[Skiley] ttaccu - part 3

slim carls - part 5

Carls - part 6

playlist for hggggggggggggghhhjjjjjj

Vocals

Clove

Drive To Nowhere: Verity's Novel

Until You Walk Away

Seven Nation Army

Man on the Moon

"Sweet Ophelia" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

Kicker

Sweet Ophelia

Pre-Order Now!

Under the guise of DyE we nd ‘Taki 183,’ an enigmatic debut Album from Juan de Guillebon; long time bass player to the demanding training of the Parisian electronic scene - Joakim & the Disco, Botox and Maestro. DyE has said of ‘Taki 183’ that it ‘is a personal and progressive urban design’ already popular with artists as diverse as James Murphy, DJ Mehdi, Erol Alkan and James Holden. Sometimes dreamy electro-pop or excessive shoe gaze, and then often introverted dubstep and hallucinogenic nu-disco. On a more Highbrow level, DyE invests several research elds into his music, such as harmonic instrumental radicals and disarticulated cosmic melodies and synthetic songs!!!! But fundamentally what we discover is a journey through DyE’s immediate sphere of in uence, with the rst port of call being his younger self. 
Meet 14 year-old DyE, he is playing guitar in a Tropical Disco band with Malian Musicians, but then leaves to study sound engineering, cello and Electric Bass - precocious at best. Luckily for us he found time to mess himself up by joining a rock band, of sorts, as bass Player for Joakims band around 2005. DyE was 3 years on the road playing every major city around the world and recording on many of Joakims albums. In his own words 
Tigersushi Records 
‘it was some kind of Golden Age.’ But it was around 2007 when the infamous Web 2.0 appeared; the period in the history of the Internet, where the user became, not just the content, but the star of the data world. DyE is fascinated by the in nity opportunity to be both anonymous and popular from any Place in the World. As a Call and Response to this ‘Golden period’ DyE created a little project called ‘One Week, One Track!’ which saw him upload a new track to MySpace every week.

buy here :
https://dyeitnow.bandcamp.com/album/taki183

DyE - Hole In Ocean

"1965" released both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Get it here: b3scirecords.bigcartel.com/product/b3s…phelia-1965

Follow Zella on Twitter - http://twitter.com/zelladay
Like Zella on Facebook: http://www.facebook.com/zelladay

Follow IYES on Twitter: https://twitter.com/weareiyes
Like IYES on Facebook: https://www.facebook.com/weareiyes
Listen to IYES on Soundcloud: https://soundcloud.com/weareiyes

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.


Zella Day - 1965 (IYES Refix)

East of Eden

East of Eden (Carousel Remix)

Sweet Ophelia (Gold Fields Remix)

Latigo EP

Wheat

'Halfway To Nowhere' By Chelou available now: http://awal.lnk.to/FWCGc
Prod. Maya Jane Coles

Video Out Now
https://www.youtube.com/watch?v=BgP9tzt9_Z8

Artwork by Polly Nor
Mixed by Maya Jane Coles
Mastered by Greg Moore

https://www.facebook.com/chelouofficial/
https://www.instagram.com/cheloumusic/
http://spoti.fi/1fehHrA
https://chelou.bandcamp.com/

Halfway To Nowhere

Buy Vinyl

Caught In Still Life

Paradise

PISCES

Joy Again - Winter Snakes

Photo

Oh no she likes another boy
I'm feeling sad and at the end of the day at least I'll know there was something that we had

I see her kiss him with my eyes
And it makes me mad but at the end of the day I know she don't love him that bad

And if that's so, I'll wait around
It will take a little time to let you go

I watch her from across the room
She dances so nice , and if I see her again I'm not sure we'll be friends 

I just want to get a little close
So let me in, and if you push me away, baby that's where I'll stay

And if that's so, I'll wait around
It will take a little time to let you go
And if that's so, I'll wait around
It will take a little time to let you go

she likes another boy

Flower Boy

See You Again (feat. Kali Uchis)

Chateau

Half-Light (feat. Kelly Zutrau)

Snow

Cellar Door

Harrison Storm's track "Dreams" as featured in the 'Change It All' EP.  Stream/Download "Dreams" here: http://smarturl.it/HS_ChangeItAllEP

Visit Harrison Storm online:

https://www.facebook.com/harrisonstormmusic
https://www.instagram.com/harrisonstormmusic
https://twitter.com/harrisonstorm
https://www.youtube.com/channel/UCCD0NCGYWt6k1Dm2kmnRhtA
https://soundcloud.com/harrisonstorm

Change It All - EP

Dreams

Inbetween - EP

Lover

Dying Alone

Emily Duggan's Album

All The Things - Emily Duggan (Original)

sudah lama tak upload. ini juga sama seperti biasa, beselamak :D btw ini setelah mendengarkan berbagai versi, favoritku adalah versi kakak Japanese House ini.