continues to grow. Each volume refines, reimagines, or reaches beyond what came before. And there’s more to come:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

With each step, I revisit and reshape ideas I once thought complete. And with every new piece, I get closer to the sound I’ve always heard in my head—now finally possible with the tools I have today.

Maybe it’s unconventional. Maybe it’s a little obsessive.
But that’s Infinity—and it’s not supposed to end.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity2BC  

Movement VIII (Dark Matter)

text : (1+ 213 376 4286)

follow everywhere @__tiaro__

ifyouwannabe

I am retired and have taken up music again (after 60 years since I last played the classical piano)for my pleasure. It is great to redo the old classics with the modern sounds and electronic instruments of today. I  
   Also Like making my own instrumental tracks with my 
Presonus studio 4 software, a size midi keyboard and the Kross workstation Keyboard.
I am so grateful for the support, encouragement and feedback from the  sound cloud community.
What an awesome experience and way to bring music to the world together with likeminded friends-thank you all.

The Heartbeats In Solitude

ZDCOM