For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

RŌNIN II - PRE-ORDER NOW
http://lnk.to/unkleronin2

MANAGEMENT - - - - ➔
charlie@palmartists.com

BOOKING  - - - - ➔
North & South America: bshprits@teamwass.com
AUS/NZ - stuart.balfour@tmrw.com.au

Artist > DJ > Producer > Storyteller 
Innovator of Hi-Tech-Soul. 

The music career of Dimitri Kneppers (1967), generally known as ‘Dimitri’, reads like an encyclopaedia. A Dutch encyclopaedia, that is. After  nearly 40 years of spinning records you could call him a true veteran, known for his enormous sensitivity, true feeling and mixing skills.

Dimitri starts his deejay career in clubs by the age of 17. 

In 1988 he obtains a residency at the legandary RoXY in Amsterdam and becomes one of the pioneers of house music in The Netherlands.

His HTSM (Hi-Tech-Soul Movement) nights draws clubbers from all over the globe to hear his own unique style of music and mixing techniques. 

By 1991 he spins at all the major (warehouse) parties in The Netherlands, Belgium and Italy.

He releases his first records and starts his own label Be.S.T. (Beautiful Soul Techno). 

From 1992 onwards he continues to take over the world with gigs from Tokyo to Australia, Paris to Peru and residences at Twilo in New York and Ibiza.

In 2007 Dimitri takes a 3 year sabbatical (after playing non-stop for 23 years), trading the club scene for life on a farm and voluntary work with children with learning disabilities. 

In 2010 he returns with his ‘All Night Long’ residency at the legandary club Trouw Amsterdam, one of the best venues in Europe.  

In 2013 he suffers from a life threatening bacterial infection and loses his right underleg. But he is back at the desks in Trouw in only 5 months, proving that music has the power to heal, one of his strong inner beliefs.

Today Dimitri plays in clubs and at festivals all over Europe.
At Amsterdam’s number one venue Thuishaven he finds his new residency for his infamous 10 hour storytelling sets, taking the crowd on a journey through a wide range of energetic, spacious, melodic and hypnotic musicstyles. 

As a producer Dimitri (Kneppers) is always working on new music.
He releases on labels like KMS, Planet E Communications Detroit and Metrohm.

Deep-techy-click'n'cut-whatever-house music lover and other electronic music styles experimenter  ...

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

New album "Something Like That?" OUT NOW

👉🏼 https://skeewiff.lnk.to/SomethingLikeThat 👈🏼

North/South America and Asia:
lhughes@teamwass.com
dhoffman@teamwass.com

Australia:
paul@posterchild.com.au

MANAGEMENT CONTACT:
matt@slntmachine.com

For Sam Walker and Gavin Royce, the question is the fundamental test of their studio output. Simple as it may sound, for this perfectionist pair it’s anything but. Their innate dance floor intuition, combined with years of experience behind the decks, drives them to create music that isn’t just playable — it’s irresistible.

First introduced by way of New York City's early-aughts dance music scene, Sam Walker and Gavin Royce first teamed up for a remix in 2011. The duo found early success on tastemaker labels like Crosstown Rebels, OFF Recordings, and Moda Black, scoring an Essential New Tune nod from Pete Tong with 2014’s “Sister.”  The indie dance and deep house sounds that informed Walker & Royce’s earliest work soon gave way to something different. Quirky accents and bouncy synths, previously deeper in the mix, leapt to the forefront, backed by a propulsive new energy. The success of their November 2015 “Bright Lights” remix was a clear indication that they were onto something.

In October 2017, Walker & Royce released their debut album Self Help on Dirtybird, which both showcased and expanded upon their now-signature sound. The guys enlisted numerous vocalists, including Green Velvet, Dances With White Girls, and Sophiegrophy, to make Self Help feel like a packed house party – while leaving no doubt about who was hosting.  Self Help was followed by further experimentation and growth. Sam and Gavin have collaborated with Claude Vonstroke, Ardalan, Chris Lake and VNSSA just to name a few as well as remixed Channel Tres, LP Giobbi, The Knocks, Justin Jay, Gorgon City, Mindchatter; and put out music on Relief, Black Book, HotBOi Records and more. Their Rave Grave EP was the inaugural release on Diplo’s house-focused imprint Higher Ground.  Continuing to push boundaries, they have launched their own label Rules Don’t Apply Records, with the ethos just as the name states…No Rules, just good music.

Walker & Royce have spent years honing in on their one-of-a-kind style, meticulously crafting the sounds they want their fans to hear in clubs, at festivals and in their headphones. The result is a cohesive, career-defining body of work that firmly places the duo at the forefront of dance music's future.

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

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