Just a boy and his vaporwave lab. I reimagine great hits to tell stories. Almost everything here is plundered. I take some credit but keep in mind nothing here is totally original.

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When Leon Michels name first appeared on a record, he was 16. That release was Thunder Chicken, and the group was his high school band, The Mighty Imperials. The record was essentially an homage to The Meters, at the time it was near pitch-perfect for the budding retro-soul scene. While that release was an early step for Michels, aspects of it have almost become trademarks of his work: a unique raw-yet-disciplined approach to his sound and songwriting, and a soulful genuineness that has a sense of humor one minute and a sense of solace the next.

Right from the jump his hustling work ethic was evident, always involved in a lot at once. While finishing Thunder Chicken, Michels began touring and recording with Sharon Jones and the Dap Kings—which he did for the next 7 years. During that time he was also recording songs in a makeshift home studio and preparing for what would be his first full-length record, Sounding Out The City, and the first release under the name El Michels Affair. In 2004, when Sounding Out The City was recorded, Michels’ obsession with Euro Library, American soul, and early rocksteady crept its way into the songwriting and recording aesthetic, the outcome was something Michels appropriately dubbed “Cinematic Soul.” The album was to be the first release on Truth & Soul Records, a new label Michels co founded.

The lo-fi warm recording aesthetic and bottom heavy production alongside the immediate success of EMA’s debut release lead to playing a show with Raekwon of Wu-Tang fame. That show went over so well it lead to a tour with El Michels backing multiple members of the Wu-Tang Clan. It was these shows that ended up laying the groundwork for the release of El Michels Affair’s second full-length, Enter the 37th Chamber, which eventually introduced them to a worldwide audience. While the band’s fanbase went through the roof, the industry also quickly recognized that EMA was a force to be reckoned with. Almost in a domino effect, a huge range of hip-hop artists sampled Michels’ songs, from Ghostface Killah, Just Blaze, and Jay-Z to J Dilla, J.Cole, and Travis Scott.

While simultaneously running a label, playing / touring, and co-producing other artist’s music Michels helped found The Menahan Street Band, co-produced Aloe Blacc’s sophomore smash LP, Good Things, and received a writer credit on Adele’s Grammy-nominated album, 19. Shortly there after Michels found himself on tour with The Black Keys after being cold-called by Auerbach and asked to join them on the road. It turned out that Auerbach was a big fan of the sound and approach of the Lee Fields record “My World”, which Michels produced. When Auerbach was tapped to make Dr. John’s critically acclaimed album , “Locked Down” and Lana Del Rey’s LP, “Ultraviolence”, Michels was brought along to play and add his signature sound. That led to being included in and touring for Auerbach’s psych-rock project, The Arcs, which features Michels as a musician and co-producer. 

in 2016, Michels co-founded Big Crown Records with Danny Akalapse, the second record label Michels has helped build from the ground. Since then, he has produced a majority of the albums from the labels roster including Lee Fields, Lady Wray, Brainstory, Paul & The Tall Trees, Liam Bailey, and Thee Lakesiders.  Michels has also produced records for Beyonce & Jay-Z’s side project, The Carters, Hanni El Khatib, Chicano Batman, Marco Benevento, and Don Toliver.

In 2020, Michels will release the second album of original material under the El Michels Affair moniker.  The Album, entitled Adult Themes, which Michels calls “the soundtrack to an imaginary movie,” creates a lush, evocative, complex and eclectic collection of tunes that will keep your ears on edge as you nod your head.

Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports.
With Steele's background in The Sleepy Jackson and Littlemore's founding role in PNAU, the duo embarked on a sonic odyssey that has captivated audiences worldwide. Since their emergence, Empire of the Sun has transcended boundaries, blending alternative electronica with mesmerizing visuals to create an immersive musical experience unlike any other.

Their seminal debut album, Walking On A Dream, which the musicians described as "a spiritual road movie" spawned iconic singles “Walking On A Dream” and “We Are The People”. The critically acclaimed second LP, disco-pop Ice On The Dune featured “Alive” and “DNA” and saw the band tour the world. Third LP "Two Vines," saw the band welcoming guests like Lindsey Buckingham, members of David Bowie's band from the Blackstar sessions, and Wendy Melvoin from Prince & the Revolution and featured singles “High And Low” and “Way To Go”.
Their chart success extends far beyond their native Australia, with their albums achieving multi-platinum certifications across the globe. In addition to their commercial triumphs, the duo has garnered an impressive array of accolades, including eight ARIA Awards, two APRA Awards, and an APRA Billions Award. With over 5.5 million albums sold globally and a staggering 7.6 billion streams, Empire of the Sun's impact on the music industry is undeniable, solidifying their status as icons of the electronic music genre. 8 years since their last LP, 2024 sees the dawn of a new era. The journey continues…this time we’re going through “Changes”.

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

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