Name: Exodus remix # 2 by Zeb - The spy from Cairo by Zebda-The spy from Cairo in spy
Duration: 5 min 22 s
Description: Properly done Dub stepper with eastern flavor

heard this remix for the first time last night, love this refix just as much :) big ups!

awesome track man, prefer this dub version

All the tracks have these slight skips in them... even the downloads... Besides that its pretty dope

that eastern flute makes me wanna hunp a dog

Properly done Dub stepper with eastern flavor

Exodus remix # 2 by Zeb - The spy from Cairo

Zoufris Maracas - Bleu de lune (El Búho Remix)

this is a live version with reggae MC of the tune Kurdish delight on my album Secretly Famous and It's a FREE download .

Kurdish Delight Live ! 2011

This is a little intro to my new album which should be ready by end of november. Just a mellow introduction... for meditation. ;-)

Andak Al - Salaam (the spy from Cairo)

Download

joeira

DOWNLOAD: https://betecut.bandcamp.com/track/manin-re-edit-75bpm

BéTé - Manin Re-Edit (64 kbps)

El Regreso del Gallito (The Return of the Rooster) takes its inspiration from the sounds and landscapes of Paraguay, the small South American country unbeknownst to many outside its borders. Paraguayan composer and producer Santi and Turkish singer Tuğçe take listeners on a tantalizing journey into this “island surrounded by red coasts, in the heart of South America”. El Regreso del Gallito also marks the duo’s first time collaboration with U.S. based visual artist Scott Partridge, whose artwork perfectly captures the somewhat familiar and somewhat magical world of the album. 

The opening track, Gallito, begins with a bold, orchestral string section, and quotes the popular Paraguayan polka “Gallito Cantor”. The spoken poetry announces the return of a mysterious traveler, with a strange voice and burgundy crest, to his native land. This track, like the rest of the album, reveals the compositional approach that Santi takes to music production in which he writes and sequences every single note and beat for all instruments. Based on this opening track, Scott’s cover art for the album depicts the mythical Gallito, which- like the album itself- is a novel interpretation of the folkloric elements, in this case, gallinas de suerte or “lucky chickens”, of Paraguay. 

The second track, Doña Antonia, tells the story of a street vendor who travels each morning from her home in Yaguaron to the capital city Asuncion to sell her medicinal herbs that cure everything, from heartbreak to oblivion. The track is sensual, mystical, and up-tempo. In a “world that keeps spinning without compassion”, Doña Antonia’s song (and her ice cold tererê with lemon) reassure the poet, the dreamer, those who are disheartened, of possible relief and even transformation. 

La Revancha del Arpa, humorously named after Gotan Project’s debut album “La Revancha del Tango”, brings to the dance floor the intricate melodies and waterfall-like textures of the Paraguayan harp, the instrument that is at the center of the Paraguayan musical genre of the Guarania. Like Gotan Project’s “La Revancha del Tango” which gave tango its electronic sound and international revival, in La Revancha del Arpa, Santi extends the Guarania outside of its Paraguayan conventions and immerses it into Latin America’s vibrant electronic music scene and beyond. 

The fourth track, San Juan, is a grand celebration, based on the traditions of many other neighboring countries throughout Latin America. Weaving together polyrhythmic percussion, deep bass, synthesizers, the energetic accordion and the playful harp, this upbeat track is filled with fire, dancing, and daring games. Even the mysterious Gallito is back on the scene calling for community and musical innovation. 

In the last piece, the journey comes full circle, as Santi and Tuğçe give us their rendition of what is perhaps the most known Guarania of Paraguay, Recuerdo de Ypacaraí. Santi’s hypnotizing harmonies along with Tuğçe’s soothing vocals turn this timeless song into a lullaby which takes us back to a night by Lake Yparaci and invites us to remember and linger on. 

Follow the artists @ 

facebook.com/santi.production/ 
soundcloud.com/santi-productions 
soundcloud.com/tugce-kurtis

Buy on Bandcamp!

Santi & Tuğçe - Doña Antonia

My  interpretation of the legendary Shye Ben Zhur track "Gathering", from his masterpiece debut album "Heeyam" from 2003.
Lean more about Shye here:
https://en.wikipedia.org/wiki/Shye_Ben_Tzur

Shye Ben Tzur - Mifgash (Funk Sinatra Remix)

A jam with my dear Nato, we hope you'll enjoy this <3
Many thans to Oumou Sangaré for her wonderfull singing about the forced mariage in the world.

Free Download

Nato & Sahalé - Jelassi

Shango Records:

Prince of Morocco sounds from the big city: AkizzBeatzz. The night spirit master is reflecting the power of Gnawa, a cultural and social distinctiveness rooted in West Africa, flourished in Morocco by way of migration, both voluntary and forced.  From Senegal to Chad, from Mali in the North to Nigeria in the South Gnawa population originated from black West Africa. The enslaved people from the old Ghana kingdom (north of Mali), the great market of Djenne, the mystic order which marks exclusiveness, the ancestral memory , the artistic and spiritual parallels with the Bori in Nigeria, the Stambouli in Tunisia, the Sambani in Libya, the Bilali in Algeria, the Vodou in Caribbean….Across the path of the night, there is no doubt that AkizzBeatzz retain the spiritual authority and the source of inspiration that suggests the possibility of redemption for all sufferers.

1.AkizzBeatzz “Ain Hijla”
2.AkizzBeatzz “L'Arbre du Ténéré”
2.AkizzBeatzz “Haboob”

Shng025 Akizzbeatzz - Ramal Ep

BANDCAMP

Akizzbeatzz-L'arbre Du Ténéré

From my new album Nothing new under the sun

Fanaa

Another track form mu new album "nothing new under the sun"

Prophecy in motion

From The album "Nothing new under the sun"

Beirut Skank

* Read more:  http://boltingbits.com/premiere-africa-show-massanga-yeahman-remix-mawimbi/ ‎
* Watch on Youtube; https://youtu.be/jnq9HbUvaek
* Pre-order : https://wearemawimbi.bandcamp.com/album/radio-mawimbi-volume-2

Since 2013, the Parsian collective Mawimbi (@wearemawimbi) have demonstrated that music has no borders. Consisting of musicians POUVOIR MAGIQUE, SSCK, ALT, L'ENFANT-LOUP, ALT!, and UMEME,  the group spends the majority of their time as a record label and DJ crew. The goal of their mission is to select the finest rhythms and vibes from the Motherland and spread their idea of multicultural club culture across the most famous clubs in France.

However, this description of Mawimbi does not do them justice. The crew doesn’t appear to care about exclusivity or being pretentious. They do their best to not alienate the current club culture by incorporating more conventional forms of dance music like ghetto house, modern highlife and shamanic techno in their projects. This certainly helps lessen the culture shock, making the global journeys they take people on slightly more digestible and familiar. Think of Mawimbi as your trusty tour-guide that will take care of you as they expose you to the alluring soundscapes of places like Soweto, Bamako, and Kinshasa.

The “musical tourism” Mawimbi have carried out the past 4 years has given them a following of over 10,000 people that stretch from Berlin to Pretoria, and Tokyo to Amsterdam. Due to their recent success, the crew is coming out with the second volume to their compilation series Radio Mawimbi.

We were lucky enough to get our hands on the A1, and are quickly becoming fans of Yeahman's remix of Africa Show’s 1960’s song “Massanga.” The song is from Angola, but the remixer hails from Toulouse. Seeming to be a proponent of the old adage “less is more,” Yeahman does not do anything to detract from the original’s feel. Instead, he decides to pick up the record’s sloth-like tempo while blending in an assortment of his own percussion and echoing synths; making it perfect for warm weather excursions to the beach!

To get your a copy of Yeahman’s remix, plus the compilation’s 8 other tracks, simply follow this link to purchase!

PREMIERE : Africa Show - Massanga (Yeahman Remix)

Samba Touré - Be Ki Don (AkîzzBeåtzz Funked-Up Edit)

The first single from "A Guide to the BIrdsong of Mexico, Central America & the Caribbean" comes from Belize's Garifuna Collective who interpreted the song of the Black Catbird.

This is the first single from an album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them.

"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is the second Volume in the series following on from "A Guide to the Birdsong of South America", originally released on Robin's old label Rhythm and Roots. Volume I raised nearly 15,000 USD for two birding organisations and featured artists like Nicola Cruz, Dengue Dengue Dengue and Chancha Via Circuito.

For this second edition we have shifted focus north of the equator and to the vulnerability of bird species like the Momoto Carenado (Nicaragua), Ferminia (Cuba) and the Jamaican Blackbird (Jamaica), birds who have dwindled in numbers as a result of the environmental repercussions of climate change, deforestation and trapping for the pet trade.

For the album we chose 10 endangered or threatened bird species and challenged 10 of our favourite producers or musicians from the region. Working with the Xeno Canto birdsong community and the Macaulay Library, we sourced a recording of each bird’s song. Each artist was then asked to create an original piece of music inspired by the bird and its song.

The project would not have been possible without the support of an incredible Kickstarter community, helping us raise £12,599 in August 2019.

Once the costs of production have been covered, all of the proceeds from this album will be donated to Birds Caribbean, La Asociación Ornitológica de Costa Rica and Fundacion TXORI in Mexico. All profits from the sales of the record, music streaming, poster and t-shirt will be shared between these organisations who focus on engaging local communities to help improve and grow the bird tourism sector, create awareness of vulnerable birds with young people and crucially, provide rescue, rehabilitation and breeding programmes.

A Guide to the Birdsong of Mexico, Central America & the Caribbean

A Guide to the BIrdsong of Mexico, Central America & the Caribbeam

The Garifuna Collective - Black Catbird

One of the amazing things about the deeply Jamaican music called Dub is its ability to act as a conduit. From its early days as stripped down versioning of popular Reggae tunes to its indoctrination into late 80 / early 90s UK Soundsystem & Dance Music culture, to its current massive mutation (with the “Step” planted firmly in its behind); Dub has shown itself to be not only a musical art form that stands strongly on its own, but also a vehicle of sorts that can transport and connect disparate musical universes. And it’s at the unique nexus of Dub and Arabic music that the Spy From Cairo sits the most comfortably. 

The Spy From Cairo aka Zeb is the kind of musician that fits perfectly in with the downtown NYC music scene – Italian by birth, Gypsy by heritage, and Brooklynite by residence, he has been closely associated with the Turntables on the Hudson scene for close to 12 years – producing dozens of albums as Zeb, the Spy From Cairo and the Organic Grooves project, as well as remixing for everyone from Baba Maal to Tosca to Billie Holliday to Novalima, steadily garnering a worldwide collective of fans and followers 

The Spy’s new album, “Arabadub” is perhaps his most realized vision of deep Middle Eastern and Jamaican sounds coalescing into something that sounds right and natural – because it was conceived and produced in just that natural way. There are no samples used on the album, and Zeb has programmed everything, as well as playing traditional Middle Eastern stringed instruments called the Oud, Chifteli and the Saz himself. Check the opener “Alladin Dub”, with its echoed out skanks, pulsing bassline, and majestic strings – and the deepness that is “Taksim Square”, complete with swirling, psychedelic accordion. Other highlights include the tense four-to-the-floor stomper “Desert Tears”, the rolling dub of “Sons of Hannibal” with it’s beautiful Middle Eastern vocal chants, the nostalgic “Egyptian Pulse” with its Steppers sound and melancholy vibes, and the dancehall vibes of “Prince Ahmed” – sounding like 3AM Kingston wrapped in a Bedouin Tent!
credits


Exodus remix # 2 by Zeb - The spy from Cairo

Zebda-The spy from Cairo

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