Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

The first song I learned to play on the melodica as a kid.

Καλήν εσπέραν άρχοντες, αν είναι ορισμός σας, Χριστού την Θείαν γέννησιν, να πω στ' αρχοντικό σας.
Χριστός γεννάται σήμερον, εν Βηθλεέμ τη πόλη, οι ουρανοί αγάλλονται, χαίρει η φύσις όλη.
Εν τω σπηλαίω τίκτεται, εν φάτνη των αλόγων, ο βασιλεύς των ουρανών, και ποιητής των όλων.

Good morning, good people, and if you so desire, can tell you of Jesus’ Holy birth.
Christ is born this day in Bethlehem and the heavens and whole earth rejoice.
In a manger in a stable is born the King of the universe and Creator of the world.
And the multitude of the Heavenly Host is praising God and singing “Glory to God in the highest…”

video >>> https://youtu.be/IcV2rmpNaHQ

© All rights reserved

Greek Christmas Carols - Κάλαντα Χριστουγέννων

2024/09/30
Title/HananaraGuitar by Tomoki(Tot.prod)
Vocals, song and lyric/Khan
Guitar /Tomoki
mix/Tot
This song  is blessed. 
It has many version.
This is an amazing guitar version, mixed by Tot.
Have fun!
Album https://linkco.re/ATghzUV4
Tot url
https://soundcloud.com/tot-beat

2025 Youtubeshorts 
https://www.youtube.com/shorts/nSFqsZ-2BIQ

lyric
Hananaraii

夏の夜を彷徨う
雨が上がり
空が冷え恋は覚めるよ
花ならいい
何かが欲しいわけじゃない
わかってるから
誰も知りたくない
The last part of story
We don’t want to know 
The last part of story
誰も君の道について
答えられないだろう
No one know your way
誰も君の道について
知らないだろう
No one know your way
誰も君の道について
答えられないだろう
No one know your way
No one know your way 
No one know your way
No one know your way
No one know your way 
No one know your way

I Wandering summer night,
Rain ceases to fall,
falling out of love
Flowers so good(=hananaraii)
We don’t want to know 
The last part of story
No one know your way 
No one know your way

HananaraGuitar by Tomoki(Tot.prod)

The Smoking Trout is back with a new chapter in the saga of the Holy Dumpling.  Was great to hear Uziel in front of the mic again as well as Tot laying the beats.   Jeff and Terry remain masters of their domain. 

* Stonerjazz @user-911083679 -- Vocals, Lyrics, Original Idea, Acoustic Guitar, and Artwork

* Uziel @user-455619833 -- Vocals

* TexMex Shaman @texmex-shaman -- Electric Guitar & Bridge

* Tot - @tot-beat -- Beat & Drums

* Tea R. Sea - @tea_are_sea -- Synths & Production

-------------
Catch up with the first 10 tracks of our work-in-progress concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q
-------------

Lyrics (by Stonerjazz):

We all chose it, we arrived here at this self-same place
he liked to think that he had earned it
but that simply not the case.
He just dreamed it up one sunday afternoon
while drowsing and lounging in the Ether
where the US resides
while living on a Proton Banished
to the outskirts of a single Atom
In a single Universe-
It was a wicked Curse, specifically designed for him
A scorcerer, Albert Rufus Smith
Stole a Rocket ship and he took it to Uriah
He was a rascal and scoundrel and a liar and a thief
But he had a magic knife that he had won in a game of dice
on a stormy night in a corner of some ruins
in the desert in december by the fire light with some other witches from Oaxaca
where he'd Spied Roberta picking magic mushrooms naked in the moonlight
with her brothers and her sisters and some others from the Bus-
It seems that Albert Rufus Smith Was Smitten

The eternal now is Wow
When we wonder why we wander
where we will
while walking walking walking to fulfill
the contemplated vacancy
Beyond the vast Horizen

Alberts knife was sliver with a handle made of Amber
when he held it high above his head
it gave off a blinding light
and on that night on the planet of Uriah
when Gus and all his jolly happy hopeful holograms arrived
on that Beat-up Bus
That formulated plan in Alberts wicked head
appeared to be on Track
had he not been messmerized by Roberta's perfect presence and physic
he might have pulled it off, that dirty rotten little sneak--

Sid and Larry caught him and his Cronies
trying to steal the bus and Abduct
Sally and Roberta too, Who
were sleeping on the bus in the back together as they always do,
And Gus was not Amused-
Albert seemed to be confused until he held his Magic knife up high
and blinded ever bodies eye
and in a frantic flight he escaped into the distant night--

Albert Rufus Smith (Smoking Trout's HOLY DUMPLING #11)

Shattered Concentration

Music : Janne Hennie & Little Man
Vocals & lyrics : Janne Hennie

I wake up this morning
Had a good nights sleep
Get ready for the day
With good energy
The phone rings
It is you
Want something from me..

You keep pushing my power button
You ain't nothing but a thief
Whenever I have some energy left
You suck it out of me
You never stop
You never give up
I'm almost empty, can't you see?

I have to hide my power button
So you won't find it again
Will not answer when you call
Won't call you friend
The only times you make contact
Is when you want something from me..

I will use the rest of me
On what makes me feel good
What gives me energy
And don't suck it out
So don't call me anymore
You get nothing from me..

You keep pushing my power button
You ain't nothing but a thief
Whenever I have some energy left
You suck it out of me
You never stop
You never give up
I'm almost empty , can't you see?

You keep pushing my power button
You ain't nothing but a thief
Whenever I have some energy left
You suck it out of me
You never stop
You never give up
I'm almost empty, can't you see?

My Power Button

this track is an open collaboration from Paul Paploviante.
Original drums,guitar and bass  performaed by Paul.
additions-Keyboards by ZDCOM.
Thank you Paul for providing the awsom pulsating beat, rythem and Guitar solos, that inspired the attacking keyboards fill ins.

WHY- Ft Paul Paploviante & ZDCOM

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocal composition, arrangement, and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.  

TheSiege

Hendrik's neighbor Torben Schmitt on Guitar, me on Sax - Hendrik aka @cosmic-ratzzz keys & mix
By the way, I'm sure that the devil can manage without underpants because of the full-body hair ;-)

Lunatics 203 / The Devil In Lingerie / Ratzzz, Schmitt & joerworx

December 63 (2001) Four Seasons Cover

This is my final instrumental mix but I think I will develop it into a full song.

Feel free to provide comments and feedback

Interlude

I am retired and have taken up music again (after 60 years since I last played the classical piano)for my pleasure. It is great to redo the old classics with the modern sounds and electronic instruments of today. I  
   Also Like making my own instrumental tracks with my 
Presonus studio 4 software, a size midi keyboard and the Kross workstation Keyboard.
I am so grateful for the support, encouragement and feedback from the  sound cloud community.
What an awesome experience and way to bring music to the world together with likeminded friends-thank you all.