Penthouse Choonz

Dramatic Symphonic

Autumn 2015

ZeRo7

zero7

ryan's rotation ~ monday mix #89 ~ 9-21-15

Mises en bouche

Performed live in Rudolph Ganz Memorial Hall at CCPA
February 16, 2014

Philip Glass - "Mad Rush"

Modest Confidence Available on ITunes, Amazon, Spotify...
itunes.apple.com/us/artist/gavlyn/id567612612

Europe Stores:
www.cede.ch / www.exlibris.ch / www.hhv.de

Booking / Management:
info@mikesteez-ent.com
www.mikesteez-ent.com


Guilty Pleasure

Get 'Netzwerk (Falls Like Rain)' & 'Netzwerk (The Album)' here: po.st/KlangkarussellPreOrder

http://klangkarussell.com
klangkarussell.com/live
facebook.com/klangkarussell
twitter.com/Klangkarussell
instagram.com/klangkarussellofficial
play.spotify.com/artist/041iTeoMIwXMlShuQPIVKo
youtube.com/klangkarussell
youtube.com/klangkarussellvevo

Netzwerk (Falls Like Rain)

Netzwerk (Falls Like Rain) (Zwette Remix)

The Instrumental Beat I created for Epic Rap Battles of History Season 4 - Romeo and Juliet vs Bonnie and Clyde.

Epic Rap Battles of History - Romeo and Juliet vs Bonnie and Clyde Instrumental

Collaboration with @chazzymax

Edit created in June 2014 for the club night Fleetmac Wood ahead of their Summer parties & festival sets. I was fortunate enough to play it myself as part of Fleetmac Wood's set at Burning Man 2014, a real buzz!

Since late 2015 I've been one half of @twinsunmusic - find a bunch more Fleetwood Mac edits I've co-produced there!

Fleetwood Mac - Say You Love Me (Twin Sun v Chazzymax Pianomania Edit)

Alpha Omega

John Wizards remix of 400 Blows
http://smarturl.it/z7ep3digidnld



400 Blows (John Wizards Remix)

For Mom prod. by WillaFool

OFF UPCOMING MIXTAPE "BEST OF THE RED PILLAR VOLUME 1"

KEEP IT TALL

Ojuelegba Remix ft. Drake & Skepta

Simple Things Special Edition

In The Waiting Line

Free Download: http://bit.ly/ELY039

Alternate Download: http://bit.ly/1LubTTw

Watch via YouTube: https://youtu.be/YX3Ruhmn9ZA

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Snavs
www.soundcloud.com/snavs
www.twitter.com/snavsdk
www.facebook.com/SNAVSMUSIC

Fabian Mazur
www.soundcloud.com/fabianmazur
www.twitter.com/FabianMazur
www.facebook.com/FabianMazurOfficial

Elysian Records
www.soundcloud.com/elysianrecords
www.elysianrecords.com
www.twitter.com/elysianrecords
www.youtube.com/elysianrecords
www.facebook.com/elysianrecords

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U Be

Free Download

Snavs & Fabian Mazur - U Be

Runnin' (Stwo Remix)

Havent been putting alot out latley. so its time to make up for all these naps.

-Produced, mixed and mastered by meeee <3 <3
-Vocals: my vocals and Mariah, recorded in my studio :)
go follow: @kayamariah
art by: the internet.... .  .   .

All your support is so invaluable to me! I hope you enjoy this
<3 <3 <3 <3 four lore



~ free dl ~

♡ been sleeping ♡

DREAMING

Distractions (Madlib YNQ Mix)

Simple Things

End Theme

Its finally here!!! The Highly anticipated mixtape from Young Tone is now available, Ali

Amazing

06 Bluebird

Bonobo - Days To Come (feat. Bajka)

Every once in a while we surface to share our music and shed some light in an otherwise bleak reality. And that time is soon upon us, Ladies &amp; Gents. Our third installment, called "Junior", will be out on the 23rd of March 2009.

Röyksopp Forever

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


End Theme

Zero 7