Last Voyage — Concept Summary

“Last Voyage” is a cinematic concept album chronicling the rise and fall of the Titanic as a metaphor for human pride, illusion, and fate.
Through twelve interconnected tracks, it explores the spectrum of ambition — from the euphoric faith in progress to the quiet reckoning beneath the waves.

The ship becomes a symbol of civilization itself: beautiful, confident, and blind to its own cracks.
Each song moves deeper — from light to darkness, from brass and champagne to echoes and silence — tracing not just a maritime tragedy, but the eternal human pattern of building perfection and sailing it toward oblivion.

Musically, the album blends progressive and psychedelic rock with orchestral textures, atmospheric sound design, and philosophical lyricism — a journey through awe, denial, irony, loss, and transcendence.



Ice on the Horizon

In Those Days is a dark-fantasy jazz/blues concept album built on the book of Judges—half film score, half rock opera, all one continuous world.

Obligé scores a crownless Canaan with smoky horns, upright bass, haunted guitars, and stormy drums: temple nightclubs for Baal, crooked odd-meter stealth for the left-handed assassin, noir prophecy under the palm tree, iron chariots rolling like war machines, midnight tension in Jael’s tent, Gideon shaking in a winepress, a daughter caught in the teeth of a vow, and a man who looks ordinary but tears down gates and pillars by a strength that makes no sense.

Some tracks play like pure score, others like songs sung from inside the story, but the same themes keep resurfacing—motifs slipping between sax lines and vocals, big-band blasts giving way to quiet, wounded prayers. This is Judges as a jazz-shadowed myth: no king, too many gods, and a handful of fragile people trying to stand up in the ruin.

Who's Behind the Door

Zebra

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