Download & Stream new single "Uncertainty Is Delight": https://tr.ee/uk5-CFK7Pl

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PRESS: alex@terrorbird.com

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

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Nina Violet writes the songs, sings them and plays guitar. She also performed all the string arrangements, played piano and organ,recorders and Rhodes...and plucked the autoharp.
Marciana Jones sang all the backing and harmony vocals. She also played Omnicord, Casio,strummed the autoharp and picked at the banjo.
Matthew Cullen played the electric bass. He also played some electric guitar........and recorded the whole thing.
Mathias Kunzli played the drums and all the percussive stuff.
Mark Marinoff played sax and clarinet
Mike Leighton played some of the flutes
Caroline Glass played flutes and cor anglais
Mike DuClos played upright bass
Angel Russel played trumpet and melophonium
Adam Howell played some slide guitar
Charlie Esposito provided some ambient orchestral elements
Jane Scarpantoni played some cello

The record was produced by Nina and Matthew.

In February 1999, three longtime friends from West Texas went to a pizza place in Austin, Texas, for a prearranged meeting with a young man from Illinois. The Illinoisan had just moved to Austin, and he had put up a flyer that caught the interest of the others. They ate pizza and discussed movies and arcana. They also decided to meet the next day with their various instruments (two guitars, bass, and drums). This happened, and over the coming months they picked a band name, then picked a better band name, then wrote and recorded an album. That album, called How Strange, Innocence, was largely out of tune, but the band members didn't really notice at the time. They optimistically printed 300 copies, and gave most of them away. It turned out they really liked playing together, so they kept doing so. A friend of theirs sent a recording of one of their live shows to a record label in Baltimore, and that label offered to put out albums for the band. The band agreed.

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Ivor Novello Award-winner and Mercury, Grammy, and BRIT-nominated artist Lianne La Havas unveils her new single ‘Disarray.’ The track showcases a blend of emotional depth and striking vocal delivery, set against sparse, ethereal finger-plucked electric guitar —a signature of La Havas’ style. 

“The song felt very intimate, almost like a secret just for me,” says La Havas. “It’s about vulnerability, honesty, and giving listeners a window into a moment of my life.”

Over the course of her career, La Havas has released three acclaimed albums — Is Your Love Big Enough? , Blood and her self-titled Lianne La Havas  (which won the Ivor Novello Award for Best Album). She has collaborated with leading international artists and captivated audiences worldwide with her spellbinding live performances.

Released via her own Καλό μήνα (Kalo Mina) Records. La Havas embarks on an exciting new chapter, broadening her sonic horizons while remaining rooted in vulnerability and artistry.

i'm lazy with aspirations of inspiration. i'm boring until i'm not. I like green and bright orange. tracing paper is good for about anything. brown eyes are swoon inducing and nobody can love anyone until they've smelt breath after a cheese and onion toastie. i drive better when I'm drunk. i sleep better when i drive. whiskey tastes best at the top of a hill in the nighttime. autumns great isn't it!?. my memory is pretty crap.but i can remember lyrics to all james taylor and tots tv songs. i probably should be left handed.

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