I love the absolute shit out of this. This reminds me so much of playing Golden Sun when I was a kid.

Spacecat Meowpatrol - Sand Planet

somewhere near the end of “While They Were Sleeping,” something shifts. A final candle flickers. The pages begin to stir. And quietly, a sentence appears  one that was never meant to be written.

“And Then He Rewrote the Ending…” is the call. Not a scream, not a battle cry just truth whispered back into the dark. A musical prelude to what comes after. A response not with rage, but with resilience.

The melody doesn’t fight. It remembers. And slowly, something in the silence begins to bend.

What’s coming cannot be beaten. It’s too big, too old. But maybe it doesn’t have to be. Maybe survival is its own kind of ending. Or maybe… it’s the beginning of another story entirely.

And Then He Rewrote the Ending

Douma Theme (Bear Hug) Demon Slayer Infinity Castle Movie: Akaza's Return

One of my first experiments of vocals and piano with chipmusic, written and recorded in 2013 and hidden away for two years while I convinced myself I would re-write and re-record it.

Feedback much appreciated, should I make more like this? I'm sitting on lots of material right now.

Many thanks to @visi0nary (Segami) for helping with vocal recording and providing background vocals to this track.


Lyrics:
our lives
spiral outward
endless light
forever downward
feel the tides
ebbing slowly
for the night
we are glowing

Eternal Bioluminescence

世界樹の迷宮Ⅲの戦闘曲 「戦場 初陣」を
- ファミコン内蔵 5ch
- VRC6 3ch
でアレンジしました。

世界樹の迷宮Ⅲ - 戦場 初陣 FC+VRC6アレンジ[Etrian Odyssey iii Battle1]

Music written for the game TANGLEDEEP - a game I'm creating! (Not just music, but code and design too!)

http://www.tangledeep.com/

Tangledeep OST: Dungeon Theme 3 (SNES)

Tangledeep OST: Dungeon Theme 1 (SNES)

Oh hey, I'm not dead. :V
Sister song to https://soundcloud.com/leila-wilson-woofle/desert-dessert
This is for the town within the desert which that song was for. It's all for a game that my friend Dio is working on. :3 Here's a link to some of his other work. http://www.smackjeeves.com/profile.php?id=22105
I reprised bits of that theme, but let it spin off and do its own thang. :3

Ignite_Sward Village

3.5KHz PCM samples & noise percussion courtesy of the Atari TIA
1987 Taito, Zuntata, Hisayoshi Ogura
Created with Raster Music Tracker, Wav2Atari.  Recorded with Altirra, BizHawk

The Ninja Warriors - Daddy Mulk (Atari 7800 POKEY+TIA Chiptune Cover)

highway

Old tune made in 2017
MML&M2: http://www.crescendi.at-ninja.jp/music.html

Trends

Andrew Aversa (a.k.a. zircon) is an award-winning, covert-ops audio specialist with headquarters located on the outskirts of Baltimore, MD. His top-secret blend of cutting-edge electronic-organic sound design, sonorous composition, and ultra-polished production values have yielded dozens of credits in the realm of video games (Monkey Island 2: Special Edition, Super Street Fighter II Turbo HD Remix, Soulcalibur V), TV (Heroes, Skins, MTV, Touch), film, advertising and other media. As the recording artist zircon, he has written, produced, engineered and collaborated on over 15 albums.

The continuously-expanding array of zircon albums and EPs has met with both critical and popular acclaim – Impulse Prime achieved a dual victory at the 2006 Just Plain Folks Music Awards, winning “Best Techno Album” and the single “Tomorrow” winning “Best Techno Song”. This victory was repeated at the subsequent 2009 JPF Awards, with Antigravity’s “Depth Charge” taking “Best Techno Song” again, as well as the #1 spot of “Best Techno Song of All Time” at Garageband.com.

A lifelong fan of music, film scores and video games, Andrew’s background in music began in classical piano but soon evolved to include computer-based music production shortly before his departure to college. This led to a powerful thirst for knowledge and self-improvement, a thirst that has yet to be quenched as he continues to devour composition and production techniques every day. Thanks to this liquid background, Andrew integrates in his music a formidable arsenal of influences ranging from electronic artists like BT, Prodigy, Hybrid and Pendulum to film composers such as James Newton-Howard, Hans Zimmer, Danny Elfman and many more.

A true sound-scientist at heart, Andrew is the lead producer and co-founder of Impact Soundworks, a sound design & sample library development company with an enormous list of users all over the world, including some of the most well-known video game, television and film composers in the industry. If he is not designing a new collection of critically-acclaimed instruments for this company, he can be found concocting synthesizer presets which are similarly widely-used.

Andrew is frequently sighted teaching student composers and game developers at Drexel University or otherwise assisting fellow musicians in the fields of production, mastering, and sound design.

Tangledeep OST: Dungeon Theme 1 (SNES)

zircon

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