latin

Chico Sonido - Paisadelic Mix (2009)

Tracklist:

Tropical vallarta – tu corazon y el mio
carlos morua – tristemente solo
jeanette – frente a frente
los terricolas – la verdad es que me gustas
los terricolas – cenizas
los pasteles verdes – esclavo y amo
apocalipsis – un año mas sin ti
hermanos de la cruz – igual que los demas
los angeles negros – el rey y yo
jose jose – tu melodia
nelson ned – no digas no
fresa salvaje – dos gardenias
johnny olivo – dame una sola noche para amarte
jose luis y los maloos – nosotros
david – dejame conocerte
los riscos – sombras
los yorks – facil baby
super gallo – mordiendo el polvo (habre de sobrevivir)
jonny chingas – cruising down whittier boulevard
chico sonido – antes que nadie

Chico Sonido - Paisadelic Mix (2009)

I've got the moon

Jonny Chingas - Phone Home

Diabetes

Solo bandas Chilenas de la época '84-'89 con sonido Synth Pop / New Wave. He estado escuchando este sonido por un tiempo y quise juntar los hallazgos.


Track list:

01. Conexiones Televisivas - Aparato Raro
02. Imaginación - Nadie
03. Desiertos (Version EP) - La Ley
04. With You - Andres Bobe
05. Salón de emociones - Viena
06. Calibraciones - Aparato raro
07. Sígueme - Aboitis + Bobe & Shia Arbulu (La Ley 1987)
08. Que no destrocen tu vida - Los Prisioneros
09. Ausencia - Nadie
10. Algo No Funciona Bien - Aterrizaje Forzoso
11. La Ciudad - Aparato Raro 
12. Ella Llora - Upa!
13. Fantasías Sexuales - Banda 69
14. Post Mortem - Aparato Raro
15. Solo un sueño - Aterrizaje Forzoso 
16. Romance 69 - Banda 69
17. Botellas Contra El Pavimento - Pinochet Boys
18. Muevan las industrias (remix) - Los Prisioneros 

Chile 1984 - 1989: Synth Pop / New Wave / Post Punk

from Noisekölln Tapes 006 Pan Daijing - Sex & Disease

http://noisekoelln.bandcamp.com/

Pan Daijing - Disease 疾 (Privacy Remix)

Carmen: Danza Gitana

J.Chingas Mai Lai Extended

Alejandro Paz - Sacrificio
Parte del LP "Sin llorar" (Geiser Discos 2017).
Alejandro Paz: Composición, programación, líricas, mezcla y masterización.
Diego Morales: Guitarras.
Felipe Sancho: Teclados.
Ed Lafuente: Arte y diseño.

9- Sacrificio

weast

untouchable

Taken from Karli White's forthcoming EP 'Trust'.  Cassette to be released on RES, August 4.

Launch: www.facebook.com/events/2174009262830431/
Pre-Order: www.resistancerestraint.bandcamp.com/album/trust

Karli White - Getting Better (RR015)

Segundo compilado del sello electrónico con base en Santiago I S L A, en el participan Lovshai, Janeiro, Merci Merci, IIOII y Eggglub.
Masterizado en Sultan Estudio por Carlos Doerr
Arte por Gio

Lovshai - Partir [ISLA019]

imaginary visage

Recorded with Korg Poly 61 in Scheveningen, The Hague.

Dim Garden - Biothèque 61

Tyyni is the third album by Finnish-born sound artist and musician Cucina Povera aka Maria Rossi. The second album recorded using a more studio-based scenario – as opposed to last year’s Zoom, a collection of in-situ, spontaneous recordings – Tyyni feels like a slowly unfurling mediation on the clash between nature and mechanical living, a rumination on the complexities of modern life that begin to unveil more about the inner landscape of the artist as it progresses. A Finnish word referring to still, serene weather, the title belies a new note of turmoil in Cucina Povera’s soundworld.  Tyyni represents a more detailed focus on the sculpting of sounds that curl around Rossi’s hymnal vocal performances. It’s a more adventurous work than Rossi’s previous output that goes further into noise elements and vocal abstraction while maintaining the balance and ecclesiastical ecstasy of her debut Hilja.
While tension at the core of Cucina Povera is always prevalent, previously it was organic sounds that were used to counterpoint Rossi’s singing but on Tyyni these are often replaced with aggressive synths and distortion, profane clashes with the seemingly sacred hymns. Whether close mic’d and intoning in a loop or in full flight, Maria Rossi’s voice remains in the foreground, set here against a more synthetic backdrop.  This development builds new worlds for Cucina Povera, a digital environment which brings in a sense of the alien for Rossi’s vocal to duel. The effect is often dazzling. On Salvia Salvatrix, an ode to the medicinal plant used to ward off evil spirits, Rossi’s invocation is encircled by a distorted synth sound tearing at the fabric of the composition. It’s an inspired juxtaposition, leaving the listener to appreciate both sounds as separate and as a duet.  Anarkian kuvajainen embraces a sense of chaos, an accidental transmitting mobile phone’s pulse is swept up gently with looped synth swells as Rossi’s prayer-like vocal rhythmically teases the composition into loops that embrace and then drift apart. Teerenpeli flirts with a minimal beat rendered by sampler and processed, layered field recordings of capercaillies, while Side A ends with one of Rossi’s most beautiful, simple tracks yet recorded. Varjokuvatanssi is an a cappela recording built on top of a wordless glossolalia, a shadowy interplay which foregrounds the solo vocal.
Pölytön nurkka is the most melodic song yet recorded by Cucina Povera. While it still maintains an off-the-cuff performance style, the synthesized chimes and 4/4 beat are smothered by a distorted synthesizer which almost replicates the bravado of an electric guitar feedbacking into the night. Rossi’s subject matter talks of trying to start anew, getting rid of extraneous material, perhaps still feeling powerless to affect positive change. On Haaksirikkoutunut, the protagonist vocal is lost, a vessel rudderless on the ocean, buffeted by waves metaphorical or real, digital, atonal chords gurgling and splashing against the bow, a storm forever brewing on the horizon. Saniaiset recalls Coil in its eldritch, nocturnal tone and digital-bell like synth, Rossi’s half-spoken/half-sung voice attaining a creepy tone before flipping into flight. Album closer Jolkottelureitti uses an escalating, sequenced synth that splinters into both abrasive tones and harmonising chords creating a kosmische effect, reminding the listener of Kluster or synth-era Popol Vuh, all the while elevated by Rossi’s searching vocalising.
 For an artist with such a singularly unique musical language, Cucina Povera is continually teasing new strands and emotive tones from an evolving palette. Most importantly, Tyyni appears to be pulling back the veil to uncover an artist finding a synergy between her own emotional inner world and practice. As such, on her third album, Maria Rossi has found a third way between abstraction and extraneous emotion, personal experience turned inside out to reveal more about the listener.

Chile 1984 - 1989: Synth Pop / New Wave / Post Punk

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