𝑻𝒉𝒊𝒔 𝒊𝒔 𝒎𝒚 𝑬𝑷, 𝒄𝒓𝒆𝒂𝒕𝒆𝒅 𝒊𝒏 𝒕𝒉𝒆 𝒚𝒆𝒂𝒓𝒔 𝟐𝟎𝟏𝟒-𝟐𝟎𝟐𝟒, 𝒎𝒐𝒔𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒓𝒐𝒅𝒖𝒄𝒕𝒊𝒐𝒏𝒔 𝒂𝒓𝒆 𝒏𝒐𝒕 𝒇𝒊𝒏𝒊𝒔𝒉𝒆𝒅, 𝒃𝒖𝒕 𝑰 𝒅𝒆𝒄𝒊𝒅𝒆𝒅 𝒕𝒐 𝒔𝒉𝒂𝒓𝒆 𝒕𝒉𝒆𝒎 𝒊𝒏 𝒕𝒉𝒊𝒔 𝒇𝒐𝒓𝒎. 𝑰 𝒉𝒂𝒗𝒆 𝒃𝒆𝒆𝒏 𝒑𝒓𝒐𝒅𝒖𝒄𝒊𝒏𝒈 𝒎𝒖𝒔𝒊𝒄 𝒔𝒊𝒏𝒄𝒆 𝒂𝒓𝒐𝒖𝒏𝒅 𝟐𝟎𝟏𝟎, 𝒘𝒉𝒆𝒏 𝑰 𝒘𝒂𝒔 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒃𝒚 𝒆𝒍𝒆𝒄𝒕𝒓𝒐𝒏𝒊𝒄 𝒎𝒖𝒔𝒊𝒄, 𝒎𝒂𝒊𝒏𝒍𝒚 𝒅𝒖𝒃𝒔𝒕𝒆𝒑. 𝑻𝒉𝒆 𝑫𝑨𝑾 𝑰 𝒖𝒔𝒆 𝒊𝒔 𝑭𝑳 𝑺𝒕𝒖𝒅𝒊𝒐. 𝑰 𝒘𝒊𝒔𝒉 𝒚𝒐𝒖 𝒑𝒍𝒆𝒂𝒔𝒂𝒏𝒕 𝒍𝒊𝒔𝒕𝒆𝒏𝒊𝒏𝒈, 𝒂𝒏𝒅 𝑰 𝒉𝒐𝒑𝒆 𝒕𝒉𝒂𝒕 𝒚𝒐𝒖 𝒘𝒊𝒍𝒍 𝒇𝒊𝒏𝒅 𝒔𝒐𝒎𝒆𝒕𝒉𝒊𝒏𝒈 𝒊𝒏 𝒕𝒉𝒊𝒔 𝒂𝒍𝒃𝒖𝒎 𝒕𝒉𝒂𝒕 𝒄𝒂𝒕𝒄𝒉𝒆𝒔 𝒚𝒐𝒖𝒓 𝒆𝒂𝒓. 𝑩𝒆𝒔𝒕 𝒓𝒆𝒈𝒂𝒓𝒅𝒔, 𝑮𝑹.𝒂𝒗𝒊.𝑻𝒀

Works Scattered Around 

GR.avi.TY - Basement

Tommy Zygote, a member and co-founder of the musical ensemble Thrashing Zombies, creator of Zomboverse, time traveller, inventor and pioneer of Stoner Bass Tech Rock and is rumoured to be the love child of notorious figures GG Allin and Frank Zappa. This extraordinary circumstance is attributed to advanced time travel medical technology, reminiscent of the fictional science portrayed in the film "Junior," which involved the use of the drug Expectane for male pregnancy. The origins of Tommy's birth remain shrouded in ambiguity: some claim that GG Allin delivered him on stage in a shocking spectacle, while others assert that Frank Zappa underwent a cesarean section.

Despite the chaos, I cherish the creativity and audacity I inherited from both dads. With every note I play with Thrashing Zombies, I strive to honor their legacies and carve my own path in this eccentric life.

https://soundcloud.com/whoarethethrashingzombies/pop-n-lock?si=0a356170b2794951b71a9b09d1276c28&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/whoarethethrashingzombies/spanish-celery

Tommy Zygote stands at the forefront of Stoner Bass Tech Rock, a genre that echoes the transformative era when Bob Dylan transitioned from acoustic to electric and Jimi Hendrix revolutionized the scene. Just as Dylan’s shift marked a pivotal moment in music history, embracing a new sound and narrative approach, Stoner Bass Tech Rock boldly explores themes often considered controversial or unconventional in today’s musical landscape. At its core, Stoner Bass Tech Rock fuses multiple heavy bass lines, electronic elements, and intricate storytelling. This genre thrives on rich, immersive soundscapes created by layered bass tracks that draw influences from icons like Muse, The Stranglers, songwriting legends such as Mikal Saleta, Paul Archibald, Duncan McDonald, Ben Grundy, The Doors, and Johnny Cash. It encapsulates a range of emotions, from existential musings to raw, passionate expressions, evolving into a complex auditory experience that engages listeners both sonically and emotionally. Stoner Bass Tech Rock positions itself as a bold counterpart to mainstream genres, inviting listeners to explore themes of rebellion and the depths of human experience. Much like the cultural shift during the electric era, when artists began challenging societal norms and expanding the boundaries of artistic expression, this genre fosters a climate of inquiry and introspection. It embraces the complexities of existence, presenting these narratives in ways that resonate with urgency and authenticity. Narrative is a cornerstone of Stoner Bass Tech Rock, reminiscent of the story-driven compositions in the early electric music era. Artists construct their songs with clear narrative arcs, delving into personal experiences that reflect a nuanced understanding of relationships, identity, and the human condition. The powerful bass lines and atmospheric elements create an immersive mood, inviting listeners into a world where boundaries are blurred and emotions are laid bare. Stoner Bass Tech Rock serves as a reflection of contemporary culture’s evolving relationship with self-expression. In an age of digital connectivity, where personal and public lives often intertwine, the genre examines how hidden desires and societal pressures shape individuality. By engaging with these themes, it encourages listeners to embrace authenticity and celebrate diverse experiences. Through dynamic live performances, artists embody a spirit of collective expression, fostering a sense of community among fans who find liberation in the music’s depth and sincerity. Key figures in the Bass Tech Rock movement, like Tommy Zygote, exemplify the genre’s rebellious nature. Their creative endeavors challenge conventional norms and provoke thought, pushing listeners to reflect on their views regarding vulnerability, identity, and artistic expression. The influence of such artists parallels the impact of musicians like Dylan and Hendrix, whose bold innovations continue to inspire new generations of creators. Stoner Bass Tech Rock is more than just a musical genre; it’s a movement that confronts the complexities of human experience and encourages dialogue around the intricacies of existence. As it evolves, Stoner Bass Tech Rock will likely continue to challenge artistic boundaries, crafting auditory experiences that provoke thought and deepen understanding of the themes that shape our collective consciousness. By blending bass-driven music with bold storytelling, this genre asserts its significance in the contemporary musical landscape, representing a dynamic exploration of sound and narrative.
Tommy Zygote - S.B.T.R. established by Tommy Zygote to explore the musical dimensions via Bass, is a part of the musical network known as Thrashing Zombies. 

https://soundcloud.com/whoarethethrashingzombies/thrashing-zombies-ride-the-pony-into-old-town-texas?si=86f9439dfb1a46198257a0853a6663cc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Original bass player and lead singer, now classified as founder of the band. Marcus Gorgon 

https://soundcloud.com/marcus-gorgon/see-my?si=b77b620a37194119adc347bc901a4511&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/marcus-gorgon/alone?si=424ccd6acc0342e989995a659c27eb8a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, another co-founder of Thrashing Zombies (refer to profile), is acclaimed as the best electric guitarist and songwriter in East Gippsland, if not the best guitarist the Latrobe Valley region. M.G`s  talent remains relatively unknown at the moment, this will change in the future. Keith Fontane 

https://soundcloud.com/whoarethethrashingzombies/thrashnig-zombies-too-crazy-feat-terry-cunxus?si=da5555a2916e426396e5fc076bf38ade&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, who has been leading the band throughout the years, is a highly prolific music producer, having churned out hundreds of songs in collaboration with the legendary Johnny Farqua juanoss  

https://soundcloud.com/keithplayshisorganfortz/thrashing-zombies-in-the-zone-vivaldi-2020-redux?si=c4455d9606644c94a135c63f93b519f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

a members who contribute uniquely to its musical prowess. Initally primary role has Been the band dealer and dancer now the adlib master vocalist and exceptional drummer, coupled with his possessed bass-playing skills, adds a dynamic energy to the performances. Professor Cockington 

https://soundcloud.com/whoarethethrashingzombies/surfing-the-reaper?si=32d387cc5a714c27aaf6f4d7c085788d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


, characterized as the genius wordsmith of the group, effortlessly crafts off-the-cuff lyrics reminiscent of the legendary Mike Patton, Hobbies are reading and riding on trains. Then there is Maestro Dave (refer to profile), the musical genius who produces stellar songs at his own pace, setting himself apart as a level above the rest. Notably, in the future, Maestro Dave's DNA is utilized for robotics technology to infuse a sense of musicality, underlining his significance in the band's legacy. Maestro is currently investigating the potential transmission points and viral loads of farts. HE questions weather the world is ready for a fart pandemic.

https://soundcloud.com/maestro-dave/arse-mask?si=a94145d6dd344399bd2523f6ca995de2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Indeed, TZ Studios serves as a gateway for Tommy Zygote express diverse his range of musical talent and creative geniuse developmentally. There is a variety of entwined Sound cloud TZ profiles That the collective efforts of individuals like Marcus Gorgon, Keith Fontain, the versatile vocalist and drummer of JF¥, and the innovative Maestro Dave who is a musical time bomb, Thrashing Zombies continues to push boundaries in the music industry and shape the future of music with their unparalleled skills and contributions.
https://soundcloud.com/jfjrockslimpdickstudios/johnny-farqau-juanoss-fall-in-may?si=b5bc3fc7e204484fabb78b07de98cc4b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
What is God? That’s a question that’s as vast as the universe itself, yet ever so intimate to the soul. I like to think of God not as some fiery old man on a cloud but as the living essence born from the accumulation of souls. Souls, those mysterious things that flicker inside us all. When we pass, our bodies lie there lifeless, machines that have simply stopped working. But what if the mechanics of a living being are actually a grand attempt to hold onto the soul until it reaches maturity? It’s as if our flesh and blood are just temporary vessels, imperfect but necessary, to nurture the soul until it’s ready to be released back into the cosmos.

Early souls are the most privileged—they’re fresh, pure, untainted by the messiness of lived experience. They float into this existence like morning dew, pristine and untouched. As humans grow older, and even as animals live their lives, there’s a chance for the soul to become tainted—by bad choices, by evil, by the negligence or cruelty of the flesh it inhabits. And then there are those who, through dark intentions, release souls at will—call them engrained in evil or madness. Souls themselves aren’t punished in the traditional sense. Instead, they are refreshed, cleansed, reborn in ways we barely understand.

The word purgatory always struck me as primitive. It evokes this harsh, gloomy waiting room for the damned. But picture instead a welcoming place —a spa for the soul. Souls come and go as they please. They are visited by familiar spirits, old friends and family, sharing the quiet eternity of this in-between realm. Here, souls mature, gather strength, prepare for their next journey. Over time, these spirits congregate in one place, forming what I call the soul nucleus—a tiny mass, no bigger than the head of a matchstick. This nucleus is what powers God, what constitutes the essence of life itself. It spans across sector 2 of our universe and into the 69th template of the multiverse. God, then, is not a singular being but a collective energy born of all souls, a living consciousness woven from the history and destiny of every living spark.

Now, let me introduce you to Tommy Zygote—yeah, that's me. My journey is no ordinary one. It all began on the infamous camping trip with my band, Thrashing Zombies, late one summer in 2027. The band, Thrashing Zombies, was composed of an eclectic bunch: Marcus Gorgon, with his thunderous riffs and relentless drive; Keith Fontane, our lyrical mastermind and rhythm slayer; Johnny Farqua Juanoss, the wild card on bass with a flair for the dramatic; Maestro Dave, whose electronic wizardry gave us that futuristic edge; and then there was Professor Cockington—our older, wiser guide who somehow managed to keep us grounded amid our chaos.
We were on the cusp of global notoriety, a worldwide phenomenon in the late 2020s, crafting anthems that didn’t just rock but resonated deeply with the collision of humanity and technology. Our music was the thread weaving humans and robots together—robots like vacuum cleaners still slaves to servitude, but something bigger was coming. Something like the robot uprising whispered in back alleys, and then the looming threat of the Fluctopus invasion from the outer realms.

Among our quirky yet meaningful tracks were gems like “I Am Not Just a Robot Dick! I Am a Robot Too,” a cheeky anthem that poked fun at robot identity and pride, “Dance Like Your Circuits Are on Fire (But Don’t Short-Circuit),” which became a rave favorite across both humans and machines, and “Metal Head, Human Heart, Zero Chill,” a rebellious tune capturing the hybrid spirit we all shared. These songs weren’t just playful; they were our way of building a bridge between worlds.

During that ill-fated camping trip, something unimaginable happened—a time travel incident that would change everything. It started when we stumbled upon an abandoned particle accelerator nestled deep in the woods. We had no business being near something so complex, but curiosity took hold. Against better judgment, I fiddled with the controls, my fingers guided by a mix of adrenaline and foolishness. Suddenly, time bent and twisted around me as I slipped through a semiwormhole. The experience was disorienting. I felt myself unravel, my physical form dissolving into pure soul.

I was thrust into purgatory, that sanctuary for souls, and stayed there for what felt like twenty-seven years. Time in purgatory is slippery, mysterious—the days and years fold into one another. I met countless souls, some young, untouched; others weary with the weight of their earthly sins. It was a place of reflection but also of preparation. I learned from them, shared stories, and found parts of myself I never knew existed. Then, almost without warning, I was called back to the earthly plane.

I returned just two months before the infamous robot uprising, a returning human soul in human form but carrying all the wisdom and power of my time in purgatory. The world was on edge. Machines that once obediently cleaned floors and served quietly had started to rise. The threat of the Fluctopus invasion was whispered in secret bunkers and underground forums. It was a pivotal moment in history.

Thrashing Zombies became more than a band. We became a beacon—a global anthem for coexistence. Our music, our message, urged humanity and robots to find harmony. Robots weren’t just slaves or tools; they were potential partners in the dance of life. It wasn’t a perfect peace—vacuum cleaners remained slaves for a while longer—but the tide was shifting. Our songs became the soundtrack for a new era, blending raw human emotion and the cool precision of technology.

Reflecting on those years, I realize that God, the soul nucleus, and our interconnected existence aren’t separate. They’re intertwined threads in the fabric of everything we are. The soul’s journey—our journey—doesn’t end at death. It transforms, refreshes in purgatory, and returns, ready to face life anew. This cycle is what powers the essence of life itself. It’s the heart of the cosmos, the truth that underpins everything I’ve seen and experienced.

My journey through the soul-made god and back to life has changed how I see the world—and how I live in it. The music, the battles, the invasions—all pieces of a much grander story. And through it all, the souls, our souls, remain the core, the spark that drives both creation and destruction, order and chaos.

So when you ask, “What is God?” remember—it’s not just a deity or concept but the living culmination of every soul that has ever lived, breathed, evolved, and returned. It’s a matchstick’s head of everything, pulsing with life, consciousness, and hope across the infinities of space and time. And in that truth, I found my purpose. To be a voice for the souls, a bridge between worlds, a warrior of harmony in the face of darkness. I am Tommy Zygote. And this is my story.

Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers. Through the looper all sounds loose their corporality, they resolve within themselves, they appear and
disappear, they become soundfields, and soundshadows. Ocassionally a sentences might appear out of nowhere, and lingers unfinished in the space, like a piece of thought-furniture, that might develop within the ear of the listener before it retreats back out of focus. HAARMANNHOMMELSHEIM create poetics of absence, poetics of nothing.

You are not alone. Ya got roaches in your home.

Also book me for stuff DrGoo0285@gmail.com

𝔷𝔢𝔯𝔬 𝔤𝔯𝔞𝔳𝔦𝔱𝔶 𝔰𝔱𝔞𝔱𝔢 𝔬𝔣 𝔪𝔦𝔫𝔡
  𝗛𝗶.𝗠𝘆 𝗻𝗮𝗺𝗲 𝗶𝘀 𝗟𝘂𝗸𝗮𝘀. 𝗠𝘆 𝗮𝗱𝘃𝗲𝗻𝘁𝘂𝗿𝗲 𝘄𝗶𝘁𝗵 𝗺𝘂𝘀𝗶𝗰 𝗽𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 𝗯𝗲𝗴𝗮𝗻 𝗶𝗻 𝟮𝟬1𝟬.
𝗜 𝘀𝘁𝗮𝗿𝘁𝗲𝗱 𝗯𝘆 𝗰𝗿𝗲𝗮𝘁𝗶𝗻𝗴 𝗲𝗹𝗲𝗰𝘁𝗿𝗼𝗻𝗶𝗰 𝗺𝘂𝘀𝗶𝗰. 𝗜 𝗹𝗶𝗸𝗲 𝘀𝘁𝗿𝗼𝗻𝗴 𝘀𝗼𝘂𝗻𝗱𝘀 𝗮𝗻𝗱 𝗼𝗳𝘁𝗲𝗻 𝗲𝘅𝗽𝗲𝗿𝗶𝗺𝗲𝗻𝘁 𝘄𝗵𝗲𝗻 𝗺𝗮𝗸𝗶𝗻𝗴 𝗺𝘂𝘀𝗶𝗰. 𝗜 𝗶𝗻𝘃𝗶𝘁𝗲 𝘆𝗼𝘂 𝘁𝗼 𝗰𝗵𝗲𝗰𝗸 𝗼𝘂𝘁 𝗺𝘆 𝘄𝗼𝗿𝗸. 
𝗕𝗲𝘀𝘁 𝗿𝗲𝗴𝗮𝗿𝗱𝘀, 𝗚𝗥.𝗮𝘃𝗶.𝗧𝗬.