This is a well crafted and produced background track.  Good chords and arps.  But for me - I'd expect a layer on top with a melody/hook.

i think the bass is maybe a little to loud,  if its that loud it should be the main aspect of the tune but its maybe a bit too simple to be that.

i think a little alternating of the drums here in the build ups would add to the song.  tom rim tom rim tripple snare or something if you know what i mean.

not liking the bass. otherwise very beautiful track

devine... is that a misspelling of divine?

What immediately catches the eye is the cover. I love it and the song hasn't even started yet, hehe!

Beautiful song. The music goes very well with the cover. Good production, very nice sounds. All in all, a very successful song. Very nice accent also with this atmospheric sound that starts here. I like it very much!

It's simple: wonderful idea and sounds design! I like your bold and original style!

Nice arp but the rest sounded a bit too straight.

Entry to One Synth Challenge #184: ToneZ 2 by Retornz.

19 instances of ToneZ 2 

DAW: Bitwig Studio 5.1.9

FX:
TDR Nova
TDR Kotelnikov
LoudMax64
Raum
A1 TriggerGate
STFU
Cramit
kHs Transien Shaper
kHs Reverb
kHs Delay
Tal Reverb 2
Peakeater
Bitwig Tool and Dynamics

Devine

An entry for One Synth Challenge 186 at KVR Audio

DAW: Reaper
Synths: U-he Tyrell N6 (24) &  Zebralette 2 (2). Seventeen ( voice-split ) patches, from scratch as always , including six percs and four FX.  Assisted by TDR Nova ( general nip-and-tuck channelstrip duties ) , ReaDelay, HY-Delay , Bittersweet ( softening a delay, )  Kazrog KClip ( drumbus ) , and BlueArp

Reverb buses: MuVerb, Oril River, and Protoverb. Pre-emphasised, de-emphasised, shaped, compressed, softened and panned  by TDR Nova, Flux Bittersweet and HOFA SYS Pan. 

Shaped, sharpened, spatialized and louderized ( to -12 LUFS ) at the master level by TDR Nova, Flux Bittersweet, Protoverb, HOFA TiltEQ and  Limiter No6

Finders, Keepers

All sounds made using Vital for KVR Audio One (Two) Synth Challenge for #186

FX used
STFU, Deelay, Raum, OrilRiver, CamelCrusher, SuperMassive, Ruina, Air2, Gsat + TDR Nova, TDR Kotelnikov, LoudMaxx

Native FX
Compressor +, Dynamics, Saturator, Reverb, EQ5, EQ+

The challenge

YouTube version has better streaming quality: https://youtu.be/nwx-5tgWTpo

More music:

Exile: https://youtu.be/cMqN75ADoeU
Mercenaries: https://youtu.be/tc6QpwOlc0c
Danger Zone: https://youtu.be/cHsQFK1FK7E
Dark Omen: https://youtu.be/tMdmyoMvECA
I Walk Alone: https://youtu.be/xxNVCcoP0Co

Created with "Synth1" virtual synthesizer. 38 instances used to create a track.

My setup: 38 instances of Synth1 and Synth1 (and Tritik "Krush" as my "full 11" effect).

The VST legend. Still in beta (more than 20 years already). Lightweight, sleek and versatile. And I found it best for making extremely distorted sounds.

You need to crank up the volume for this.

The download links can be found on my Patreon page in the corresponding post. https://www.patreon.com/posts/armada-111158901

Twitter: https://twitter.com/infravolt
Reddit: https://www.reddit.com/user/Infravolt

ArmadA

Infravolt - ArmadA (OSC#186)

hennessey - let go [OSC186-Synth1]

Created for the One... Two Synth Challenge #186 with 53 Instances of the great TAL Noisemaker2 and with 4 Instances of the notgreat One Ping Only, making a total of 57 Instances.  

OSC Website: https://sites.google.com/site/kvrosc/2024/osc-186-na2sc2
TAL Noisemaker: https://tal-software.com/products/tal-noisemaker
One Ping Only: https://web.archive.org/web/20200619092635/http:/bram.smartelectronix.com/plugins.php?id=11

Technical Details:
All sounds created from scratch, some are my presets from OSC#150.

DAW: FL Studio 24 Producer Edition
Instances: 57
TAL Noisemaker: 53
One Ping Only: 4

DAW Effects:
Channel EQ: 11
Fruity Compressor: 1
Fruity Delay 2: 2
Fruity Limiter: 3
Fruity Multiband Compressor: 5
Fruity Parametric EQ 2: 3
Fruity Reeverb 2: 8
Fruity Stereo Enhancer: 5
Soundgoodizer/Maximus: 6
Tuner (Pitch Analyser): 1

3rd Party:
Analog Obsession LOVEND: 1
Wolf-plugins Wolf-Shaper: 2

Hope you enjoy!

Meanwhile (twOSC#186 TAL Noisemaker + OnePingOnly)

OSC186 2 synth challenge.  Cardinal and Vital VST's in Logic Pro x

OSC186 Pleasant Vibes

named after a fun typo encountered in the wild. may contain traces of metric displacement and a silly musical pun. made in bitwig with:
pendulate (17 instances)
spacer
eq+
delay+
peak limiter
wider
chowtapemodel
tdr nova
tdr kotelnikov
loudmax

Astrointestinal Discomfort

Well Deserved Perturbance

in 31edo. for OSC 186.
Made with Saike Partials and Noise Engineering Ruina, in Reaper.

Leonard Bowman - Destruction In The Service Of Beauty

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

Devine

Zipidowski

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