a reworked version (minus samples) now appears on:

https://howthenightcame.bandcamp.com/album/hostile-architects

- - - -

////hive mind////

late night guitar meditations to "Wind Harp, Walltown Crags" by :zoviet*france:

https://soundcloud.com/zoviet-france/wind-harp-walltown-crags

A dual contact microphone recording of a temporary wind harp.

Recorded 15 February 2021 at Walltown Crags, Northumberland, UK.
54°59'24.0"N 2°30'46.0"W
Google Maps: goo.gl/maps/GLVb4qVRaCbDXk8y9

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

////hive mind////

Fog Factory (excerpt)
10:19 Min.
Commissioned by  SEAMS (Society for Electroacoustic Music in Sweden) enabled with support from The Swedish Arts Council.
Premiéred in October 2020 at the ”Echoes Around Me Festival” in Vienna. Karl Sczuka Price 2021.

Special thanks to Elektronmusikstudion EMS, Stockholm, Almgrens sidenväveri, Textilmuseet Borås.

Fog Factory (excerpt)

Altérité

Abuse (feat. Alice Imbert & Luke Sutherland)

The Flow Of Time

for saxophone, accordion, violin and cello

saxophones: Gerald Preinfalk
accordion: Krassimir Sterev
violin: Lea Moullet
cello: Leo Morello


The piece was composed during January and March 2021. It is inspired by the poem “The tree” (1955) written by the poet Zoe Karelli and the way the poet approaches the flux of time and the endless metamorphoses that we are all  subjected to - mentally and physically - in parallel with nature. Dedicated to every end that turns to a new beginning.

Klangforum Wien and PPCM
Larissa, Greece 
Outhear New Music Week Festival 2022

photo: Mario Giacomelli

The Branches Bend, The Memories Collide for sax, acc, vln and vc

Sama @ La Muse en circuit / sonic protest | Recorded by Maya Rosa

Samā‘ (from Turkish semâ) refers to spiritual hearing. It also refers to a roundabout dance of Sufi whirling dervishes. ACOUSTIC SPIRAL: The performance consists of a spinning loudspeaker that release drones in order to sculpt the sound space. These continuous sounds are developed beforehand in situ, depending on the resonance of the room. The spin draws an invisible spiral with the speed and length of cable given by the performer while revealing the acoustic properties of the place.

Sama @ La Muse en circuit / sonic protest | Recorded by Maya Rosa

SenSen are : Senmove & Braille
Field recordings : Noxin

SenSen - One 2 Thin

À l’aube,
Un petit duc sonne la cloche du village et réveille les rossignols,
Solo de mobylette qui dessine le paysage,
Un bourdon drague un saxophone,
L’eau capricieuse se fraie un chemin jusqu’au vignoble d’un mélomane, 
Le boulanger guette le vent…
Au commencement était le son.

Avec la participation de Vincent, Georges, Stéphane, Victor, Emma, Jacques, Marc et Myriam.

Création sonore collective réalisée par Ana Sany, Anaïs Binggeli, Celia Dessardo, Cicely Fell, Déborah Benarrosch, Irazema Vera, Jacob Redman, Léa Roger, Marie Casanova et Mathias Arrignon.
@kovisuel @cicelyfell @irazeman @lea_roger @user-653640218

Réalisée durant le stage de prise de son animé par Félix Blume à Azillanet (Avril 2023) dans les locaux du Couvent géré par le Foyer Rural d’Azillanet.

Remerciements à Nicolas Darzacq, Sara Lana, Martine Rousseaux, les membres du Foyer Rural et la Mairie d’Azillanet.

Le Chòt

Cloud refers to the technological process of storing data as Public Clouds, Private Clouds, Hybrid Clouds or Community Clouds. The origins of the sounds are the electromagnetic fields of digital transfer loci like server rooms, security systems, electrical power stations and other places of dense electrical activity in Europe, Canada, the United States and China. Electromagnetic waves that are normally imperceptible to us become audible. Cloud is a drone piece created from the material sounds of cloud computing. 

Cloud

Produced by Kimara Sajn

Kim Sajn: drums, percussion, bass, keyboards, tapes, vocals, misc
B.Sue Johnson: guitars, percussion, tapes, vocals, misc

Special thanks: B.Sue, Ed Dickie and Kenny Solomon

All music composed by Kimara Sajn except * (Sajn/Johnson)

©1979-2001 K.Sajn/Precognitive Music (ASCAP)

The Naked Free

Peripheral Visions *

From Volume & Void. Released on Superpang,  September 18, 2020
https://superpang.bandcamp.com/album/volume-void

Composed through experimental scheduling algorithms that explore the duality of immediate, direct events with gradual and evolving processes.

System and sounds created during the summer of 2020 in Scheveningen, The Hague.

Design: Joe Gilmore

Sama @ La Muse en circuit / sonic protest | Recorded by Maya Rosa

lucien gaudion

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