This is not the real camellia I just made this account Because they're where no camellia music on SoundCloud (I do not make any money off of camellia music) Go Check out camellias YouTube channel.

Music Without Limitations.

https://youtube.com/nocopyrightsounds

Composer Plum / Since 2015.12.10 ~


Youtube : https://www.youtube.com/channel/UC0AwIqrAIR_98iXdDvLzUNg
Contact : record1900@naver.com

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Member of Imperial deep
Dub Techno, Raw Techno
Major Advertising Music Director, Game Music Composer, Electronic Music Producer & K.POP Producer & DJ, Media Artist
Especially: 2010 Formula One -F1- Korea Grand Prix's Music Director it was very first F1 Official Opening Ceremony in Korea(at Grand Hilton Hotel), DJMAX & TECHNIKA Game Music & FX
INFO : https://ko.wikipedia.org/wiki/%ED%8F%B4_%EB%B0%94%EC%A3%BC%EC%B9%B4
1998 - began Music in L.A (US) Techno, Rave, Trance, Hip Hop
2001 - OUT OF MILLIM va artist bazooka - girl in my dream
2002 - joined electronic crew GrooveKEMF (E.F.O)
2003 - E.F.O 1st album, Cosmic Ally album
2005 - Wavepoint co. Contract Producer (Kpop Singer VIBE's company)
2006 - France Cannes Midem exhibition  Maxerface-Chilling curve(Bazooka Mix)
2008 ~ 2024  DJMAX Game (Neowiz Company) musician
2008 - Euro / Dance-Industries .com Star Track of the Week Bazooka - Deeper than the sky (Tribal Progressive House)
2009 - SIMS AUDIO (SAMICK INNOVATIVE MUSIC SYSTEM)의 Infra-sonic's Contract Endoser
2010 - Formula One F1 2010 Korea Grand Prix's entrance Music Director (General)
2013 - Italy [Passion Recordings] "VARIOUS ARTISTS - Undermines People's [PASRE044]", Paul Bazooka - Deeper than the Universe
2014 - China Tencent  ?奏大? (Rhythm Master) DrunkenSteiN 
2014 - BeatCraft Cyclon (ARCADE MACHINE) Paul Bazooka - Kitty From Hell 
2014 - Andamiro Pump It Up 2015 Prime Paul Bazooka - Meteorize
2014 ~ VOEZ  // Cytus2, game music work (Taiwan) Rayark company
2015 - Media X File - Paul Bazooka - Fuck My Life 60min Gig, (Eun-Am Art Museum)
2015 - Lecturer Sound Art on GwangJu Biennale's Contemporary Art School
2015 - PSVITA  SUPERBEAT: XONiC (Nurijoy), Kitty From Hell, ETC
2015 - XONiC The Live GIG ((PSVITA SUPERBEAT XONIC, Sony Computer Ent & Nuryjoy)) at HongDae V-Hall
2016 - China MUSYNC IOS ANDROID Game 2 songs
2016 ~ 2024 as a Media Artist working to Gwangju Cultural Foundation, ACC, Seoul Arts Center etc. 
2019 - Japan TAITO company's  GROOVE COASTER composer
2020 - 70th anniversary of Korea's accession to UNESCO Special Media Art Exhibition "Movements 5" by Paul Bazooka
2020 - imperial darkness Electronic GIG in Haedong art platform (maxerface, Paul Bazooka, Luna.S)
2021 - UNESCO Creative Cities Network Forum's Media Art Special GIG  "This is Not a Game"'s Director (General)
2021 - Deepdrome - Deep Freeze on Drift Deeper's Youtube
2022 - Japan Yokohama’s Koganecho's Media Art Exhibition my 3 Video+Sound Art was on display.
2022 - 2 Tracks on Citrica Records (Spain) (Dub Techno) 10th anniversary  V.A Round 01
2022 - Hardonymus Records (Italy) Summer's end 2022 
2022 - make Duo Team of Raw Techno "Imperial deep" Maxerface + Deepyoon (aka Deepdrome) 
2023 - Hardonymus Records (Italy)  Imperial deep - Chord of excitement EP 
2023 - Tyokyo M3 (2023) "The Umbra" 2cd Album Paul Bazooka - Motherboard (The Umbra, cd2 track1)
2023 - Hardonymus Records (Italy)  Imperial deep - Theta Array EP

Yo! I'm Shirobon, I make music using video game consoles and stuff!

For bookings/info contact me on: hello@shirobonmusic.com :)



Ok, I decided to create my SoundCloud account.....again...
As always I hope you enjoy my Music!

-DP

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