“And now for something completely different.”

Beauty is timeless and formless
This interpretation of Johann Sebastian Bach's "Bourrée in E minor," created between 1708 and 1717, 
is fascinating not because of my way of arranging it for the listener, but because of the fact 
that this piece of music is more than 300 years old and reveals its full beauty through the 
interpretation of two sawtooth oscillators, supplemented in the second part by the two TB 303s.

I love Bach, and even if "The Residents" says "Bach is dead," I would like to deny that with a 
swollen chest and say "may he live forever." (or as long as we can still hear.)
Bach's style of composing was quite mathematical, as can be clearly seen in this piece.

He forces the listener into his beat, relentlessly and continuously demonstrating that when someone 
masters two parallel tones, even after 300 years, none of the creative brilliance and unique quality 
of his music is lost...

This piece, originally written for guitar, is listed in the Bach catalogue of works under BWV 996.

Is such an interpretation appropriate? 
I think it shows that music consists of tones and that they are the source of joy, 
independent of the sound producer! 

What is your opinion?

O ZERO

J.S.Bach interpretation by O ZERO

44x0 J.S.Bach "Bourrée in E minor" BWV 996, interpretation by O ZERO

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Music made by hands, not algorithms...