mamak khadem

Medicine Alchemy╰დ╮ૐ╭დ╯

chill

IMUHAR

(Omar Moctar)
Matinfa tenassé in mouhague tigrawe tickma
Matinfa tinassé in mouhague tigrawe tickma
Ayitma yofa nikare nigrassidane yalla yicknane
Matinfa tenéssé n’mouhar tigrawe tickma
Imuhar tigrawe tickma n’taguilwene ahische rawane
Matinfa ténéssé n’mouhar tigrawe tickma
What good is calm to the Imuhar(1)
who are living in misery? 
In misfortune? 
My brothers, we must awake and understand that we have
gained nothing
What good is calm to the Imuhar living in misery?
In misfortune? 
The lives of the Imuhar are complicated, it is the way these
times are
What use is calm to the Imuhar living in misery? 
In misfortune?

Imuhar - Bambino

Prem Joshua has just released his new studio album “Kashi”, which is his second collaboration after “Ahir” with multi-instrumentalist and producer Chintan. “Kashi” is now available online and in stores. Coming soon to India.

When Prem Joshua first journeyed to India in 1977, he felt an immediate, profound connection. He has ever since devoted his life’s work to translating India’s rich spiritual and cultural depth into a new, global language of unique east-west fusion. With “Kashi”, Prem Joshua and Chintan composed contemporary songs from beloved Indian mantras and shlokas, crafting a devotional album expressing “the India within” in refreshing musical terms that are both entertaining and transcendent.

Gayatri Ghetto

For session players only / Wild Vox version A

Humming Bird / Wild Vox

Edmunds and Alyssa, Holy Forest, day circle
Apr 2015

Sirenita Bobinzana

Inspired by the motion of Indian Classical music: Slow, Faster... Fastest

Chill In Nizamuddin

Kenewma & Nawashahu Yawanawa

Tuim Nova Era - Pasha Dume Pae

Mantras liberadores para nuestras meditaciones o momentos de relajación.

Om Mani Padme Hum

Alpujarras

Mamak Khadem - Lalaii

Esta es una version corta de una de nuestra mas reciente cancion.
Creando musica y letra alrededor del Mantra de la Tara Verde.
Con el fin de invocar toda su proteccion y bondad.
Mantra: Tibetano
Voz: CRIS y Bruno
Musica y Letra : Bruno Mansur
Pruduccion: Bruno Mansur

https://www.facebook.com/Bruno.Mansur...
https://www.instagram.com/brunomansurf/

Bruno Mansur y Cris / Green Tara - Tara Verde

03. Bahramji and Mashti - All About You

أيُّهَا السَّاقِي إِلَيْكَ المُشْتَكَىٰ قَدْ دَعَوْنَاكَ وَإِنْ لَمْ تَسْمَعِ
وَنَدِيمٍ هِمْتُ فِي غُرَّتِهِ وَشَرِبْتُ الرَّاحَ مِنْ رَاحَتِهِ
كُّلَّمَا اسْتَيْقَظَ مِنْ سَكْرَتِهِ جَذَبَ الزِّقَّ إِلَيْهِ وَاتَّكَا
وَسَقَانِي أَرْبَعًا فِي أَرْبَعِ

أيُّهَا السَّاقِي إِلَيْكَ المُشْتَكَىٰ قَدْ دَعَوْنَاكَ وَإِنْ لَمْ تَسْمَعِ
غُصْنُ بَانٍ مَالَ مِنْ حَيْثُ اسْتَوَىٰ مَاتَ مَنْ يَحْيَاهُ مِنْ فَرْطِ الجَوَىَٰ
خَفِقَ الأَحْشَاءِ مَوْهُونَ القُوَىٰ كُلَّمَا فَكَّرَ فِي البَيْنِ بَكَىَٰ
وَيْحَهُ يَبْكِي لِمَنْ لَمْ يَقَعِ

أيُّهَا السَّاقِي إِلَيْكَ المُشْتَكَىٰ قَدْ دَعَوْنَاكَ وَإِنْ لَمْ تَسْمَعِ
مَا لِعَيْنِي عَشِيَتْ بِالنَّظَرِ أَنْكَرَتْ بَعْدَكَ ضَوْءَ القَمَرِ
وَإِذَا مَا شِئْتَ فَاسْمَعْ خَبَرِي عَشِيَتْ عَيْنَايَ مِنْ طُولِ البُكَا
وَبَكَىَٰ بَعْضِي عَلَىَٰ بَعْضِي مَعِي

أيُّهَا السَّاقِي إِلَيْكَ المُشْتَكَىٰ قَدْ دَعَوْنَاكَ وَإِنْ لَمْ تَسْمَعِ
لَيْسَ لِي صَبْرٌ وَلا لِي جَلَدٌ مَا لِقَوْمِي عَذَلُواْ وَاجْتَهَدُواْ
أَنْكَرُواْ شَكْوَايَ مِمَّا أَجِدُ مِثْلَ حَالِي حَقُّهُ أَنْ تُشْتَكَىَٰ
كَمَدُ اليَأْسِ وَذُلُّ الطَمَعِ

أيُّهَا السَّاقِي إِلَيْكَ المُشْتَكَىٰ قَدْ دَعَوْنَاكَ وَإِنْ لَمْ تَسْمَعِ
كَبِدٌ حَرَّ وَدَمْعٌ يَكِفُ يَعْرِفُ الذَّنْبَ وَلا يَعْتِرِفُ
أَيُّهَا المُعْرِضُ عَمَّا أَصِفُ قَدْ نَمَا حُبُّكَ عِنْدِي وَزَكَا
لا تَقُلْ أَنِّي فِي حُبِّكَ مُدَّعِ


من أجمل الموشحات الأندلسية لابن زُهْر

أيها الساقي - فاديا الحاج

I salute the noblest sage Patanjali
Who brought peace of mind by his work on yoga
Clarity of speech by his work on grammar
And purity of body by his work on medicine
I salute Patanjali
Whose spirit blessed us in human form
Whose arms hold the conch and disc
Who is crowned by a thousand-headed cobra
My salutations to thee.

Patanjali Yoga Sutra

The Sahara Sessions was recorded deep in the desert. Sheltered only by an animal-skin tent and the vast canopy of midnight stars, Etran Finatawa played their guitars and sang straight from the heart. Each poignant song and every slap of the calabash drum articulating the deep-set divisions in the Sahel region that are threatening their Nomad way of life.

Read More/Buy Album: www.worldmusic.net/saharasessions

Simmering political troubles and excruciating economic hardship pose a dangerous threat to the nomadic way of life and the rich cultures of Niger. Divining their solution to these issues, Etran Finatawa celebrate their diverse heritage and call for its preservation to be a priority for Nigeriens and listeners the world over.

The Sahara Sessions opens with ‘Matinfa’, a gently rippling introduction peppered with traditional percussion; tendé, calabash and azakalabó (a calabash drum that floats in water) drums are all heard. The song title translates as ‘What Is This For?’ and is the first signifier of the album’s intent to comment on the tumultuous status of the Sahel region today. Although Niger has displayed a firm opposition to separatism that plagued neighbouring country Mali in 2012, the troubles have inevitably caused insecurity in the Sahel region and the threat to the countries rich and varied cultures is a very real concern. Etran Finatawa’s members are of Tuareg and Wodaabe heritages – neighboring tribes that both live as nomads. Water shortages and land disputes have led to deep-set economic issues that cause conflict and misunderstanding across communities. The work Etran Finatawa do to promote unity and understanding is invaluable. 

The album presents a collection of tracks: some fixed compositions developed and created by the band and others spontaneous improvisations that capture the spirit of the tent recordings.  Songs such as ‘An Mataf Germanawen’ (Union) and ‘Issuad’ (Let’s Come Together) patiently call for attention to be paid to the political situation.

Various guests also join then band on the album – arrangements that occurred organically and were spontaneously initiated. One of these, a Tuareg percussionist by the name of Ayouba arrived at the camp one night, revving out of the darkness on his motorbike. Before long Ayouba had set up his calabash drum and was spreading his contagious high-energy vibe like wildfire. His articulations can be heard on the three tracks ‘Matinfa’,  ‘Icheraid Azaman’ and ‘Toumast’. ‘Wa Oyan A Wa Imouss I Bastila’ is an excerpt from an improvisation with Abdourahaman Ag Ibrahim, a well-known local griot (praise-singer and oral historian), who came to visit the tent where Etran Finatawa were recording.

Etran Finatawa are as captivating as the horizon-stretching desert where the pitched their tent to record. Like the desert their music stretches out across the sands of time and culture.


Etran Finatawa: Icheraid Azaman

Welcome under the Aeon Tree.  

The Aeon Tree finds inspiration in the many ways people from all over the world have approached music as a doorway to transcendence. A sound garden where you can hear multi-instrumentalist Zeger Gabriel at play, exploring new sounds, reaching upwards and within, constantly reconfiguring his one-man orchestra with the sounds of instruments like the Ney, Kamanche, Clarinet, Double bass, Ukulele, Guitar, Indian harmonium...