Medication

Slow Motion [ Clip Vidéo YOUTUBE ] [123 BPM]

As I mentioned in another recent song post, @dough-factory and I have collaborated on a bunch of music in years past. This is the second recent song from us, eventually to be included on an upcoming album. 

Ryan came up with the original drums and bass seed of this song, sent it to me and I laid down some guitar and synth. He then arranged the pieces and added a killer vocal track. He also gets credit for the production work on this one. Thanks for listening, friends!

Here is a link our other recent track, Dive:
https://soundcloud.com/tea_are_sea/dive


Terms

Free Eye Atlas

Let yourself drift in a sea of dark rippling synth bass, haunting vocal elements and downtempo hiphop beats... 
Some questions will always remain unanswered...
Watch the video here:
https://www.youtube.com/watch?v=BKbc1hha878

I look up and see the sky
And I'm left to wonder why

Soft Ghost

Blue Light Disco - Intro

Special Thanks

My heartfelt thanks go to my wonderful wife Nicole, and to the eleven amazing musicians and friends who took the time to listen to my new track and share their honest feedback:

Donna Dior, Michele Ansani, Jens Sieckmann, Andronix, Axel Menningen, Janne Hennie,  Beats by Luke, Neowakan (Aileen Asatouri), Stefan Kraft, Anastasya Ihnatovich, and Siamak Sarmadian.

Your support, thoughts, and recommendations mean so much to me and truly help me grow as an artist. Without such an inspiring community, this journey would not be the same. I deeply appreciate your openness and encouragement.
🎶❤️🎶

Yearning is a sorrowful and deeply melancholic piece that takes the listener on a journey of longing and inner conflict. The track unfolds slowly, carrying moments of pain and hope, and gradually builds into a powerful, epic finale.
It is music that makes emotions tangible – between darkness and light, silence and monumental grandeur.

Yearning ist ein wehmütiges und zutiefst melancholisches Werk, das den Hörer auf eine Reise voller Sehnsucht und innerer Zerrissenheit führt. Der Track entfaltet sich langsam, trägt die leisen Momente von Schmerz und Hoffnung in sich und steigert sich Schritt für Schritt zu einem kraftvollen, epischen Finale.
Es ist Musik, die Emotionen spürbar macht – zwischen Dunkelheit und Licht, Stille und gewaltiger Größe.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.
℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.

Yearning

In The Clurrb

Cast of Characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar delayed, foundational rhythm guitar
J.J. Terrell– @j-j-terrell – Yamaha Genos 2 Synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric giutar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- ovation acoustic guitar, vocals, and lyrics

This song began in Artur's jam room at his house, where he creates all of his amazing music on his Fender Jaguar, which is perfect for the surf sound, at which he's a master. He shared it with Josh, who shared it with the group.
  Before Josh could lay down a bass part to it, though, JJ came up with his elegantly moody synth and laid it down. The rhythm section, Josh and Ken, then did their usual dance, dialing it in with some back and forth. Stephen was next in line, adding a subtle duet with Artur's chords. Tez then played the ethereal lead throughout most of it. Stephen, after it was pretty much laid down, came through with the ripping wah solo towards the end.
  Once the music was all taken care of, Carl came up with some great lyrics for it, and sang them, as the newest member of the group. He also laid down an accompanying acoustic rhythm guitar part, too. After Carl did his thing, we turned it over to Stephen for a mix, which he did with his professional skill set.
  This is the latest in a long line of surf rock tunes Artur has shared with Eclectic Collective. If you dig the sound, he has plenty more great ones on his page, which are worth checking out, too. We tried to do this with a little nod to The Police, the band, not the profession. We hope you enjoy listening to it as much as we enjoyed making it. Thanks for listening.
Original lyrics by The Beautiful Dark:

Who said we're different
We got our genes and our names
One human mission
Heart fused like fission
Real collective brains

Pure pine for pure
Pleased though holds hands
Reel in one love
Filter for our sands

I feel the same as you
No provocation ever making us blue
I feel the same as you
No provocation ever making us blue

I feel the same as you
Let music train our clue
No place like home we woo
I feel the same as you

I feel the same as you
Let music train our clue
No place like home we woo
I feel the same as you

I Feel the Same as You (Eclectic Collective with Surfers Like Us)

🎸🥁🎶⁂©All Rights Reserved 09-2025
©Mixer, Mastering, Creator: Lady ElectroTrek
***

Emotions Moving: Flash Foward & Flashback

Tied To A Vision

“And now for something completely different.”

Beauty is timeless and formless
This interpretation of Johann Sebastian Bach's "Bourrée in E minor," created between 1708 and 1717, 
is fascinating not because of my way of arranging it for the listener, but because of the fact 
that this piece of music is more than 300 years old and reveals its full beauty through the 
interpretation of two sawtooth oscillators, supplemented in the second part by the two TB 303s.

I love Bach, and even if "The Residents" says "Bach is dead," I would like to deny that with a 
swollen chest and say "may he live forever." (or as long as we can still hear.)
Bach's style of composing was quite mathematical, as can be clearly seen in this piece.

He forces the listener into his beat, relentlessly and continuously demonstrating that when someone 
masters two parallel tones, even after 300 years, none of the creative brilliance and unique quality 
of his music is lost...

This piece, originally written for guitar, is listed in the Bach catalogue of works under BWV 996.

Is such an interpretation appropriate? 
I think it shows that music consists of tones and that they are the source of joy, 
independent of the sound producer! 

What is your opinion?

O ZERO

J.S.Bach interpretation by O ZERO

44x0 J.S.Bach "Bourrée in E minor" BWV 996, interpretation by O ZERO

instagram.com/0zero512
https://www.youtube.com/@ZeroNull881

Music made by hands, not algorithms...