the place to be

Enquires: admin@psyked.co
Demos: demos@psyked.co

a multi-genre movement uniting the underground by
https://soundcloud.com/milzy_uk
https://soundcloud.com/scozz_a

Music supported by the likes of: Interplanetary Criminal, Main Phase, Bushbaby, Girls Don't Sync, Dr Dubplate, Saint Ludo, Soul Mass Transit System, Tailor Jae, Efan, Kippo, Diffrent, Oldboy

Radio Plays on... BBC Radio 1, Rinse FM, Swu FM, George FM (Aus), Kool FM

Southby announced himself as a rising star in the drum and bass scene as lead producer on RAM Records’ OrchestRAM, the label's orchestral celebration of their 30 years which sold out the Barbican, London. His innovative production transcends sub-genre boundaries, seamlessly shifting from hard-hitting basslines to ethereal liquid. With internationally-supported tunes already played in iconic venues such as Fabric and XOYO, Southby offers a fresh and varied approach to the genre.

ukg/bass - akl,nz 

BOOKINGS - james@fortetouring.co.nz
MGMT - itsjunimusic.mgmt@gmail.com
PERSONAL - junidubs@gmail.com

@communityservicerecs

linktr.ee/itsjunimusic

Sydney/Eora

MGMT: josh@cloak-ent.com
AU/NZ Bookings: nathan@revolveagency.com.au
UK/EU Bookings: jack@clockworkartists.co.uk
Send me tunes: charlieshellmusic@gmail.com

Releases on: No Instruction, PullUp Recordings, October Records, Fly Boy Records, Profound Sound, Primitive UK, Shelter, No More Parties, About TV, PSYKED, Sugar Honey Iced Tea, HOUZ, Shellout Sessions, Frontline UKG, Club Cyberia, Duckland

Support from: DJ EZ, Groove Armada, Interplanetary Criminal, Gorgon City, NOTION, Main Phase, Mau P, Sophia Violet, DJ Seinfeld, Ewan McVicar, Sam Alfred, Tchami, Eats Everything, Fish56Octagon, Soul Mass Transit System, Sarah Story, Bushbaby, Young Franco, Osmosis Jones, Willo, Icarus, Jackie Hollander, IsGwan, Skeptic, cassö, Arielle Free, wes mills, Diffrent, Soulecta, Higgo, ESC, Osmosis Jones, BBC Radio 1, KISS FM, triple j, Rinse FM

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

Dj / Producer from Barcelona
email : dokku.uk.music@gmail.com
Link tree: https://linktr.ee/dokkuuu

UK Based Label & Events

BEST NEWCOMER LABEL NOMINEE 2021

FEATURED TRACKS ON: 
RADIO 1EXTRA, HOSPITAL RECORDS, DEEPROT,
ON THE WAX,  NOISIA, DNB ALLSTARS, JUMP UP CAVE AND MORE.

SISTER: https://soundcloud.com/kingpinpromotionsuk

TEAM: https://soundcloud.com/djmayhemuk, https://soundcloud.com/djshellis, https://soundcloud.com/ig-dnb

Book us for Takeovers:
kingpinproductiondnb@gmail.com
Send in your Demos via Email or DM below

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