jjjacob & B E N N - Tomb Tocsin

T5UMUT5UMU - Clouds

Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

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Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

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Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

Kitbashing

ABADIR - Kicks and Clickbaits

Kuboraum is pleased to present the latest chapter of the Digital Sound Residency with 'Fluffy' by Mun Sing, the alias of Bristol-based producer, songwriter, visual artist and DJ, Harry Wright.

Mun Sing has carved out a reputation for exhilarating live performances and theatrical, complex club productions where irony, skewed rhythms and warped vocals collide into unpredictable sonic landscapes. After his acclaimed debut album 'Inflatable Gravestone' (Planet Mu, 2023), hailed by critics and listed among Resident Advisor’s best albums of the year, and his recent chaotic dancefloor EP 'Frolic' (Illegal Data, 2025), Fluffy offers a condensed yet powerful immersion into his most eccentric and vulnerable language.

In 'Fluffy', lightness and dissonance coexist: playful, camp gestures dissolve into fractured, distorted bursts, turning the very notion of “softness” into a sonic experience of excess, fragility, and confrontation.
A short preview video accompanies the release, offering a glimpse into Mun Sing’s visual universe - saturated, surreal, and deliberately unstable - expanding the ways in which the piece can be perceived.

‘Fluffy’ will be available to download by subscribing to Kuboraum Berlin News via link in bio.

Mastering by Giuseppe Tillieci at EnissLab.

Mun Sing - Fluffy

“Softer hands” introduces a reality where art-electronics emerge from familiar club language. Sentimental melodies spray delicate feelings over metallic, hypnotising backgrounds. Distant, angelic choirs are softly moulded and shaped by whirring mechanical sounds, hisses and swooshes. Over time, the music leads inward, letting light through densely packed soundscapes. The result is touching, otherworldly, at times uncanny or post-apocalyptic, like an ensemble of machines learning to feel. The circle of three remixers perfectly understands the language cratje operates in, adding to the universe created within four original tracks. 
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cratje is a co-runner of MONTAGE, a Brussels-based trans-medial output, and host of "Stoute Muziek," a radio show on KIOSK.

cratje - petit temple

Fruitbody

Jake

/ 𝓢𝓦𝓘𝓝𝓔 𝓟𝓡𝓔𝓜𝓘𝓔𝓡𝓔 / @fae-bestia - "LET THE LAVA SOAK" from her new EP called "GOD DIGGER" via Prague-based label @wrongprague

➠ "Gravel crushes bone. Mud on my knees, dirt paints me a french manicure. Everything wants to bury me before I dig it out. What’s a God to a non-believer? Rain falls in the sound of your name, while lava burns mine into the concrete."

➠ Experimental collective and label Wrong is announcing a new "GOD DIGGER EP" by Prague-based electronic producer and vocalist Fæ Bestia. Three cuts range from singers's signature ethereal vocal atmosphere through unsettling dark & heavy slowness to uncompromising club rawness. 

Digital release on the 3rd of October 2025
Limited edition of 7” lathe cuts on the 3rd of December 2025

∎ Written, produced & mixed by Fæ Bestia
∎ Mastered by Oliver Torr
∎ Cover by Iryna Drahun
∎ Styling by Yen Dang


[Swine Premiere] Fæ Bestia - LET THE LAVA SOAK (Wrong)

Residency show broadcasted live at Radio Tempo Não Pára (27.09.2025)

Artist: @wulffluw94

WULFFLUW XCIV @ Radio TNP 27.09.25

SCARIESTGIRLINTHEWORLD LIVE @ FINANCE TEAM EORA

tracklist 

Ssaliva - Meds Freestyle
C.T.M - Interludio En El Abismo
Entranas X NTFL X ENE Ese -El Presagio Sin Cabeza
Sexyy Red - Skee Yee (K1ra Mess)
Lao- 100 Wave Mambo
Abssys - Halo Cut
Xeccute - Headless
Lauren Duffus - N.U.M.T.E. (Florence Sinclair Remix)
Babydoom - Don’t Flex (Feat. Renz)
JLSXND7RS - Error
Wounder - Rust And Fires (Feat. Felix Lee)
B E N N - Ye Ming
Omaar - Neo Form
Silkback - Knot
DJ LOUI FROM JUPITER4 -secuencia inicial

jjjacob - untitled [forthcoming on janushoved]
Sykors - FortresStorm
22stain - silentfountain
Malibu - So Sweet & Willing
Willo, e.vr. - The Square
Lido - OCARINA lite.gba
icfam - Sun Wind Sailor
Sodomland - Musix
Emptyset - Gate 3
Sideproject - perlin worm
DoVs - Frames
Starleaf - Spruce Highway
Lefka - Mitsubishi Mistupisci
J Sliwa - Dragonslayer
Downhill2k01 - So Mote It Be
Eev Frances - Burner (v2)
jjjacob - DANXAL

PM RADIO w ENDGAME & jjjacob (Aug 25)

SWINE PREMIERE: Debut album by duo @idylltwice for @saldefete / Check out the single "Candlelights"

Peter: It’s like a lullaby. And it continues to repeat over itself and then stays in your head, instead of ‘let the words do the talking’, which is a clear chorus song. In the previous question, I said the word genre, a word that can be very disliked within certain music scenes. In this album, you navigate through drum and bass, shoegaze, DIY, trip hop, folk, spoken word, and so many genres. It is all done in a seemingly effortless manner, but did this come naturally?

Dorian: I think the fact that we're both doing editing helped a lot. I'm doing video editing, and Ryo’s doing sound editing of films for a living. So it's something we are comfortable working with. You have different layers: lyrics, melody, rhythm, textures, and the way they’re combined can create different stories. It’s like a long walk where you’ve got interactions that bring you to another one, and to another one, etc…

Ryo: It’s funny because we both grew up learning how to play and write music within a band, where we mimicked stereotyped genres, but for this project, it was a completely different process. You have to lay all of your materials inside a timeline and figure out how they can coexist and evolve together. I think that’s why we never actually talked about genre.

Read the interview here: https://swinedaily.com/idyll-twice-interview/

Written, produced, mixed, and mastered by idyll twice.
Artwork by Flore Balas and Guilhem Prat 
Follow idyll twice on Instagram >> www.instagram.com/idyll_twice/

[Swine Premiere] idyll twice - Candlelights (Sal de Fête)

seeding the experimental field since 2020
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00effort label encourages diversity and promotes genre-bending electronic music, created by emerging producers from Poland and beyond💫

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