this is a live version with reggae MC of the tune Kurdish delight on my album Secretly Famous and It's a FREE download .

Kurdish Delight Live ! 2011

This song is taken from the Live album of the lebanese rock band Meen.

http://meentheband.com
http://instagram.com/meentheband
http://facebook.com/meentheband
http://twitter.com/meetheband

Banadoura

Bandcamp

LUP INO - Non Importa Se...

This is a traveling song. Written along the way of Highway 1, in America.

Better Than Gold

Oops! I actually finished the tune today and added vocals and ciftelli.
Hope you all like the final version =)
BUY ALBUM ON
http://www.wonderwheelrecordings.com/


Thicker than Hooka Smoke!

"Bèstia - Constellacion"
Extrait de l'album "...E los leons"
(Sirventés / L'Autre distribution)
Sortie : 2 février 2018
Paroles et musique : Laurent Cavalié
www.lamalcoiffee.com
www.sirventes.com

...E los leons

La Mal Coiffée "Bèstia - Constellacion"

Bed Time Story

tracks: http://soundcloud.com/motorentertainment/los-colorados-i-like-to-move VS.
http://soundcloud.com/boris-viande/tetris-remix-waiting-for-the

Move that line! (Robert Soko vs Boris Viande) Lazarus Soundsystem Mashup

Order CD/LP/DL: https://goo.gl/WygZtR
Digital: https://IDOL.lnk.to/Laylet_El_Booree 
Release Date: April 5th, 2019

Fusing the rhythms and invocations of the ancient Saharan Banga ritual with an electrical storm of contemporary sonics, Ifriqiyya Electrique’s second album both grips and awakens.

In Tunisian, Banga means "huge volume” and one cannot think of a more apt description of Laylet el Booree than that.

Maximalist & relentless. Blood, sweat & trance.

In the West, music performances and audiences are widely cut from the same cloth. There is a secure dividing line between the stage and the hall, the audience and the performer. But profoundly different experiences can be found on the southern side of the Mediterranean Sea, deep in the Tunisian desert, where the group Ifriqiyya Electrique was born and has performed the most. Several years ago, two of the musicians who make up the five-piece Ifriqiyya Electrique - Gianna Greco and François R. Cambuzat - ventured to the Djerid desert of Tunisia to investigate and confront the religious ritual of the Banga, a ritual of legendary intensity indigenous to the region. The musical duo’s background is in the underground post-punk scene of continental Europe, as members of Putan Club and as collaborators with the venerable Lydia Lunch. But they are also voracious travellers and seekers of global sonics that are at least partially hidden from the western gaze. Previous trips to the Uyghur region of China and the Kurdish regions of Turkey had in part prepared them for the musical immersion they would undertake in Djerid. Their original intention was not to join in the ritual but rather to research how this unique ceremony delivered “pure elevation” to its participants. This state of elevation or trance, is something that they had experienced in their own music, and they were searching for instructive parallels and new perspectives.

But after living in, and travelling throughout the Djerid for years, things began to morph. The beginnings of a group began to take form. There was a shift towards direct engagement. Their first "appearance" ended up being in Nefta, in the city of Sidi Marzug. It was terrifying: after all the months of studying, filming, recording and bonding, could Ifriqiyya Electrique actually participate in the Banga ritual? The first ten minutes were in fact distressing, the Banga adepts from the town initially shocked. But eventually the locals recognized a shared music of the spirit and everything rocked together: people sang, danced, went into trances, were healed and the entity that became to be known as Ifriqiyya Electrique passed an unwritten test of inclusion. Remember: Ifriqiyya’s music was never composed for a Western audience in the first place. It was brought to life in real time, on the same streets in which the Banga has been practiced uninterrupted for centuries. Within the ritual there is no leader nor primadonna. It is a collective improvisation. Sufism. A ritualized, social bond where no one stands above anyone else. 

The title of the second album Laylet el Booree translates as the “Night of the Madness.” It refers to the last part of the annual gathering of the adorcist ritual from the Banga of Tozeur – it is the night when the spirits actually take possession of the bodies. Like the ritual itself, the album is wild, frantic, and never caresses the listener’s expectations. But its purpose is also to heal; with sweat, spirituality, electricity and trance being central to the almost overwhelming sensory experience. With the band now joined by new member Fatma Chebbi (on vocals and tchektchekas hand percussion) one senses that the musical and cultural conversation is even deeper this time around. In fact, it doesn’t feel like a speculative conversation at all, but rather something fully formed and undeniable. An emergent ritual in itself.

Laylet El Booree

He Eh Lalla

Ifriqiyya Electrique - He Eh Lalla

[#LImaALaMaison] Arabic Sound System vous invite à voyager avec @Sharouh, DJ et productrice méditerranéenne installée à Madrid. Pour l’#ImaALaMaison, elle a concocté ce set 100% coexist : des remixes de chants judéo-arabes aux pépites de la musique mizrahi, il explore les différentes formes de syncrétisme musical des mondes juifs et arabes, de Tanger à Bagdad

Retrouvez toute la programmation digitale de l'IMA pendant le confinement en ligne : bit.ly/3eoNANH

Tracklist : 

- Lehakat Tzliley Ha'oud - Neimat Pop Oud
- Daklon Rami Danoh ft. Ravid Kahlani - Ayelet Hen
- Moshe Giat - Yalumah
- Dudu Tassa & The Kuwaitis - Bint El Moshab (Baba Guzamba [@yairkoor] edit)
- A-Wa - Tarig Tawila
- Riff Cohen - A Paris
- Raoul Journo - Ya Samra (Sharouh remix)
- Yemen Blues - Yoducha (Baba Guzamba [@yairkoor] edit)
- Habiba Msika - Habibi Lawel (Sharouh remix)
- Fahd Ballan - Ruh Ya Nassim (@blacklulu remix)
- Ari San - Boum Pam (Sharouh edit)
- Jacky Mekaiten - Od Yom Yavo (Baba Guzamba [@yairkoor] edit)
- 3 Hural - Kol Basti (@trumpel-dov edit)
- Lihiyot Adam - Zohar (@libra-music re-edit)
- George Bar - Saraleh
- Laroz Desert Groove - Tuch
- Ganga - Dj Click
- Dudu Tassa & The Kuwaitis - Ya Um Al-Abayah
- Radio Trip ft. Boom Pam - Hashish
- Victoria Hannah - Aleph Bet
- Eli Luzun - Falfilu (Gal Kadan [@galkdn] edit)
- Abu Hafla Orchestra - All Together, Ya Shabab
- Najwa Karam - Ella la (@blacklulu remix)
- Yoni Sharon - King’s chamber
- Haim Moshe - Habibi Ya Eini

Arabic Sound System voyage avec Sharouh

Samay Waajur

One of the amazing things about the deeply Jamaican music called Dub is its ability to act as a conduit. From its early days as stripped down versioning of popular Reggae tunes to its indoctrination into late 80 / early 90s UK Soundsystem & Dance Music culture, to its current massive mutation (with the “Step” planted firmly in its behind); Dub has shown itself to be not only a musical art form that stands strongly on its own, but also a vehicle of sorts that can transport and connect disparate musical universes. And it’s at the unique nexus of Dub and Arabic music that the Spy From Cairo sits the most comfortably. 

The Spy From Cairo aka Zeb is the kind of musician that fits perfectly in with the downtown NYC music scene – Italian by birth, Gypsy by heritage, and Brooklynite by residence, he has been closely associated with the Turntables on the Hudson scene for close to 12 years – producing dozens of albums as Zeb, the Spy From Cairo and the Organic Grooves project, as well as remixing for everyone from Baba Maal to Tosca to Billie Holliday to Novalima, steadily garnering a worldwide collective of fans and followers 

The Spy’s new album, “Arabadub” is perhaps his most realized vision of deep Middle Eastern and Jamaican sounds coalescing into something that sounds right and natural – because it was conceived and produced in just that natural way. There are no samples used on the album, and Zeb has programmed everything, as well as playing traditional Middle Eastern stringed instruments called the Oud, Chifteli and the Saz himself. Check the opener “Alladin Dub”, with its echoed out skanks, pulsing bassline, and majestic strings – and the deepness that is “Taksim Square”, complete with swirling, psychedelic accordion. Other highlights include the tense four-to-the-floor stomper “Desert Tears”, the rolling dub of “Sons of Hannibal” with it’s beautiful Middle Eastern vocal chants, the nostalgic “Egyptian Pulse” with its Steppers sound and melancholy vibes, and the dancehall vibes of “Prince Ahmed” – sounding like 3AM Kingston wrapped in a Bedouin Tent!
credits


Thicker than Hooka Smoke!

Zebda-The spy from Cairo