press & mgmt: mailto:ludovica@modernmatters.net
bookings: mailto:info@clusterartists.com

Lucy is the nom de techno of Italian-born and Berlin-based Luca Mortellaro, one of the genre’s most exciting and ambitious DJ/producers. Since 2009, Mortellaro has focused his work through his own Stroboscopic Artefacts label, building an imprint and personal discography that has established itself as one of techno’s finest.
Lucy (née Luca Mortellaro) is one of the pre-eminent sonic adventurers of his time. Not bound to conventional pre-conceptions of what an electronic musician, producer, or DJ must be, Lucy has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. In doing so, he has become rare as an artist, in his ability to please an audience while also introducing them to elements they were not yet familiar with and thereby pushing them out of their comfort zone. Whether he is acting in the role of producer, DJ, performer, or Stroboscopic Artefacts’ curator, Lucy’s clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in.

For the past twenty years, Argentinian-born, Barcelona-based artist Juan Pablo Pfirter has been a driving force behind a sound that's alternately steely, dark, and uplifting, remaining true to the founding principles of techno while infusing it with his avant-garde touch. 

Since his early days, whether through DJing, producing, or as a label owner, Pfirter has demonstrated his talent with focus and style. He's left his mark on esteemed labels like CLR, Figure, Mord, and Stroboscopic Artefacts with select singles, while headlining renowned electronic music venues and events such as Berghain, Tresor, Concrete, Awakenings, and Time Warp. Since his first European tour in 2005, Juan Pablo has tirelessly shaped one of the most distinctive sounds in contemporary electronic music, blending stadium-sized kicks with textured organic elements and hypnotic sub-bass motifs that remain captivating after countless listens. 

In 2006, Pfirter launched his own imprint, MindTrip, which has since become a prominent fixture in the techno landscape. The label serves not only as a platform for his own productions but also for those of his close friends and collaborators, including luminaries such as Flug, Kashpitzky, Nørbak, Stanislav Tolkachev, Dold, and more. Additionally, MindTrip has thrived through its monthly podcast series, featuring acclaimed artists like Angel Molina, Setaoc Mass, and Amotik, each presenting an hour of music that embodies the ethos of the label. 

Having released over 50 club-oriented records, Pfirter ventured into the realm of albums with 2019's "The Empty Space," offering a panoramic view of the subtle intricacies and emotional depth of his craft. His sophomore album, "Altered States," further explores the nuances and expressive possibilities within techno, balancing club-focused realities with introspective, psychoactive elements deeply rooted in the genre's tradition. 

Continuing to bridge the gap between the visceral and the cerebral, Pfirter consistently delivers compelling works that resonate long after the last strobe light fades. While his singles dominate specialist charts, the depth of his compositions lingers in the minds of listeners long after the club doors close. In Pfirter's hands, darkness becomes oddly comforting, inviting listeners into his unique sonic universe.

www.facebook.com/pfirtermusic
www.soundcloud.com/mindtriprec
www.twitter.com/pfirtermusic
www.pfirtermusic.com
www.mindtripmusic.com

Press: info@streetmeatrecords.com
Booking: booking@streetmeatrecords.com

Back in 2009, Italian DJ and producer Luca Mortellaro - better known simply as Lucy - established the Stroboscopic Artefacts label. And over the last 14 years, the imprint has nurtured a reputation for its line-blurring electronic abstraction and dancefloor experimentation, releasing influential material by artists like Speedy J, Kangding Ray, Donato Dozzy, Paula Temple, Rrose, Ben Klock, Wanton Witch, and of course Lucy themselves. Naturally following the label's ten year threshold, the pandemic pause and Mortellaro's subsequent artistic re-evaluation, OTHER FACTS emerges as a fresh entity, fully unplugged from Stroboscopic Artefacts' dancefloor mainframe, with its gaze pointed on widescreen cinematic sound design and audio-visual art.

CHECK OUT MY LATEST SINGLE:
linktr.ee/klingande

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


We are happy to offer a small selection of the music, played by the DJ´s in our club, to our followers.
Comments are welcome....! If you enjoy our music, give us a like on: https://www.facebook.com/LichtPark?ref=hl

Life is a dancefloor...!

We guide you through daily electronic music adventures in 18 cities incl. Berlin, London and Amsterdam. Find events, clubs and listen to artists. Simple, quick and awesome.

Zottel84 is following