Name: Zicio - Flying Sheep (KVR ONE SYNTH CHALLENGE) by Zicio in One Synth Challenge #194: Monolit by BLEASS
Duration: 4 min 1 s
Description: Bleass Monolit Synth song for KVR ONE SYNTH CHALLENGE!!

A very cool track! I really like the composition; the mix is a bit too bright IMO and it could use more movement (modulation and automation), but for a first entry this is great!

a sweet composition and nice synth sounds. I don't like the mix though. those lead sounds dont need to be that loud or present. and I'd make that fizzy bass wider in the stereo field myself. just ideas.

Good start but for me it feel a bit too straight and needs to loosen up a bit. Maybe add a filter that opens up a bit or a gate  or something.

Just a bit bright, knocking a little hi end off would make the listening experience somewhat better.

The nice clear arps at the start seem to lose their appeal once the other parts join in (IMO of course!).

the arps sound louder than the melody to me - feels like it needs a re-balance.

ehhhh.,... I really liked that square wave melody and the counterpoints, but this feels kind of mushy after that.

I think you have really good ideas, and a very nice sense of melody, but the production needs some love.

I love the melody here. I wish the drums would hit a bit harder at least for my tastes.

One Synth Challenge #194: Monolit by BLEASS

Polygon is a collection of 40 quality Vital presets designed by SAMMO tailored for modern house music production, although the sounds can also be used in other melodic genres such as future bass. 

Vital is a newcomer to the EDM production community, an incredibly powerful, versatile wavetable synthesizer with endless possibilities. The sounds included in this Vital pack can be used for various sub genres of house music, such as progressive house & future house. Expect to find sounds ranging from slamming fifth basses and energetic leads to soothing synths and plucks. Sounds are 100% royalty free.

Kick start your next house track and expand your sound arsenal with this set of premium sounds for Vital!

⬇️  Download now: https://bit.ly/30lrpWg

Demo Track information: 

0:00 (Demo 1: Eternal - Progressive House), 1:08 (Demo 2: High Octane - Future House)

Made by SAMMO in Ableton Live 11 using only sounds from this pack and stock plugins (the only 3rd party plugins used are Vital, Xfer OTT (free), and Xfer Serum). 

All synth/instrument sounds used in this demo track are from the presets included the pack. Drum and FX samples are not included in this pack.

What you'll get:

/ 13 x Bass
/ 2 x Drums
/ 7 x Leads
/ 10 x Plucks
/ 1 x Sequence
/ 7 x Synths

BONUS: 5 Serum presets

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SOCIALS
📸 Instagram: https://www.instagram.com/sammo.zhang
🎧 Youtube: https://bit.ly/30o4gTd

Polygon for Vital [Vital Presets Pack]

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johnkhf - Short Circuit Shuffle OSC194

Comment whatever you like.

OSC 194 Monolit
Reaper 7.3 35ish instances
ReEQ, ReaLimit, Supermassive Valhalla, Raum, JS velocity and humanizer randomizer, JS: Saturation, LoudMax.

OSC194 Victimless Crime (Monolit 18/27)

Made for OSC#194

19 instances of Monolit synth

FX:
kHs Filter
kHs Clipper
kHs Transient Shaper
kHs 3-Band EQ
kHs Reverb
TAL-Reverb 4
kHs Compressor
kHs Haas
kHs Dual Delay
epicPLATE mkII
Limiter6
DAW: Renoise

finished: 7.04.2025, updated a little later


PeterBPL - Short-necked Giraffe on a Road Trip

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

Calling the Monolith

Call the Monolith (OSC 194 Monolit)

Bleass Monolit Synth song for KVR ONE SYNTH CHALLENGE!! 

Zicio - Flying Sheep (KVR ONE SYNTH CHALLENGE)

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Zicio - Flying Sheep (KVR ONE SYNTH CHALLENGE)

Zicio

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