It took me a while to start writing electronic music. It all started back in hairy 2004, when my friend and I were recording a guitar on a cassette recorder and singing all sorts of nonsense. I began to realize that I feel music and rhythm well, and closer to 2005 we created a team where I worked exclusively on vocals. At the same time, I started getting interested in Chemical Brothers and Prodigy, and I was thinking that it would be great to incorporate electronics into our songs. Soon the band fell apart, and I decided to pursue electronic music, bought a piano tutorial, a MIDI keyboard, connected it via the MIDI interface to the FL 5, delved into the sequencer, and began writing tracks.....
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Now, having more than thirty years of my life behind me, despite my constant work, I continued to do what I always did, I additionally fell in love with techno and its music, and I have accumulated a decent vinyl collection (about 500 records) in this style. Accordingly, more mixes began to appear. Listen to TECHNOPUZZLE and my new tracks.

in dance marathons I have no equal in lambada

' Oriental Force ' is small Live / Dj Bar in Koenji , Tokyo .
This space is organized by Oriental Love a.k.a. Kaya Takada.
If you will visit Tokyo , Please come to my space

Anna Mikhailova was born on February 17, 1984 in Moscow. Starting composing at 4 years old with paint buckets and her grandfather’s shotgun, making the first opera at 10 years old and having first solo concerts with her music at 11 years old. Accomplished piano, organ and koto player, opera, film and theater director, ethnomusicologist and multimedia artist.
Anna Mikhailova graduated in Rotterdam University of Arts as a theater director (2013), Den Haag Royal Conservatory composition and sonology department (2011), Chicago Columbia University film music (2008) and Moscow Tchaikovsky Conservatory (2007) as a composer, organ and koto player. She creates fusions of contemporary music, theatre and performance art. The key of her work is not only to express herself through art but to make work that resonates with nowadays society and creates space for the audience to discover their personal reasons to be. This approach culminates in her current work on the ULTIMATE OPERA PROJECT by bringing the opera into a new multiple and dimensional language, narrative structures, experiment and media

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