Inspired by Naviar Haiku 604:
https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (France, 2018)

ripple like waves - Naviarhaiku604

An electronic composition with dense and muted sounds created using Pure Data with additional reverb, delay, etc.

More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/.





Fog Muffles (disquiet0716)

The day you are a memory

Session found in the folder: audio exam, contains several files that I am (finally) examining from a backup disc scan.
There is a lot of interesting material in my opinion.
The first few minutes suggested the title of the track (the original file name was 10.04.23.112023_04_10 11_49_41 2).
I'm not sure if it's really material from 2023, and I haven't yet checked if I have a folder containing this session.
The only editing done so far has been mid panning of the tracks and a cut of equal length, as it was about 17 minutes long.
Listening to it, I can assume that I used AAS's Chromaphone software, probably triggered by Mooges software via MIDI.
Chromaphone is an excellent physical emulation tool, very interesting for creating timbres and samples.

Further refinements may be made in the future.

Translated with DeepL.com (free version)

morse code *pay attention to your hears

Lí Ban

From my album "Brittle Fractures" which is available to buy and download on Bandcamp. Only available on Soundcloud for a limited time... 🙏

wooden strings

My submission for the Naviar Haiku Challenge #613. More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Star Above The Peak - naviarhaiku613

This track was created for the Naviar Haiku group.
614
https://www.naviarrecords.com/naviarhaiku614-the-coming-of-autumn/

2025-10-09

The coming of autumn (Naviarhaiku 614)

A combination of two unpublished electronic sequences I have recently been working on, sounds form various sources.

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Two into One Will Go (disquiet0720)

This was my contribution for Disquiet Junto Project 0720: One from Two. The Assignment: Combine a pair of your recent tracks.

Here’s a copy of my post on the Disquiet Junto 0720 discussion thread on Lines:

I have a collection of audio odds and ends stored on my laptop. The files are comprised of field recordings, instrument recordings, unfinished modular synth and Ableton Live noodlings.  I took two of the more recent experimental sketches that were created in Ableton Live and combined them the best I could, adjusting the pitch as needed. I added an additional track that has heavily processed sliced bits from one of the recordings to try to create more depth to the piece. 

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Fickle Diptych [disquiet0720]

Lost in birdsong. This piece was made for the Cities and Memory Autumn 25 season event. Choose a sample from around the world - make a piece - https://citiesandmemory.com. I chose this Japanese bird song, and made all the materials in this piece from the one sample, except for a little rogue bee sample that makes its way in occasionally.

Hidden garden // Cities and Memory Autumn 25 event submission

Traveller in sound and space.  Enjoying and creating ambient, drone and experimental music.

ripple like waves - Naviarhaiku604

zenbytes

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