Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more.

Flashing My Vagina At Koalas features the following artists:
Ambient Annie - Electronica
Ariad Music - Piano
Belial Pelgrim - Digital Strings
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dane Renshaw - Drums
Frank Wilke - French Horn
Hakan - Moog Voyager XL
Hverheij- Voice 
Johnny Python- Rocking Outro
Paolo D’Emilio - Electronica
Paul Miller - Keyboards
Sarah Megahertz - Speedway Noise
Scratch Kelly - Electronica 
Ten Atmospheres - Field Recordings/Synths
Thomas Bergheim - Electric Guitar
Tobias Schmitt - Processed Organ 
Widar’s Spiritual Front - Ms Pacman Slasher Sounds
Zanshin - Processed Drums

Mat Ward - Arrangement/Noise/Voice

Then She Reaches For The Gun - Flashing My Vagina At Koalas

The Grid

Microscopy

Musik and  arrangement by Sixten Gabrielsson. Vocals from Steinberg Soulful R&B Vocals

Crazy Love

I changed the pic when I found this one. It represents exactly what I felt when making this track.

#edit May 3rd: I recommend to check the photo of Trump and Zelensky at the Vatican, a great photo and I hope that the recent  "mineral deal" will bring good things... Despite that, I keep the current pic with this track! 

#native #ambient #atmosphere #soundscape

Nimby

“Unraveling a revealing Ravel” takes the final twelve seconds of Ravel’s Capet string quartet in F Major (1903) as the material to apply the idea proposed in Disquiet Junto 0691: “it should make the Ravel sound like it is falling apart — that is, like it is unraveling, or un-Ravel-ing”. 
The tripartite microstructure of those final measures has been mapped into the three sections of the track: the first one starts with the clean original audio and quickly derives into a vivacious sequence of micro-editions, gating and spectral smearing; the second section transitions from energico to adagio until the chords seem to be suspended for a while, just to be submitted to different kinds of decimation, downsampling, aliasing, vacuum tube distortion, vinylic noisification, and bitcrushing; the piece closes with an exagerated ritardando, and wild filtering and cutting of excerpts that maybe expose some microfeatures of the final chord before leaving it totally unravelled. 
More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

This piece uses a 1928 recording by the Capet String Quartet of Ravel’s string quartet (Col. D 15057-60).
The original audio source can be found here:
https://archive.org/details/3-capet-sq-col-d-15057-60-ravel-1928-mov-3/

Unraveling a revealing Ravel [disquiet0691]

Inspired by Naviar Haiku 587:
https://www.naviarrecords.com/naviarhaiku587-paperweights/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!
Photo by zenbytes (Vosges Mountains, France, 2012)

paperweights - Naviarhaiku587

LE SIXIÈME DE LA DEMIE MOITIÉ

Faded-Frequency

The Girl of Gas Station

Jibuk inspired.

I wanted to see what would happen if I treated a handpan scale like a theme instead of a texture.
This song deconstructs the F Jibuk handpan — breaking the notes down, reshaping them, and rebuilding the piece almost entirely from that DNA.

Charlie Brown would be Proud (unmastered demo)

Traveller in sound and space.  Enjoying and creating ambient, drone and experimental music.