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Zohar – ZHR002 (5 Sep 2022)

As the shifting of storms, Zohar presents a mystical, thrill-seeking desire. After three years, the second entry in the highly personal ZHR series has arrived.

In Zohar’s renewed modus operandi analog and digital techniques interact with dissected and transformed sound experiments — an eclectic approach that honors the wide musical scope the artist seeks refined and surprising connections in. 

Consciously withholding energy, these seven percussive and pulsating tracks seek a balance between a near teasing attitude, and total transgression. In the end, Zohar’s volatile signature refuses to be contained.

A1. Osh
A2. Metal
A3. Broken (Sometimes, I dance)
A4. KO
B1. Warped
B2. Millie
B3. Pieces


Words: Luke Cohlen 
Master: Gert-Jan van Stiphout 
Artwork: Line Ven

ZHR002 Zohar - OBJECT LP

👾👾👾
I’m a ‘polite rudboi’
2nd single from my upcoming album out Today !

The quest begins in just some weeeeeks. Get reaaady for ‘Cuspide Des Sirènes’.

More info and pre order at bandcamp : https://simocell.bandcamp.com/album/cuspide-des-sir-nes-album?label=1739385335&tab=music

polite rudboi (2nd single from my upcoming album)

Atrice Work Series Part I
self-released & digital only

1. Tinnitus Tonight Is
2. s3-GZ
3. Anomaly

Production, writing, composition: Atrice
Master: Brian Sanhaji at Calyx Mastering
Artwork by Joana Huguenin & HANK SERVICES
Funded by Kulturpauschale Basel-Stadt

Bandcamp

s3-GZ

Bleep Test -  Cocktail Party Effect - Out Now -  YUKU

True Sneaker Social die-hard Etch returns with a monumental new album. Scream of the Butterfly shows the depth and breadth of one of the illest producers operating across the many spheres of club music with a distinct “you ‘kay?” slant.

From the moment the low-end pressure and loaded samples rear their heads on the opening track, Zak Brashill demonstrates his intent to sculpt Scream Of The Butterfly as a proper album — an end-to-end listening experience full of peaks and troughs which focus on sonic storytelling much more than club functionality. Throughout his imperious output to date, the man like Etch has displayed an affinity for sound design to match his instinct for what bangs on the spectrum of dubstep, garage, jungle and hip-hop, but now he’s gone postal on soundworld-building, with a grip of heavyweights drafted in to help set the scene.

Etch - Star Fallen Ft. J-Shadow

🌀💦🔄💦With Liquid Transfers, Esgeem pulls you into an enchanted, misty universe, with vibrant ambience and deep-toned rumbles. Delicate, tangible sounds hypnotize and engage the senses. Half synthetic, half organic textures are layered over on familiar rhythmic structures. Deep, pulsating bass flows between the unhurried and persistent beats of the kick drum. Modest breakdowns emphasize the negative space. This deliberate minimalism only adds to the intensity of the tracks and places the feeling at the forefront: otherworldly, exotic, and brimming with energy.

@esgeem - Leipzig-based producer and dj, part of the Breakfest collective. His productions offer a harmonious balance between sonic introspection and uninhibited movement, drawing from halftime, dub and UK bass to form futuristic club music.

Liquid Transfers

Forest In

@galtier

After 5 standout releases, including debuts from many fresh faces to the left-of-field underground scene, Plasma Sources presents its inaugural compilation: Multi-Source. It brings together the current label family and a slew of other artists operating on the cutting- edge of dance floor electronics for a multi-genre, sound design heavy, wild ride. In turn, the label takes aim at establishing itself as one of the most exciting imprints in the experimental club scene.
From the 90BPM cinematic, Lorn-esque sludge of newcomer Guide’s ‘Gemological’ to the crisp staccato transients and negative space of Ziyiz’s ‘Plastic Sentiments’, each track adheres to one of the guiding principles that the label has employed so effectively to curate it’s platform, irrespective of tempo: a love for sci-fi aesthetics and a desire to transpose these into sonic equivalents.

Plasma Sources has always prided itself on delicately balancing dark and light, release to release. On Multi-Source, this broad spectrum is in full vision. Reinartz offers up dubbed- out, IDM-esque desolation on ‘Action Bias’, whilst Stolen Velour’s ‘Suigetsu’ brings a bright playfulness - high-pitched vocal cuts marry pulsating, organic beats which sound like if Untold’s Hemlock output got a 2024 facelift. Some tracks, like Prior Self’s brooding yet fidgety ‘Turn Out’ and Klahrk & Atrice’s flange-fuelled ‘You’ve Changed’ occupy the centre of this continuum with their takes on high-tempo techno-influenced mutations.

The full label family comes back to join in on the fun. HYPNA and NIQH team up on a collaboration which perfectly unites their sounds under a 4-bar bass-heavy roller laden with noise. NIQH offers up their own track, exploring crystalline club structures on ‘Pressure’. unearth’s cinematic, wasteland-ridden sound is in clear focus on ‘Safe Tread’ and Beton Brut’s signature grime-concrète comes through loud and clear on ‘WWW’.

Cortical offer up ‘Hammer’, a continuation of their relentless avant-techno manifesto established by their debut, whilst J-Shadow rounds things off with a space-age jungle- exploration on ‘X-38'.
The juxtaposition of dark and light. The delicate balancing of experimentalism and dance floor sensibilities. The interweaving of sci-fi and biologically-infused sound design. These are the key aesthetics with which Plasma Sources has approached its output ever since release no.1.
Multi-Source acts as a confirmation of this manifesto as it looks forward to 2025 and its future as a key player in the experimental club scene.

Multi-Source releases on 27 March 2025

Mastering by HYPNA 
Cover Design by Joh000 // Jose Hernández

plasmasources.bandcamp.com
www.instagram.com/plasma__sources

Multi-Source

Galtier - Particle Shifter

KORG Geballer

A09SX

https://power-plant.bandcamp.com/album/temporary-transit-ep

artwork: Dre Roelandt