After the chart-topping Keep on Swindling part 1, that included summer anthem ‘All I want’ and the live jazz rework of ‘The break up’ by Emma-Jean Thackray, Dam Swindle are now back with part 2 of their 10-year anniversary series. If you thought the first edition was good, you’re in for a treat with this one. Keep on Swindling part 2 includes an afro-tinged DS original, alongside a never-released remix of an obscure Guadeloupean record and remixes by rising star of the Detroit music scene Ash Lauryn and Rush Hour favourite Arp Frique. To top things off, the boys release their afro-brass dancefloor burner ‘Call of the Wild’ feat. Jungle by Night for the first time on an EP.

Buy Release

PREMIERE: Gaoulé Mizik - A Ka Titine [Dam Swindle Remix]

Prism EP

Sistagurl

Artist: Jimpster
Title: English Rose EP
Release Date: 6th July (Vinyl) 13th July (Digital) 2015
Format: Vinyl/Digital
Cat No: FR204/FRD204

Jimpster is back with his first full EP since Porchlight And
Rocking Chairs! With only a smattering of remixes for the likes of
Paxton Fettel, Detroit Swindle, Till Von Sein, Cajuu and S-Man and
original track Head Spin for the 200th Freerange double pack it’s
been a fairly quiet time studio-wise the last couple of years. All
that is about to change however with 2015 shaping up to be full of
new music in various shapes and forms and under different guises.
English Rose kicks off the fresh new Jimpster biz in fine style
with the most majestic of tracks, single-handedly announcing that
summer is officially here. A sense of anticipation pervades as the
chunkiest of disco breaks drive the track, hazy vocal pads
occasionally piercing the layers of spinning echoes. We’re thinking
DJ Gregory meets Walter Gibbons in a star-lit clearing of a lush
rainforest on some far-flung tropical island.
Up next we have Solitude, an afro-techno soundclash infused with
that trademark Jimpster sound where the devil is in the detail of
this beautifully subtle and rolling groove. Seven minutes thirty
seconds of complete bliss to get well and truly lost in!
Finally we have Drakkar Noir which once again attempts to hypnotize
you with a relentless old-school house groove and simple, drifting
synths. Distant vocals go in and out of focus as the track ebbs
and flows, finally deciding to call it a day after nearly nine
minutes but still manages to leave you wanting more.

Jimpster - English Rose [Freerange Records] (96Kbps)

Oliver Dollar
https://www.facebook.com/oliverdollar
https://twitter.com/Oliverdollar
https://www.mixcloud.com/oliverdollar3

Matthew K.
https://www.facebook.com/Matthew-K-290766281036391/?fref=ts
https://twitter.com/matthew___K
https://soundcloud.com/matthk1

St Germain - Real Blues - Oliver Dollar & Matthew K. Refix

Canima (afro tech remix)

GET DOWN EDITS - Sweet Stuff - Low Res Preview Clip

Released June 15 as part of Masterworks Vol 1

A1. Dr Packer - Sunshine
A2. Yam Who? - Find Out
B1. Get Down Edits - Sweet Stuff (Vinyl Exclusive)
B2. Coutel - Stop That

Danny Worrall‘s Masterworks Music finally gets around to its first physical release and in time for summer no less! For this first EP the label have cherry picked the highlights from their digital compilation and given them the vinyl release they always deserved, alongside a couple of choice unreleased cuts. Booming out of the A1 in a burst of cowbell, laser fire and filter swept magic is Dr Packer's "Sunshine" a block rocking nu disco version of the timeless Rocker's Revenge classic, which incorporates elements of the Vocal, Accapella and Dub mix. On the A2, Yam Who? come through with a deep discoid jam ornamented with tasty flute licks, smooth vocals and airy keys. The original instrumentation and groove is still present and correct, just beefed up by some additional percussion and well aimed frequencies.
Get Down Edits open the B-side with the steady throb of "Sweet Stuff", a low slung lovers groove with sweet, almost whispered vocals and a killer bassline. It falls to Coutel to close the package out with the cinematic stomp of "Stop That", a superb builder which incorporates elements of Italo, boogie and proto house on the way to its diva vocalled peak! The new label has already released a sturdy batch of modern disco and house music and has upcoming EP's in the pipeline from the likes of Dave Gerrard, Rayko, Queen & Disco and P-Sol to be on the lookout for.


Bandcamp

GET DOWN EDITS - Sweet Stuff - Digital Release Out Now

Artist: Crazy P, Hot Toddy
Title: Truelight EP
Label: Classic Music Company
Release: 2017-07-14

PURCHASE:
http://bit.ly/2t4jDys

MORE MI4L PREMIERES:
soundcloud.com/musicis4lovers/sets/exclusive-premieres

Stay connected with Music is 4 Lovers:
Soundcloud: @Musicis4Lovers
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Truelight EP

PURCHASE

Crazy P - In My Hands (Hot Toddy Remix) [Classic Music Company] [MI4L.com]

LTJ - You Will Know

Number eighteen on San Francisco’s Manjumasi showcases a pair of deep, groovy productions from the Miami-based Postrel brothers, m.O.N.R.O.E. + Adisyn. The title track “Acid Mating Call” is a deep, seductive tune with an absolutely hypnotic melody. Despite the soft and gentle tone, this one is irresistible on the dance floor. Next up is “Terminal Bliss,” which showcases the darker side of this duo’s sound, with a more melancholic groove punctuated by deep chords, with a mystical melody that floats off in the distance, alluring but just out of focus.

The first remix comes from UK veteran producer Martin Iveson aka Atjazz. His “Galaxy Aart Remix” of Terminal Bliss is an incredibly lush and ethereal take on the original. Galaxy describes the tone of this remix well, with a super spaced-out vibe and a wide soundfield that washes over the listener. Luscious percussion fills out the mix, with a simple but beautiful vocal hook anchoring the humanity of this mix.

Rounding out the package is a remix of Acid Mating Call from Ultrastation, the new techno collaboration between Cosmic Force and Nuno Dos Santos. Their remix puts the Acid in this Mating Call, a late-night techno stomper with swirling dubbed-out reverbs and delays layered over staccato synth stabs, and a trippy synth breakdown that breaks into pieces just before returning to a potent, powerful groove.

Follow: @m-o-n-r-o-e @adisynmusic @atjazz @ultrastation
Like: www.facebook.com/manjumasi
Cover art by Nathan Kanner: www.instagram.com/nkanny/

Acid Mating Call EP

m.O.N.R.O.E. + Adisyn - Terminal Bliss (Atjazz Galaxy Aart Remix)

See-Line Woman

See-Line Woman (Extended Mix) [feat. Dominique Fils-Aimé]

https://www.traxsource.com/track/8446594/about-disco-original-mix

Lamadrid - About Disco DW043

Electronic music has always been filled with innovative individuals, but even among such company, Dean Zepherin is a producer who has managed to find his lane and appeal.  Born and raised in London, a suitably eclectic city for a man of his musical persuasion he is renowned for his consistently genre-pushing productions, having also spent time in Berlin, it became another city that’s left its mark on his always-captivating sound.
To fully appreciate and understand Zepherin’s approach, it’s necessary to go back to his roots in Harrow, London as it was here where he first encountered soul, funk and jazz fusion records. From an early age he was obsessed with these out-there sounds, as well as their ability to metaphorically transport him to a world far away from the confines of his hometown.
Adopting a more electronic-based sound later on, he soon became a natural at conjuring up “house” tunes with more than a hint of soul, the likes of which spoke to his own Caribbean roots. In the process, Zepherin describes his own raison d’etre with concise charm as ‘championing the emergence of indigenous influence in electronic music’, something now so endemic to much of the most in-vogue house productions, displaying a worldview that values above all the organic and the human in this machine. 
While he’s undoubtedly best known for his work over the past nine years, establishing Tribe as one of the world’s leading labels pushing the afro and soulful envelope, his own legacy goes way back to 1988 when he released ‘Give me back your Love’ under the pseudonym Boyz in Shock, credited as the UK’s first soulful house record.
His label Tribe remains a vehicle for his many solo productions and collaborations and has hosted works and remixes from a diverse range of artists and legends across the electronic music board, as well as hosting his esteemed works with labels Defected, Suol, No Fuss, Soul 2 Soul, Vega records and Jack Trax. 
Zepherin’s productions deliver impeccable slices of soulful and afro sounds fused in a futuristic musicality in which he emphasises the tension that soul music can have, rather than the release. His tracks and particularly his dubs under his moniker Zepherin Saint, are often full of suspense and atmosphere – check his ‘Take You There’ on Suol, or his ‘Skyy and Butterflies Dubs’ released on his own imprint.
Equally respected as a DJ as he is a producer, Zepherin gained his schooling playing the London sound system circuit in the 80’s and managing the legendary Black Market record store in the 90’s.  His unique talents of playing dance music with no boundaries have been sought after in the likes of Japan, Africa, North America, Indonesia, Canada, Europe Australia and the Middle East, while on a club level he’s left his mark at world renowned clubs like Contact, Tresor, Watergate, Cielo, Stereo, Djoon, Ministry of Sound and Pacha. 
A man of many considerable sounds and styles, it’s hardly surprising that Dean Zepherin’s colourful and diverse approach continues to enthral clubbers and electronic music connoisseurs across the world.

PR: Stephen@eureka-artists.com 
Booking: info@triberecordsuk.com