2024 hopes

prowling in the dark
lives the tiniest spark of red
flame glowing on your doorstep
prowling in the night
the cold gives a terrible fright
down my spine
when will i see you again?

deadly and dangerous
i don't know what to
make of the shadows in the dark
deadly and silent as
the ambiguousness
of what lies past this midnight hour

last night 
i caught you sleeping in someone else's bed
don't let it get your head
because i've been doing the same thing as you my friend

don't play games you don't understand
you're gonna get yourself hurt my friend
don't play games you don't understand

gethosyne, jhl - don't play games you don't understand (demo)

taken from "Yairku Part 2"
https://bffmusicbffmusic.bandcamp.com/album/yairku-part-2

。. 。☿ 。. 。

when u enter a crawlspace you feel humidity all around, from the wet walls to the ground. Yairku is a dark, yet textured place . . .

。. 。☿ 。. 。

Razmiel ( my master of a tactile, virtual soundscape ) conceived this dense, atmospheric journey that expands and collapses its sonic space without any warning. through thick, wet kicks and high-pitched textures, I find myself in club areas, spontaneous noise panoramas, or even cathartic guitar riffs 0_o
with all that in mind, the EP stays emotional and poetic, delivering unconventional climaxes, and moments of silence for a deep inhale.

i listened to it for the 1st time, then 2nd, then 3rd, and still was hungry for more. Razmiel always makes me want to stay in their world for way longer than I imagined . . . ♡

。. 。☿ 。. 。

Razmiel
"𝘛𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘪𝘳𝘴𝘵 𝘩𝘢𝘭𝘧 𝘸𝘢𝘴 𝘴𝘶𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘦 𝘵𝘩𝘦 𝘵𝘩𝘦𝘮𝘦𝘴 𝘰𝘧 𝘱𝘢𝘳𝘵 1 (xxxglamourxxx.bandcamp.com/album/yairku-part-1) 𝘸𝘪𝘵𝘩 𝘢 𝘱𝘴𝘦𝘶𝘥𝘰-𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩 𝘰𝘧 𝘢𝘭𝘪𝘦𝘯 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘰𝘯𝘪𝘤 𝘧𝘰𝘳𝘮 𝘢𝘯𝘥 𝘢 "𝘤𝘩𝘦𝘢𝘱 𝘕𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘎𝘦𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺" 𝘷𝘪𝘣𝘦 𝘭𝘰𝘭.
𝘉𝘶𝘵 𝘵𝘩𝘦𝘯 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘩𝘢𝘭𝘧 𝘬𝘪𝘯𝘥𝘢 𝘦𝘷𝘰𝘭𝘷𝘦𝘥 𝘪𝘯𝘵𝘰 𝘢 𝘮𝘰𝘳𝘦 𝘧𝘪𝘳𝘴𝘵-𝘱𝘦𝘳𝘴𝘰𝘯 𝘱𝘦𝘳𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦 𝘢𝘯𝘥 𝘐 𝘵𝘳𝘪𝘦𝘥 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘮𝘰𝘳𝘦 𝘢𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦-𝘭𝘪𝘬𝘦 𝘢𝘯𝘨𝘭𝘦. 𝘉𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘢 𝘭𝘰𝘯𝘦 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵 𝘷𝘦𝘯𝘵𝘶𝘳𝘪𝘯𝘨 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘨𝘳𝘰𝘶𝘱 𝘵𝘰 𝘦𝘹𝘱𝘭𝘰𝘳𝘦 𝘵𝘩𝘦 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘢𝘳𝘦𝘢𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘴𝘵𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘭𝘢𝘯𝘦𝘵 𝘰𝘯 𝘵𝘩𝘦𝘪𝘳 𝘰𝘸𝘯 𝘪𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘱𝘢𝘴𝘴𝘪𝘷𝘦𝘭𝘺 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘴𝘭𝘪𝘮𝘦 𝘮𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘩𝘢𝘩𝘢.
𝘛𝘩𝘢𝘵𝘴 𝘬𝘪𝘯𝘥𝘢 𝘩𝘰𝘸 𝘪 𝘤𝘰𝘮𝘣𝘢𝘵𝘦𝘥 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘭𝘺 𝘭𝘰𝘯𝘨 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘢𝘯𝘥 𝘮𝘦 𝘶𝘭𝘵𝘪𝘮𝘢𝘵𝘦𝘭𝘺 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘣𝘰𝘳𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘪𝘯𝘪𝘵𝘪𝘢𝘭 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩.
𝘚𝘰𝘯𝘪𝘤𝘢𝘭𝘭𝘺, 𝘪𝘵 𝘦𝘹𝘪𝘴𝘵𝘴 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘍𝘢𝘭𝘴𝘦 𝘕𝘰𝘪𝘴𝘦'𝘴 𝘍𝘭𝘰𝘳𝘢𝘭 𝘚𝘵𝘳𝘰𝘣𝘦 𝘢𝘯𝘥 𝘊𝘩𝘦𝘮𝘪𝘢 𝘕𝘰𝘸𝘦𝘫 𝘌𝘳𝘺 𝘖𝘚𝘛 (www.youtube.com/watch?v=xqcbxuQz-zQ) 𝘪𝘯 𝘮𝘺 𝘩𝘦𝘢𝘥, 𝘸𝘪𝘵𝘩 𝘴𝘰𝘮𝘦 𝘦𝘱𝘪𝘤/𝘩𝘰𝘳𝘳𝘰𝘳 𝘵𝘳𝘢𝘪𝘭𝘦𝘳 𝘮𝘶𝘴𝘪𝘤 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘴 𝘵𝘰𝘰."

mood board:
🧠🦠🎐🦅⚡️🏔🧐 

music by @razmiel
www.instagram.com/razzzmiel/

featuring @flagrastama

artwork by Matěj Boček
www.instagram.com/matej_bocek_/

master by @fausto_mercier
linktr.ee/faustomercier

♫°004

Razmiel - URAI The Final Yairku Expedition

BLACKOUT

LAUNDRY ROOMS

Performed live @ Q-Factory Amsterdam 29.2.2024
Performers: Iara Perillo, Waldorf 
Mastered: Waldorf
Cover Art: Waldorf

https://formforum.bandcamp.com/track/d-exp0i

Iara Perillo, Waldorf - D.Exp0I [live]

my old pc broke down two weeks ago - so I bought a new one and felt like starting an album project from scratch, which turned in to this fun little album inspired by recent road trip around tasmania :))
download/buy for the good old "name your price" on Bandcamp from the buylink <3

bushland

The 41st release of katharsis is the EP “swansong” by jhl & jett mucicca coming out on May 3rd. The two New Zealand-based artists portray a dark and dramatic world of love and pain in this five-track collaborative release, drawing inspiration from poetry, opera, and fantasy worldbuilding. The result is both endearing and epic with its glittering synths, grandiose sound design, and poignant orchestral elements. jhl’s vocals carry big emotions through all five songs, as the lyrics are characterized by heartbreak and despair though still full of hope and love.

jhl, jett mucicca - pollution

jhl, jett mucicca - resentment

healing vibes w/ cash, jhl - 27/04/2024

"Völuspá" for string trio by Zoë Martlew.

From live performance of U.S. premiere at Tanglewood Contemporary Music Festival, August 9th 2019, with Chi Li (vln), Samuel Pedersen (vla), Zoë Martlew (vc) at Linde Center, Tanglewood, Mass.

Inspired by the mysterious standing stones and goddess lore that abounds in the beautiful Dorset countryside surrounding Smedmore House (venue for the premiere of this trio) I’ve taken the title of this piece, “Völuspá”, from that of the Poetic Edda, the old Norse collection of anonymous poems in which the Norns appear, the three shadowy goddesses who weave Fate at their looms. In this light it is appropriate that there are three performers, spinning time with their strings... 

The piece was written in the days immediately following the death of Oliver Knussen (1952-2018) to whom the piece is dedicated.

Commissioned by violinist Miranda Fulleylove, who also played in the first performance along with Clara Biss (viola) and Zoë on cello for Purbeck Arts Week Festival 2018.

"Völuspá" for string trio, Zoë Martlew

Musician. Blonde. Metaphysical tendencies.

"Völuspá" for string trio, Zoë Martlew

zoemartlew

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