Management: Moe Shalizi
Moe@TheShaliziGroup.com

Bookings: 
shunt@teamwass.com
mdiamond@teamwass.com
sgoodgold@teamwass.com
Europe:
obi.asika@unitedtalent.com

♬ @joytimecollective

HIGGS higgs are 5 pieces hailing from south borneo

Novan Utomo  - Vox Guitar

Imam Aulia - Guitar

Roland - Bass Vox

Dwntell - Keys & Loop

Bayu Indra - Drum - Vox

Since first breaking onto the alt-pop scene in 2007, Owl City has built a global following on the strength of his heart-on-sleeve songwriting and endlessly inventive sound. Along with earning a monumental hit with the diamond-certified “Fireflies”—a 2009 release that reached No. 1 in 26 countries—the Minnesota-bred artist otherwise known as Adam Young has made waves with smash singles like the double-platinum “Good Time” feat. Carly Rae Jepsen and brought his exuberant live set to sold-out shows around the world. With total album sales of over three million and single sales surpassing 20 million globally, Owl City has now delivered the highly anticipated new album Coco Moon: a wildly imaginative body of work revealing his deepened devotion to the strange magic of creativity.

James Everingham is a British film composer and producer. James discovered a passion for both music and film in his early teens and instead of a formal musical education, developed his signature sound through years of playing piano and percussion purely by ear and intuition. Inspired by great composers such as Bach and Elgar, James’s musical upbringing created a strong foundation for his powerful melodies and orchestrations.

James’s recent work includes BBC’s Frozen Planet II (with Hans Zimmer and Adam Lukas), the multi-award winning National Geographic film Apollo: Missions to the Moon and NBC’s Super Bowl LVI show open. James also worked closely with world-renowned organists and spatial audio experts to capture a meticulously detailed sample library of the Royal Albert Hall’s 9,999 pipe organ, as part of the Hall’s 150th anniversary.

James presents a passionate approach to scoring and delivers at the highest creative and technical levels with unrivalled dedication, through the use of custom-built music technology and a growing collection of unique instruments and synthesizers.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Thanks for listening my music <3

Discord : Couple N#2669
Join my Discord server : https://discord.gg/7TnJ4z5

mgmt | contact@mutualfrnds.com

booking | chelseacutler@teamwass.com

Endah N Rhesa is a husband & wife duo from South Tangerang, West Java, comprising acoustic guitar, bass and vocal. With Endah’s soothing voice and minimalist instrument, they tries to bring out many genres of music such as ballads, jazz, blues, rock & roll. Endah N Rhesa loves to explore any kind of music and bring out their references with their own style. 
In 2009, the first album "Nowhere to Go" was released by indie label demajors and sold approximately 25.000 CDs and still growing. They achieved Rolling Stone Editor’s Choice Award as Rookie of the Year and AMI Awards for Best Alternative Album. In 2010, they released their second album "Look What We've Found" and third album, "Escape", in 2013. They also contributed as music director on movie "Cita-citaku Setinggi Tanah" (Stepping on the Flying Grass) directed by Eugene Panji.
Endah N Rhesa build their fanbase through social media (internet) and awarded as a “Best Musician Successfully Build a Career From Social Media” by Salingsilang.com.  They also build community, small coffee shop “Ear House” (Endah And Rhesa House), near their home in Pamulang, South Tangerang, to support local scene and give chances for new talents to perform. 


Zhan Dragoncode is following