DJ CRIMBO IS NOW ALONE FIGHTING WRONGFUL DETENTION UNDER THE SECTION MENTAL HEALTH ACT

Я БОРЬБА ОДИН (I fight alone) original mix

Everybody (Short Play)

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Esco89 - Everybody (Short Play)

Stefanie Raschke exclusive for Harry Klein 06/16

www.harrykleinclub.de
www.facebook.com/raschkestefanie/
soundcloud.com/stefanie-raschke-2
www.facebook.com/harrykleinclub/

Stefanie Raschke @ Harry Klein Podcast 08

Stephan Zovsky @ 3000 Grad Festival Cosmorama 3016

Welcome to Formatik Mr. Cawa!

check Sascha hier:
www.facebook.com/SaschaCawa.official

Booking-Kontakt Sascha Cawa: matteo@formatik-booking.de

Tracklisting:

WhoMadeWho - Hi & Low (T.M.A Remix)
Florian Busse - Wolves
Sascha Braemer - Sixth Sense
Hyenah - The Chase
Lehar - Zephyr
Monkey Brothers - Somebody (Alexkid Remix)
Olivier Giacomotto - Le Cap
Alec Troniq - We've Been 1000
Nick Curly - Helter Skelter
Luis Junior, Sobi - Don't Give Up On Me Feat. Sobi (D-Nox & Beckers Remix)
Andhim - Horse Society

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FMK Podcast08 - Sascha Cawa

Das "Musik? Das kann ich."-Team bedankt sich bei Lormes!

Hier der Link zu der Facebook-Seite "Musik? Das kann ich.":
www.facebook.com/MusikDasKannIch

Hier die Links zu den Künstler-Profilen.:

Facebook:
www.facebook.com/Lormio

Soundcloud:
@lormes

Musik? Das kann ich. Podcast #117 by Lormes @ Ritter Butzke - Ölfasslager

Here is my Recording of Sonne Mond & Sterne Festival 2018. I'm still speechless and so far my absolute highlight this year!!! 

Thanks for all who were there and danced with me

Avocado

<a href='https://theartistunion.com/tracks/1f1032'>Download for free on The Artist Union</a>

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Avocado @ Sonne Mond Sterne Festival 2018

Wir danken allen korallen Quallen für diese geile Party! Es war uns ein Fest mit euch das Fundbureau abzureißen! Hier könnt ihr den Moment nochmal erleben - viel Spaß beim hören. Bleibt korall ✌🏽🐙

twicet @ Koralle Qualle, Fundbureau | 27.09.19 | Hamburg

TASCAM DR-40

Felix Eul @ Die Rakete - Elektrisch 15.11.2019

Guten Abend lieber Hörer,

dieses Set stammt aus dem Poseidontempel, geschaffen und belebt für Konception - Tauchgang durch Atlantis. 
In den kommenden anderthalb Stunden erwarten Euch 18 liebevoll ausgewählte und spannungsreich kombinierte Tracks. Wer auf treibende Bässe, düstere Atmos und geheimnisumwobene Vocals abfährt, ist bei mir wieder einmal genau richtig. 

Es war mir eine ganz besondere Freude meinen Abschied gemeinsam mit Euch zu feiern. Ich freue mich auf ein herzliches Wiedersehen im Juni. 

Artwork https://soundcloud.com/finnsn

Euer Case

Life of Case

"Abtauchen mit Case"

Free Download

Starkato
Soundcloud: @starkato
Facebook: facebook.com/starkatomusic
Instagram: instagram.com/starkato

INTERVIEW

What do you do to get into a creative state?
"Sometimes the machines just inspire me, sometimes I open a bottle of wine."

Where do you draw your inspiration from?
"Situations that I’m finding myself in in, the feelings I have, technology around me."

What do you love most about being an artist?
"Touching peoples hearts man. Seeing happy faces at gigs or getting messages of people that are moved by my music gives me a lot of strength."

How do you stay focussed in a world of constant distraction?
"Just turn off notifications & zero in on the machines. I have a lot of trouble focussing, so eliminating distractions helps me a lot."

Do you have a morning routine?
"Hell no, I’m not a morning person!"

What fascinates you about your art from?
"One guy sitting in his basement can do it all, create an atmosphere & make people move and feel – the ability to convey emotion through a technological intermediary."

What, for you, is the purpose of art?
"Expressing yourself through a medium & let other people feel by coming in contact with your work. Art does not necessarily has to have a function, in contrast to design – a lot of dance music (including mine) is more design than art."

What is sacred to you?
"Staying true to myself, integrity is key. I like the Egyptian afterlife concept of having your heart weighed against a feather."

What is your opinion on success?
"Success is when you look back on the path you treaded & get a warm, fuzzy feeling."

What is your opinion on failure?
"Failure is such a loaded term. The absence of success is not failure & failing a goal you set for yourself is not actually a bad thing. Every „failure“ is something you can learn from and improve."

What would your 16 year old you think about what you’re doing today?
"Since my 16 year old self was already dabbling with Ableton he would be like 'Damn you have all that gear - make more music!'“

What makes you laugh?
"Dogs. Dogs are awesome."

In which ways could the scene improve in the future?
"Right now there’s too much focus on self-marketing via social media & less on creativity and skill. This is in part due to an over-saturation of the market which makes it hard to be the cream rising to the top. I hope that in the future we find a way to honor quality & dedication and focus less on shiny pictures & follower metrics. 
Women are still underrepresented in my scene (especially on the production side) and sexism is still a thing. Hopefully, we can be more welcoming & kind towards dedicated female newcomers and have a more diverse palette of creative output together. 
What also bothers me is the stagnation. E.g., once there is a successful sound, a bunch of copycats swoop in and the market is flooded with „same-ish“, uninspired works. How did we evolve from ten years ago? Right now a lot of the new stuff that is most visible sounds like boring, recycled 90s stuff. Electronic music & especially Techno was once a promise of uncharted sonic territory and possiblity, so why do we always go back to the same 909 Drums and Acid Lines?"

Who will considerably give direction to the scene soon?
"Right now, we’re at a turning point due to the COVID-19 quarantine. After the dust settles I really hope that the underground spirit returns and a lot of new & creative artists emerge and get a chance to be heard. This is an extinction-level event for the clubbing scene, but after a forest fire new life always springs. And I really hope that the younger generation of artists will rise to the occasion and bring a new sonic diversity to the scene."

Favorite release at the moment & of all times?
"At the moment I really dig the first Koelsch Album 1977. 
Favorite release of all times is a hard pick. With Teeth by Nine Inch Nails and Gui Boratto’s Chromophobia have a special place in my heart."

Tracklist

Introduction 105 | Starkato

[EN]

To say Stephan Zovsky's career started in 2019 would be wrong. It would omit any mention of the two decades of DJing he’s got under his belt already, with countless gigs all over the place. It would omit any mention of his 2010 album ‘The Village’, produced with long-year musical partner Sandro Schäufler. It would omit any mention of his first set as Green Lake Project in 2016. No, to say his career started in 2019 would be plain out wrong.

Yet 2019 is a milestone year in the life of this prolific creative from Mecklenburg Vorpommern, that rural North-Eastern corner of Germany. It's the year his ‘Connect EP’ is out on 3000Grad Records, the first of a perpetual string of releases. It's the year Stephan Zovsky starts his own label Sueslide, a launching pad for his growing musical output that finally meets his notoriously high quality standards towards himself. It's also the year ‘GLP’ drops - the debut album of Green Lake Project, his successful joint venture with Mollono.Bass.

His ever increasing skill level as a DJ and producer resonates intensely with the scene and its dancefloors: His tracks rank high in prestigious charts. His inbox is flooded with remix requests, some even from rather remote music scenes like Indie or Trance. He is invited to perform his Stephan Zovsky liveact at Fusion Festival's famous Turmbühne in 2021.

His diverse background and tireless productivity make it impossible to pin Stephan Zovsky down to a particular genre. Anyway, mentioning his name in one breath with the term ‘Melodic Techno’ doesn't make him frown; the terms ‘tool-like’, ‘DJ-oriented’ or ‘club-ready’ make him smile. You won't hear him playing obvious bawl-along hits, but neither will you hear him playing nerdy, overly intellectual tunes. His understated, functional style sits comfortably in the middle, making him the perfect prime time artist for those moments when it's all about no-frills, strictly-thrills dancefloor ecstasy.

[DE]

Es wäre falsch zu behaupten, die Geschichte von Stephan Zovsky hätte 2019 ihren Anfang. Das würde verschweigen, dass er an diesem Punkt schon auf zwei Jahrzehnte als DJ zurückblickt, auf unzählige Auftritte an ebenso vielen Orten. Es würde sein 2010 erschienenes Album ‘The Village’ unerwähnt lassen, das zusammen mit seinem langjährigen Musik-Partner Sandro Schäufler entstanden ist. Es würde sein erstes Green Lake Projekt Set im Jahre 2016 unterschlagen. Nein, es wäre wirklich falsch zu behaupten, diese Geschichte hätte 2019 ihren Anfang.

Und doch ist 2019 ein entscheidendes Jahr für diesen umtriebigen und ideenreichen Charakter aus Mecklenburg-Vorpommern. Es ist das Jahr, in dem seine ‘Connect EP’ auf 3000Grad Records erscheint, und mit ihr beginnt ein kontinuierlicher Strom von Veröffentlichungen, der seither nicht mehr abreißt. Es ist das Jahr, in dem Stephan Zovsky sein eigenes Label Sueslide startet, als unabhängige Veröffentlichungsplattform für seine immer zahlreicher werdenden Produktionen, die nun endlich seinem äußerst selbstkritischen Qualitätsanspruch gerecht werden. Es ist das Jahr, in dem 'GLP' erscheint, das erste Album von Green Lake Project, seinem erfolgreichen Gemeinschaftsprojekt mit Mollono.Bass.

Seine beständig wachsende Kunstfertigkeit hinterlässt in der Szene und auf ihren Dancefloors einen deutlich spürbaren Eindruck: Seine Tracks tauchen regelmäßig in viel beachteten Charts auf. Ihn erreichen immer mehr Anfragen für Remixes, sogar aus recht weit entfernten Szenen wie etwa dem Indie- oder Trance-Umfeld. Er wird mit seinem Stephan Zovsky Liveact auf die sagenumwobene Turmbühne des Fusion Festivals 2021 eingeladen.

Mit Blick auf seinen vielfältigen Hintergrund und seine unermüdliche Produktivität ist es schlichtweg unmöglich, Stephan Zovsky einem bestimmten Genre zuzuordnen. Wenn wir ihn in einem Atemzug mit dem Begriff 'Melodic Techno' erwähnen, dann runzelt er zumindest nicht die Stirn; wenn wir Begriffe wie 'toolartig', 'DJ-tauglich' oder 'tanzflächenkompatibel’' verwenden, dann schmunzelt er. Vorhersehbare Mitgröhl-Hits gibt es von ihm ebenso wenig zu hören wie allzu verkopften Frickel-Sound. Mit seinen funktionalen und doch subtilen Sets passt er ideal in jene Art von Spitzenzeit, in der es ganz ohne Hype und Schnickschnack einfach nur gediegen zur Sache gehen soll.

Stephan Zovsky @ 3000 Grad Festival Cosmorama 3016

Stephan Zovsky

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