HHH label is a series of releases coming from a musical research and visual residency called Hitchhiker. 
ⒽⒽⒽ residencies was created by Encastrable, a visual art duo who is part of Carpaccio team.
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The guest artist for the 4 th episode is @hadji-hajj who is a video maker and producer from Lyon. He is also the boss of Dawn records and one of the owners of the famous Schnell records .
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The 2 other tracks are from @destroyed-temple who is the Swiss knife and producer from CC crew
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The idea of HHH is simple: to invite an artist for a road trip by car, van or camping car, to produce music.
It's a great excuse to look for and create new forms with the guest artist.
Each artist is invited to make field recordings during the trip in order to compose tracks. For this one, the travel was between Le Puy de Dôme, Le Limousin and Corrèze. 
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You can also listen to the more complete experience of this road trip on @lyl_radio called "HHH drift recording"
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also in the car for visual settings Antoine Lejolivet and @chagonzalez
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we really want to say thank you for they hospitality and sharing to Gwen Bouget, Hervé Priou and Marine Froeliger <3
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visual by Florent Hadjinazarian
Encastrable project: Antoine Lejolivet & Paul Souviron
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Thanks to , La Region Grand Est, Impuls neue musik & LYL Radio for there support

Buyyy

Hajj - UNTITLED [HHH label #004]

@noodsradio 17/03/2021 23:00 GMT

Deconstructions, abstract sounds and post—club realness with two special guests from Poland. Starting with a 30 min mix by 116111 (@ailxx), followed by /pulsr_'s 50% prod mix.

thank you @ogyal for inviting us <33

╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳

Monika Wińczyk — Tokio — Gwarna ulica
Tomasz Pizio — Policja informuje i wzywa
Fronda — pierwsi goście
WIDT — Sole Thithu
7777 の天使 — celestial decay
Torus — Chronik
/pulsr_ — breathe / destroy
Tendre Ael / S280F / 011668 — 𝒯 𝑒 𝓃 𝒹𝓇 𝒾𝓁 ส็็็ ส็็็ ส้้้ (3)
John Object — Scream/Scream
James Ferraro — IV
James Ferraro — I
116111 — unreleased x3 (mixed)
FITNESSS — F20 / FAITH
/pulsr_ — dimorphia A
Obsequies — Inferno
/pulsr_ — ID
LEViT∆TE. — UhaveNoIdea
KAVARI — Power Arc
/pulsr_ — ID
/pulsr_ — dimorphia A
/pulsr_ — EDM FUCKER
Zero Cool — Moulding Vessel[s]
NIMDA — COMEBACK (KRONOMIKAL BOOTLEG)
folie — asdfdas2345%$#@#$
Didier XCX, GRIG & panx — It’s Late Not Latte (/pulsr_ remix)
S280F — 7M

Noods Radio — OJOO GYAL invites 116111 & /pulsr_ #07 (17/03/2021)

V/A - Kikommando
Label: PAN / Hakuna Kulala
Cat.No. PAN 124 / HK029
Format: DL / Book
Release Date: 6 August 2021
Purchase: pan.lnk.to/Kikommando
Video: bit.ly/3i2EgSg

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans. As a ‘food of soldiers’ offering maximum energy for minimum funds, the eponymous mixtape, video series and book project is an equally nourishing and ambitious proposition. It all began in the East African summer of 2018, during a two-month residency at the Nyege Nyege label and collective’s villa, in collaboration with their sublabel Hakuna Kulala. Producer and PAN artist Simone Trabucchi (aka STILL) opened the door to his temporary studio in the city and a crucial cross-cultural collaboration was born.

“The intention was to record as much as possible,” Trabucchi says about KIKOMMANDO’s musical showcase of eight Kampala-based artists, coming from the spectrum of musical influences, crossing trap, drill, cut ups, kuduro, electro, smooth jams—the list goes on. In creating a sonic space to support the expression of its featured singers, poets and emcees, the mixtape ties countless styles and flows into a single snapshot of a particular part of the Kampala music scene, at a particular point in time. The invective of rapper and street legend Blaq Bandana’s “Nkwaata” is laid over a spare and brooding ambient. Kampala Unit trumpet player and first-time singer, Florence, rolls a thick melodic texture through the organic clicks, knocks and atmospherics of “Bae Tasanze”. Jahcity’s unique lyricism combines a personal take on traditional music and soulful-reggae with a jerky, wobbly collection of drops and donks.

Meanwhile, Ecko Bazz applies his grimey vocals and rhythmic, introspective words to lead single ‘Ntabala (Rolex Riddim) at a particularly pertinent moment of self-reflection. “I was trying to listen to the voice inside myself and wanted to achieve a higher level of understanding of things, life,” he says about the themes that he felt inspired to explore with Trabucchi at the recording desk. The accompanying video, shot on a rooftop in the Kampala neighborhood of Ggaba, is one of a series of slick and high-definition films complementing each one of the KIKOMMANDO tracks. These also include contributions from Ugandan emcee and key Hakuna Kulala member Biga Yut, don dada of the GabaGaza gang Swordman Kitala (with Omutaba on percussion) and South Sudanese poet and singer Winnie Lado.

Also accompanying a ‘visual mixtape’ of moving images for each song on KIKOMMANDO is a recording diary of sorts, where Trabucchi compiles a vibrant collection of pictures, colours and textures reflecting the its heterogeneous sonic palette into a book. Together this multifaceted, interdisciplinary project showcases, what Lamin Fofana’s liner notes describe as, “amazing originality, complexity”, while “embracing dissonance”.

Trabucchi’s personal take on a kind of ‘digital dancehall’ defined the sound of his ground-breaking rumination on Italy’s colonial history on debut STILL album, I, in 2017. KIKOMMANDO is a different proposition entirely, where he finds new ways to complement the personality and skills of its contributors sprung from a constant stream of visitors arriving at the Nyege Nyege Villa’s makeshift studio. “It was a dialogue,” stresses Trabucchi, who has always preferred collaboration as a means to escape branded and stereotypical identities, while creating something new. “I created the musical platform to make the singers confident, and challenged them at the same time. Working together accelerates ideas and reveals that nothing is your invention alone. That’s why KIKOMMANDO is a mixtape to me, and not an album.”

The mixtape is mastered by Rashad Becker, featuring artwork by NMR. Tracks 1, 2, 3, 4, 7, 9, 11 & 12 mixed by Ville Haimala. Tracks 5, 6 & 8 mixed by Lorenzo Dal Ri.

@hakunakulala

KIKOMMANDO

STILL, Florence - Bae Tasanze (PAN 124 / HK029)

Myxomy - Myxomy (SUB042)

Stream & download: https://myxomy.bandcamp.com/album/myxomy

Artistic collaborations don't have to be exhaustive, competitive or combative. And for Berlin-based producers James Ginzburg and Ziúr, their work together as myxomy has been almost effortless. Both artists bring with them a deep history of recording in vastly different circumstances: Ginzburg has worked on bass music, folk, experimental techno (as half of Emptyset) and experimental drone, while Ziúr played in a number of bands before settling into her current explorative electronic mode. So when they started working together in 2020, it was their respective backgrounds that provided the touch-paper for an explosive artistic head-to-head.

Ginzburg instigated the process by sending Ziúr beats he'd made in Bristol in a former life, and Ziúr, fresh from finishing her PAN-released third solo album "Antifate", set about sculpting them into completely new forms. In response, Ziúr dispatched vignettes to Ginzburg and he did the same. As they exchanged ideas back and forth and lapsed into absurdity, the songs followed suit, evolving from raw concepts and loops into proper songs as both Ziúr and Ginzburg traded melodies, lyrics and production tricks. The duo's fragmented sketches and scribbles took on new life, channeled, refined and re-invigorated as they developed into anxious, hybridized pop jewels.

Their surprising stylistic choice is revealed immediately on opening track 'Sloppy Attempt', a fractured mood stabilizer that dissociates from Bristolian trip-hop into glossy android pop. Ziúr's singing voice carries the track into a sonic black hole, mutated into an alien gurgle as she gently coos the prophetic words, "a sloppy attempt won't cut it, no no." And as Ginzburg takes the reins on 'A little opaque', singing over Ziúr's twisted neon electronics, it's clear that both artists have pushed each other outside of their comfort zones, providing the reassurance and comfort necessary to evolve.

On 'In and Until', they find an exact median between their two most recent albums. Twanging hurdy-gurdy sounds remind of Ginzburg's 'crystallise, a frozen eye', compelled forward by brittle foley percussion we last heard on "Antifate". A scalding industrial boil of deranged synthesizer squeals and rolling drums parts like the Red Sea on 'Toxin Out', cooling to a crust for Ziúr's half-sung words to echo overhead. "Burn the bridges it's a choice, eat the rich, and throw up on the fuckbois."

"Myxomy" isn't an overtly political album, but driven by a desire to create and a shared philosophical space, Ziúr and Ginzburg are naturally outspoken. Their vision of pop is twisted through history and floated on frustration, growth and constant reinvention. It's a unique mix of polar elements - light and dark, noise and silence, joy and melancholy - that centers itself on one important theme: together, we're far more powerful than we ever could be alone. 
credits

releases November 12, 2021

All tracks written and produced by Ziúr and James Ginzburg
Album art by Stefan Fähler
Design by Philip Marshall
Artist photo by Kasia Zacharko
Mastered by Joker
Published by Multiverse Media Publishing © & ℗ Subtext / Multiverse LTD 2021
license

http://subtextrecordings.net/

Myxomy

Vinyl & digital

Myxomy - A Little Opaque

Artist: Davide Rovito aka Dez (Random/Noize)
Title: Unrequited Ritual Part-2
(OST from the multidisciplinary artistic project 'Divine Ritual”) 
Cat No: TCTTMANIPULA002
Release Date: Oct 10, 2025
Genre: electronic, ambient, drone, noise music, glitch, field recordings, cinematic, lo-fi, soundscapes, soundtrack

Original Soundtrack from the multidisciplinary artistic project 'Divine Ritual' by Andreana Notaro and Davide Rovito aka Dez (Random/Noize)
“...Divine Ritual is an transdisciplinary project that moves between the dimensions of performance art and live creation. The experimental landscape is primarily constituted by the relationship between performers and spectators, within a creative path aimed at generating a ritual. The spectator, with their presence, will be a founding part of the creative design of the ritual itself. The ritual, which draws on the essential elements of Greek mythology, particularly the myth of Persephone and the Eleusinian Mysteries, is the archetypal experience in which sound and body are fused together, energy and matter converge in a single language, and full immersion between the terrestrial world and the cosmos is achieved. In an experimental process, the manipulation of electronic music sound will rhythmically punctuate the various moments, reaching a peak of tension and sonic pressure, determining the foundations of the ritual action, serving as a moment of ablution and then of expressive effusion for the performers, exploring the possibility of alerting the body enveloped in an uninterrupted sonic envelope and exposed to a collective vibration in which it is impossible to perceive a separation between performers and spectators. From listening to this inspiration, and guided by intuition and perception, the performers will linger in an empirical area with the sole support of three dramaturgical keys: DESCENT, SEARCH, ASCENT (as in the diachronic sequence of the Eleusinian Mysteries). This dramaturgical fabric serves as a generative principle: the architecture of the event will be articulated in an open itinerary of meta-spatio-temporal experiment...”

Unrequited Ritual Pt. 2 [TCTTMANIPULA002]

Under artificial firmament, SHIT BLOOD and THRASH have covered decaying cadaver of our MOTHER

Single from "Action Sports 2," the second full-length album from @karmelloz & @dylanmhowe as Action Sports, forthcoming 8/11/20 on @ginandplatonic.

Artwork: Jiri Macku

Action Sports 2

Pre-order

PREMIERE: Action Sports - Mega Drums of Lucifer [Gin & Platonic]

Now Now

Reignproof

Distantes Résonances #3 w/ Notos (07.02.2021)

This show was aired on Internet Public Radio on 16/02/21
internetpublicradio.live/residents/dntfck

Tracklist:

First Half - CROCAT (@crocat)

Sprælle - Anticipation
DYL - First Floor
A.CHAL x Lucid Dreams - Cuanto Totemism (CROCAT Blend)
Desvelada - Hymn 
Amazondotcom - Glances
Nesstrak - Depressure 
Stagga -Keep the future
Undrwght x Dnza - ???
CROCAT - Fuga
Petal Supply - Wounded Ft. Hatsune Miku
Sewerslvt x Harmful logic - Tragic Angel
Arena Girlfriend - False reality
Sprælle - Tangible
CROCAT -Resiliencia
Junior H - La vi llorar (NUDO edit)

Second Half - Sanjonas (@sanjonas_48b)

WULFFLUW XCIV - Kuama
Tomás Urquieta - The Curtain Fall
NKC Productions - Third Passage
Lemonick - Paramite Temple (Original Mix)
MM - Terrible Muscle
Syn - Void
T5UMUT5UMU - Drought 􀷷􁹰
Despina - Utopia in Retrograde
personalbrand - ECOCIDE
Comastasis - Stagnant
Xin Lie - Synthetic Reality

Live every 3RD tuesday of the month on
www.internetpublicradio.live

Internet Public Radio

DNTFCK on Internet Public Radio - CROCAT & Sanjonas

https://soundcloud.com/rosaceae_hh
https://soundcloud.com/tsvsvnami

Rosaceae & Susu Laroche - 05/03

booking: mia@lb-agency.net
ziurinhell@gmail.com ∞